WEBVTT 00:00:00.210 --> 00:00:04.800 - Okay, so, Canon's released a camera recently. Sony's released cameras recently. 00:00:04.800 --> 00:00:08.460 Blackmagic has released cameras recently. RED has released cameras recently. 00:00:08.460 --> 00:00:15.160 Who's left? Panasonic. And Panasonic has their new S5 00:00:15.160 --> 00:00:18.723 which is the little brother to the S1H and the S1. 00:00:20.120 --> 00:00:24.360 So, let's see what they've included from those cameras in this camera 00:00:24.360 --> 00:00:28.490 and where it sits in the product lineup. So I haven't used a Panasonic camera extensively 00:00:28.490 --> 00:00:33.220 since the GH4. And since Panasonic released the GH5, 00:00:33.220 --> 00:00:36.750 while it was a really good camera and I'm sure lots of people were very happy with it, 00:00:36.750 --> 00:00:40.980 because it was micro four thirds, it didn't really appeal in terms of flexibility, 00:00:40.980 --> 00:00:47.730 in my opinion, to us. But the S5 is a full frame offering from Panasonic. 00:00:48.720 --> 00:00:52.020 Now, the S1 and the S1H were also both full frame offerings, 00:00:52.020 --> 00:00:55.830 but they were much more expensive than this camera is. 00:00:55.830 --> 00:01:01.530 And so the S5 sits in a price bracket that is much more accessible to people who are just getting 00:01:01.530 --> 00:01:06.730 into photography or also want a camera that's really good at video and photography at the same time. 00:01:06.730 --> 00:01:10.370 And I feel like Panasonic may have done a reasonable job here. 00:01:10.370 --> 00:01:12.170 So, let's see what they've included. 00:01:13.410 --> 00:01:19.440 We have a manual. Which to be fair, honestly, shout out to people 00:01:19.440 --> 00:01:23.100 whom write camera manuals, because while I don't often use them, 00:01:23.100 --> 00:01:27.150 every time I've had a small problem and actually referred to the manual, 00:01:27.150 --> 00:01:31.340 it is usually well-written. So, good job to all the people out there 00:01:31.340 --> 00:01:36.063 who work really hard to write these, because they are unappreciated. 00:01:36.990 --> 00:01:42.280 So, right off the bat, one of the things that has never had me switch from using a Panasonic camera 00:01:42.280 --> 00:01:47.030 is their new use of the L-Mount, which is a Leica mount. 00:01:47.030 --> 00:01:51.210 Panasonic has always had a really good relationship with Leica, so they've always had this partnership 00:01:51.210 --> 00:01:54.720 that has allowed them to use each other's technology in their cameras. 00:01:54.720 --> 00:01:57.890 And so when Panasonic released the S1H and the S1, 00:01:57.890 --> 00:02:03.260 they decided to go with the L-Mount. And the reason that the L-Mount didn't appeal to me 00:02:03.260 --> 00:02:06.720 at the time was the limited amount of lenses 00:02:06.720 --> 00:02:10.723 especially at the beginning. Now, that has improved slightly, 00:02:11.600 --> 00:02:14.830 but I don't know if it's improved enough 00:02:14.830 --> 00:02:21.760 to warrant most people to switch. But let's just see how the camera actually stacks up. 00:02:21.760 --> 00:02:26.220 And despite the limited amount of lenses, how it might compare to something like 00:02:26.220 --> 00:02:31.390 the a7 III or the EOS R, which is where this camera sits in terms of competition. 00:02:31.390 --> 00:02:35.740 So, included in the box is this 20 to 60 kit lens. 00:02:35.740 --> 00:02:42.380 Now, this lens comes at a cost of about 300 US dollars more than the standard body. 00:02:42.380 --> 00:02:47.560 And if you are just starting out, that is a fairly affordable price to pay for a lens that has a reasonably good range. 