Starter Cameras for Under $1,000

Linus Tech Tips ·Linus Tech Tips ·2016-05-06 · 1,412 words · ~7 min read
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0:00 So, our friends over at B&H graciously offered to send me a few cameras of my
0:04 choice to check out. And since you guys always ask what Canon camera you should
0:07 buy within a certain budget, I thought, let's talk about that. So, today, let's
0:11 take a look at what you can get today under $1,000.
0:23 B&H is our go-to place to shop for all of our photo, video, and audio
0:27 solutions. Check out the link in the video's description to learn more. To be
0:31 clear, when looking at the $1,000 price point, I wanted to find cameras that you
0:35 could actually shoot with for that amount of money. Potential lens cost
0:38 included. There are cameras like the Blackmagic Pocket and the recently
0:41 released Sony a6300, which come in at under $1,000, but for the body only. So,
0:47 for that price point, to get them shoot ready, you would need to spend a bit more depending on your needs. So, let's
0:52 dive into your options below the $1,000 price point. First up, we have Sony's
0:56 RX100 Mark IV. Now, while it's a point and shoot, it is by no means a slouch
1:00 when it comes to stills or video. On the inside, the RX100 has a 24 megapixel 1
1:05 in sensor with Sony's latest Bion's X processor. Glass-wise, it's sporting a
1:09 35mm equivalent focal length of 24 to 70 mm from Zeiss that has a rather fast
1:14 iris range of f1.8 to f2.8, which will
1:18 still give you the ability to obtain a shallow depth of field even from the
1:22 smaller sensor. Along with all the hardware specs, the RX100 boasts 4K
1:25 video up to 30 FPS at 100 megabits per second and 1080p up to 120 FPS with a
1:32 high frame rate mode that goes all the way up to 960 frames per second being
1:37 available in various lower resolutions. The RX100 is great if your needs fit
1:41 within the functionality of a point andoot camera. To me, it's a great
1:44 sidearm camera for quick shots or stills where you don't want to carry a bigger
1:48 body, but still want a really solid image. In our tech shopping in
1:51 Switzerland video, 90% of the footage used was shot on the RX100 shooting in
1:55 4K at 30 FPS. It was the perfect fit for that video since we didn't really want
1:59 to draw too much attention to ourselves while shooting in each location. As far
2:04 as point and shoots go, the RX100 is the bleeding edge of what technology has to
2:08 offer in a compact camera. But if a point andoot isn't quite your speed,
2:11 let's take a look at your other options. So, this is the Canon T6i or 750D in
2:16 regions outside North America. Similar to my very first camera, the Canon 60D,
2:21 it's a mid-tier DSLR in Canon's range and sports a 24 megapixel sensor and a
2:26 fairly standard DSLR sized body that has a rather useful articulating 3-in
2:31 touchscreen that you can control all of your settings from. Or, if you're like
2:35 me and prefer buttons, it has physical buttons and dials for all of your most
2:38 important settings like ISO, shutter speed, and iris control. Now, while the
2:42 T6i is not a groundbreaking camera for its class in the same way the RX100 is,
2:47 it still offers plenty to those of you just starting out, the APS-C size sensor
2:51 will give you the control to have a shallower depth of field if you really want to isolate your subjects from the
2:56 background. The EF mount on the T6i gives you access to the wide range of
3:00 glass available to Canon cameras like this very inexpensive Canon 50mm F1.8,
3:05 which when paired with the T6i is still comfortably under $1,000. Video-wise,
3:09 you're getting 1080p up to 30 FPS and 60 FPS being available at 720p. On paper,
3:15 the T6i doesn't quite match the RX100's video settings, but specs aren't
3:20 everything. As a 1080p camera, it's still a great way to learn the basics of
3:23 exposure, composition, and what makes a good image in general. And as a stills
3:27 camera, the T6i is still a worthy first step, particularly in its color
3:32 reproduction, which Canon has become known for over the years. Now, if a
3:35 traditional DSLR and a point and shoot don't really fit your needs, you might
3:38 want to take a look at Panasonic's G7. Coming in at $550, the lowest in our
3:44 lineup, it's a 16 megapixel micro four third size sensor capable of very
3:49 similar 4K to that of its more expensive big brother, the GH4. Physically,
3:53 Panasonic gave the G7 all the hardware buttons and dials you need. The dual
3:57 dials in particular on this camera are a nice touch for exposure control. It also
4:01 features five programmable buttons to set and perform most useful functions.
4:05 Along with that, the G7 has an articulating touchcreen similar to that
4:08 of the Canons, making shooting at various heights or odd angles a breeze.
4:12 Size-wise, the G7 comes in slightly smaller than the T6i, but also bigger
4:16 and a bit easier to handle than the RX100, making it a good middle ground
4:20 between the two cameras. While internally the G7 has a smaller sensor
4:24 than the T6i, it makes up for it with its sharper overall video. Now, whether
4:28 that's the type of look that you prefer is up to you, since the colors on the
4:31 G7, in my opinion, seem a bit less natural overall than most Canon or Sony
4:36 cameras. The G7 also has the added flexibility of the Micro Four Thirds
4:40 mount. So, you have the option to adapt a wide variety of lenses to this camera
4:44 with adapters such as the Metabone Speed Booster, which I covered in this video
4:47 here. However, keep in mind that when adapting lenses, there are trade-offs
4:51 like slower or non-existent autofocus, physical weight increases due to use of
4:56 larger lenses made for other cameras, along with the added expense of buying
5:00 an adapter that fits your needs and budget. Native Micro Four Thirds lenses
5:04 are a good option if you still want to maintain the small form factor from your
5:07 camera to your lens. And with the increased popularity of Micro Four
5:11 Thirds cameras, lens selection has continued to get stronger and there's
5:14 something for nearly any budget available to you. So, in conclusion, all
5:18 these cameras have their pros and cons depending on the situation. The
5:22 important thing to take away here is that there is not and will not ever be a
5:26 perfect camera for all situations. Do your best to identify your needs and
5:30 budget and then compare to find the camera that best fits you. Speaking of
5:35 finding the camera that best fits you, B&H B&H has been LMG's go-to place to
5:39 order everything production related from cameras, audio, and lighting gear. beat
5:43 have an extremely comprehensive selection that will fit whatever budget you have for buying gear. They also have
5:48 a deal zone section on their website where they have a different item every
5:51 single day offered at a very competitive discount. They have free shipping on all
5:54 orders to the US over $49 with end to end tracking so you know exactly when
5:58 your purchase will arrive. I should know since I've had Linus spend thousands of
6:02 dollars of LG money for the last 3 years there on all the production gear we have
6:07 in the office. So, if you're looking to purchase your very first camera, I
6:10 highly recommend checking them out at the link in the video description. So,
6:13 thank you guys for watching. If this video sucked, you know what to do. But if it was awesome, get subscribed, hit
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6:26 forum. Now that you're done doing all that stuff, you're probably wondering what to watch next. So, click that
6:31 little button in the top right hand corner to check out this video on
6:34 lighting and why we switched to LEDs.