Dolby As Fast As Possible

Techquickie ·Techquickie ·2016-05-06 · 812 words · ~4 min read
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0:00 part of the reason why we're willing to pay out the freaking nose for movie
0:04 tickets is that Primo sound you get at the theater and indeed a huge part of
0:09 marketing these days for Cinema chains is pushing their audio technology that
0:13 promises some sort of transcendental experience for your ears but years ago
0:19 Dolby Laboratories you may recognize some little indication on games movies
0:23 or even someone's receiver under their TV started trying to bring a theater
0:28 likee experience to the home they like
0:31 other competing companies such as DTS provide compression Technologies for
0:36 audio streams so that they'll fit onto a disc much like how One might compress a
0:42 video file to make it suitable for the net I'm looking at you h.264 dolby's
0:47 technology was born many years back with Dolby stereo if you're a budding audio
0:52 Enthusiast in 1975 you might remember seeing Dolby stereo being tossed around
0:58 what was special about it was that it took took your conventional stereo sound
1:02 and created a 4channel surround experience in the theater through some
1:07 mathematical trickery with the sound encoding but it wasn't until 1982 that
1:11 the home was first introduced to Dolby technology with Dolby Surround another
1:16 analog technology that added a mono surround channel to the usual front left
1:21 and right this was improved with Dolby Pro logic which added a center channel
1:26 and used a more advanced algorithm to not only extract the extra Channel but
1:30 to also improve the movement and discreetness between them prologic still
1:35 exists today in a new and improved form with the ability to mix stereo or
1:39 surround to 9.1 channels as technology
1:43 progressed it became easier to record multi- channel sound natively and so
1:47 Dolby Digital debuted in 1992 featuring six discrete channels of
1:52 audio in the ubiquitous 5.1 setup five
1:56 speakers one subwoofer since then we've seen incremental updates to the
2:00 Technologies with improvements to the number of channels as well as maximum
2:04 bit rate and Sample rate in the case of Dolby true HD a lossless audio codec so
2:10 what does the future look like well in order to blow your mind the new Dolby
2:15 Atmos now supports up to 128 audio objects that are independent
2:21 of a channel assignment why is this better well imagine a helicopter flying
2:26 over you instead of a conventional system vaguely telling your ears where
2:30 the chopper is flying with Dolby Atmos sounds can be created independently and
2:35 mapped to a specific location so you'll be able to pick out exactly where it is
2:41 Atmos also scales the specific speaker structure of the theater and does this
2:46 in real time so in theory you should hear a spatially accurate effect no
2:51 matter where you sit put this all together and voila you can almost feel
2:56 like you're there and if you don't want to pay nine freak freaking dollars for a
3:00 bucket of popcorn Dolby has now expanded this technology into the home it does
3:05 require a compatible AV receiver which supports the extra channels needed to
3:10 make this possible the more speakers you have by the way the better but Atmos
3:14 will work with at least six so you won't
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