How Have Smartphone Cameras Gotten So Good?

Techquickie ·Techquickie ·2019-05-06 · 1,312 words · ~6 min read
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0:00 thanks for watching tech wiki click the subscribe button then enable
0:03 notifications with the Bell icon so you won't miss any future videos all cameras
0:08 big and small work on the same fundamental principle light going
0:12 through the lens and hitting a sensor where it gets processed and converted
0:15 into the image you see on your screen with more light generally meaning better
0:20 image quality that's why bulky DSLR and
0:23 mirrorless cameras with their big interchangeable lenses and their larger
0:28 sensors are the weapon of choice for professional photographers so given that
0:33 the sensors inside smartphone cameras haven't actually increased much in size
0:39 since they were debuted by sharp almost two decades ago how can their image
0:44 quality be so much better today than it was then well one big improvement is in
0:50 the number of receptor sites on the sensor which is typically measured in
0:54 millions of pixels or megapixels improvements in microscale manufacturing
0:59 have allowed manufacturers to cram many times more of these onto your camera's
1:04 sensor and the more of them you have the more light samples can be collected
1:08 giving you a finer image there are at least two a point as you can learn more
1:13 about in this episode adding more megapixels stops helping and can even
1:18 hinder image quality past a certain point so there's got to be more to it
1:23 and there is from our previous episode
1:26 explaining aperture you might know that every lens has a rating or a range of
1:31 rating in f-stops the lower the f-stop
1:34 the wider it can open up and the more light can pass through this will improve
1:39 image quality especially in situations where there isn't much ambient light
1:43 like in the club but another aspect of
1:48 the lens that isn't so easy to read off of a spec sheet is its composition in
1:52 the early days of cell phone cameras cheap plastic or composite lenses were
1:57 used not only were they less clear and more likely to distort the light passing
2:02 through them blurring the image they were much more prone to scratching even
2:06 against the materials in your pocket meaning that over time your camera's
2:09 performance would degrade modern lenses by contrast are engineering marvels
2:14 crafted from exotic materials like sapphire glass with multiple carefully
2:19 engineered elements in them for much better clarity and with some extra
2:24 tricks as well back to our club shop for a minute one of the ways to get around
2:29 low-light conditions is to simply leave the shutter open for longer allowing it
2:34 to capture more of those precious photons but I'm sure I'm not the only
2:37 one who's tried to quickly snap a pic of something dark only to realize that it's
2:42 crazy blurry well one trick of modern lenses to compensate for handshake under
2:48 darker conditions is to use gyroscopes data combined with electromagnets around
2:53 the lens to help your phone camera stay still this is called optical image
2:58 stabilization of course no one would
3:02 want a crystal-clear image if it looked like this let's talk about dynamic range
3:06 in a nutshell if your dynamic range is poor it will cause bright areas to be
3:12 blown out and dark areas to lose detail
3:15 or crush some newer smartphones compensate for this though by saving
3:20 multiple frames at different exposure levels every time you press the shutter
3:25 button then they can analyze these
3:28 frames and average them in a way that minimizes blur and noise algorithmically
3:33 a little like mixing strong and weak coffee to make something that's
3:37 drinkable of course that leads us perfectly into another improvement
3:41 faster processors modern phone s o C's
3:44 not only have better CPUs and GPUs in them allowing them to quickly perform
3:49 the functions I just mentioned and provide further assistance to optically
3:53 stabilized lenses even at high speed in burst modes or while recording slow
3:57 motion video but some of them even have specialized Hardware usually branded as
4:03 a neural processor or AI processor that
4:06 can be trained to identify the subject of the video or photo adjusting the
4:11 color processing to best capture the shooters intent which leads us perfectly
4:15 then to focus we've all seen it a gorgeous detailed shot of the wall
4:21 behind your friend traditional phone cameras relied on the contrast detection
4:26 to directly focus on the subject of a photo which means that they used
4:30 brightness differences in the scene to determine where to focus this is an
4:35 inexact science at best more advanced
4:39 modern phones can use the phase detection a technique which analyzes how
4:44 the left and right sides of the lens see
4:47 slightly different images to decide on
4:50 the focus with some of them also using infrared lasers that fire at the object
4:55 of a photo to determine the distance similar to a police radar gap on the
5:00 subject of depth detection to an increasing number of phones recently are
5:04 using two cameras or even more with at
5:07 least one of them being equipped with a wider lens not only does this allow for
5:12 otherwise impossible wide-angle shots because at this point anyway you can't
5:16 change out the lens on a smartphone but it also enables much easier depth
5:22 sensing meaning that these phones can simulate depth of field or bokeh effects
5:27 for an artistic and dramatic blurred background cool then right so with all
5:32 this technology jam-packed into our phones why even buy a separate digital
5:37 camera well because it's important to remember that some of the awesome
5:41 results that you see with smartphone cameras are due to approximations for
5:46 example the depth of field effect on a modern smartphone is applied in software
5:51 at the point where the phone thinks the focus should change that means that
5:57 under anything but ideal conditions your mileage may vary significantly
6:02 also since the sensors inside phones are
6:05 still quite small they continue to struggle in low-light because they
6:10 simply can't see enough photons to make
6:13 a good looking image in many cases combine that with the inability to put
6:17 even a decent optical zoom on a phone without making it quite a bit fatter and
6:21 it suddenly all makes sense why professionals still use traditional
6:25 cameras even so though for things like casual shots of your kids and drone
6:30 footage phone cameras have become an incredibly powerful and versatile tool
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