4K video editing on an ULTRABOOK!?

Linus Tech Tips ·Linus Tech Tips ·2016-05-06 · 1,827 words · ~9 min read
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0:00 so this video got its inspiration from a demo that I saw at the Intel booth at
0:04 Pax they were editing 4K video footage from a Panasonic GH4 camera with truly
0:11 astonishing performance on an 8 Core
0:14 Extreme Edition processor with quad Channel ddr4 memory Etc so a setup
0:18 that's not attainable to most people and
0:21 the demo would have been really impressive to me and i' have gone wow
0:25 the power of the8 core if I hadn't recently with a lot of help from edzel
0:29 who also did the science behind this video discovered that by transcoding 4K
0:35 video to gopro's copor video Codec
0:39 thanks to its GPU acceleration we could get that same performance that we saw in
0:44 the demo with no significant loss and quality on our video editing desktops
0:49 here at the office mere six Core Extreme
0:52 editions you can watch the whole video about all of that here but then I was
0:56 thinking to myself this isn't some wimpy
1:00 Channel this is minus
1:04 t so we decided to amp it up a notch we
1:08 approached ASUS to sponsor a deeper investigation and answer this question
1:14 once and for all although admittedly it's one no one has ever asked me can
1:19 you edit 4K video on an ultra portable
1:24 laptop let's find out
1:35 okay so let's start with a look at the machine that we had as Su send us for
1:39 science the Zenbook ux303u there were a couple of key things
1:43 we were looking for one while not necessarily an Ultra Book by Intel's
1:48 definition it had to be ultra portable it wouldn't impress anyone if we pulled
1:52 a full-fledged gaming laptop or portable workstation like a g751 out of a
1:57 backpack and started editing video on it number two we needed a discret GPU that
2:04 is to say a standalone one not quiet and hard to notice one Intel's onboard
2:09 Graphics have made great strides but a dedicated graphics card in this case one
2:14 with Cuda support is going to do more for most GPU accelerated workloads than
2:18 onboard can and we need as much power as
2:21 we can get if we're going to have any hope of editing 4K and finally three we
2:27 needed enough CPU horsepower and memory
2:30 to support video editing at all so we went for a config with an Intel Skylake
2:34 core i7 6500 U with 12 gigs of RAM but
2:39 is that even enough well we started with
2:42 a baseline by taking 4K footage right off our Sony fs5 dumping it into a
2:47 timeline and trying to edit it
2:50 abominable I mean CPU usage was pegged
2:53 at 100% right away to the point where we were measuring performance in seconds
2:58 per frame not frames per second a7s2
3:01 footage didn't Fair much better with better CPU usage but up to a 4 second
3:07 delay when moving the playhead to a new spot on the timeline yuck but that's
3:12 what we expected so we had a desktop machine transcode 4K footage to cfor 4K
3:19 using Adobe Media encoder and copied it over the network to the local dis on the
3:24 notebook and whoa friends CPU and GPU
3:29 use at full 4K resolution in the preview
3:32 window was sitting at 70 and 90% or more
3:36 respectively with choppy but at least consistent playback not bad dialing the
3:43 preview window down to half resolution yields a significant reduction in CPU
3:47 and GPU use with one quarter resolution running it anywhere from 27 to 30 FPS
3:53 with responsive timeline scrubbing and 1/ 18 able to run at 30 FPS solid now
3:59 now it should be noted that frame rate dips were observed across all preview
4:04 resolutions when additional layers were added so the experience is not
4:08 absolutely perfect but when I popped the big question to Ed could you edit 4K
4:14 comfortably on this setup the answer was
4:17 yeah but hold the phone lonus you're ignoring one of the biggest bottlenecks
4:21 in the video editing process the export of the finished file actually I'm not
4:26 ignoring it at all so there's a couple of different ways you can tackle it with
4:30 a watch folder configuration on your desktop you can finish the file export
4:34 it in cfor drop it in there and have that desktop deal with it but what we
4:38 also discovered is that that didn't actually end up much faster if at all
4:43 than just exporting an h264 anyway thanks again to GPU acceleration so you
4:48 can see I'm actually running an export right now this is a two-minute file
4:52 that's going to finish in about 17 to 20
4:56 minutes and with GPU usage pegged at 100% it is using the GPU wo but copying
5:04 all the project files to a portable device to work on them and then copying
5:08 them back or whatever isn't going to appear in an advertising brochure for a
5:13 thin and light anytime soon with wireless connectivity everywhere and the
5:18 cloud people are getting used to the idea of just working off of network data
5:23 and not having to store anything locally on their machines and while you won't be
5:27 editing 4K video over the internet anytime soon I wanted to investigate
5:32 further to see if we could at least edit directly off of the drive of the more
5:37 powerful machine or a storage machine somewhere else using a home wireless
5:42 router so step one was to uh enable
5:46 maximum performance in the power profiles of the machine and step two was
5:50 to plug in a wired Network USB adapter
5:53 so I used the 100 megabit one that was in the box and the experience was subpar
5:59 we're talking five frames per second regardless of the playback resolution
6:04 running off the lowspeed Wi-Fi in our office yeah that was a similar story but
6:09 our xi3 access points are not designed for blistering speed they're for range
6:14 and consistency so we did make some useful observations here though we got
6:19 low CPU usage on our 4K footage and
6:23 higher CPU usage on the 1080p footage
6:26 that was mixed into our timeline indicating ample processing power and a
6:32 bottleneck somewhere else because this is one of the challenges of copor the
6:38 file sizes are actually larger than the footage directly off the camera in many
6:42 cases so we were easily exceeding our
6:45 connection speed with a 100 megabit wired connection and our office Wi-Fi so
6:52 I grabbed a thirdparty gigabit USB to
6:56 Ethernet adapter and boom timeline
6:59 performance performance got responsive and we were back up to Performance that
7:03 was pretty much indistinguishable from editing locally
7:07 progress but that still involves a wire
7:11 that's not really the point could we do it with Wi-Fi so I dusted off a wireless
7:18 AC 1300 megabit access point these
7:21 typically run around 150 to 200 bucks for a good one like the tplink Google
7:25 onhub one that we checked out recently and took another crack at it there we go
7:32 boo freaking y 300 megabit throughput
7:36 while scrubbing footage about the same as on our wired connection and again
7:40 pretty much indistinguishable performance on Wi-Fi compared to editing
7:45 locally and while there are some caveats you're not going to be able to get this
7:49 kind of performance if you're 200 ft away from your access point what we have
7:54 managed to do here is validate that it's possible to edit 4K video on a thin and
8:00 light at your dining room table with a mere dual core core i7 if you pick the
8:06 right configuration namely one with strong Wi-Fi we tried this same
8:11 experiment on the surface book and it was not nearly as successful and a
8:15 dedicated GPU that part's important because even at one quarter resolution
8:20 in our preview window GPU usage on our 940m was sitting at 30 to 40% and we
8:26 were pegging it when we were exporting finished files
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10:21 out today all right thanks for watching guys if this video sucked you know what
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