00:02:47.560 --> 00:02:50.353 Now, unfortunately, it's an f/3.5 to 5.6, 00:02:51.320 --> 00:02:55.470 so you're not going to get the best low light 00:02:55.470 --> 00:02:59.470 or shallow depth of field performance from this thing. But again, if you're just starting out and you're learning, 00:02:59.470 --> 00:03:04.410 this is going to be a good range. And it does feel like a really high quality kit lens, 00:03:04.410 --> 00:03:08.030 honestly, like the heft isn't bad, but it's also not too heavy 00:03:08.030 --> 00:03:12.520 that it's annoying to carry around, because one of the benefits of this camera is 00:03:12.520 --> 00:03:18.350 that it is so lightweight. Now, I haven't held the GH5 that many times. 00:03:18.350 --> 00:03:22.200 But the cool thing is the S5 comes in both 00:03:22.200 --> 00:03:25.330 smaller and lighter than the GH5, 00:03:25.330 --> 00:03:32.840 which is really impressive considering this thing has a full frame 00:03:32.840 --> 00:03:38.970 24.2 megapixel sensor. Now, is it the same sensor that's in the S1H? 00:03:38.970 --> 00:03:44.450 Panasonic has not actually officially stated that that's the case, but the resolution is the same, 00:03:44.450 --> 00:03:47.730 and the raw 5.9K output that's gonna come later 00:03:47.730 --> 00:03:50.780 in December is also the same. 00:03:50.780 --> 00:03:54.520 So, it might be, I'm not sure. 00:03:54.520 --> 00:03:57.560 But, really cool that in this body, 00:03:57.560 --> 00:04:02.220 they have a full frame sensor. Before we do the physical tour, let's see what else came in the box. 00:04:02.220 --> 00:04:06.253 So we have a single charger. 00:04:07.670 --> 00:04:11.070 A USB type C cable. 00:04:11.070 --> 00:04:14.423 And then a wall wart for that USB type-C cable. 00:04:15.660 --> 00:04:20.240 And a lens, which, I mean, 00:04:20.240 --> 00:04:26.620 I don't know about any of you guys, but from the looks of this kit lens hood, 00:04:26.620 --> 00:04:29.770 it wouldn't be generally that useful. 00:04:29.770 --> 00:04:36.010 And so I usually never put these on. It can, you know, if you put it on 00:04:36.010 --> 00:04:40.710 and you drop your lens, there's a lower chance it'll ruin the lens, 00:04:40.710 --> 00:04:43.950 'cause if it lands like this, it will not land directly on the glass. 00:04:43.950 --> 00:04:46.960 But that is generally the only benefit I see 00:04:46.960 --> 00:04:51.620 that these leaf hoods, I've never had a great experience with them. 00:04:51.620 --> 00:04:56.010 This one might be different, I don't know. But in my experience, these are sort of throwaway. 00:04:58.130 --> 00:05:01.680 Also included in the box is a strap that 00:05:01.680 --> 00:05:08.290 I guess actually this strap seems pretty nice and on the wide end, so you probably would use this. 00:05:08.290 --> 00:05:12.010 I, again, probably wouldn't, but to each their own. 00:05:12.010 --> 00:05:17.330 So, they have this new battery type with this camera, which is the BLK22. 00:05:17.330 --> 00:05:21.210 So it has this standard pin out for the S5, 00:05:21.210 --> 00:05:27.890 but it also has this pin out for the GH5. So, this battery is actually compatible with both cameras. 00:05:27.890 --> 00:05:30.920 Now, unfortunately, GH5 batteries are not compatible with this camera, 00:05:30.920 --> 00:05:34.310 but it's a nice touch for anyone who is using 00:05:34.310 --> 00:05:38.050 a GH5 and might add an S5 to their repertoire, 00:05:38.050 --> 00:05:42.250 or is upgrading, that you could use this battery 00:05:42.250 --> 00:05:45.840 for your GH5, and so then you have an automatic B camera 00:05:45.840 --> 00:05:49.066 if you decide to keep your GH5 when upgrading to this as well. 00:05:49.066 --> 00:05:53.410 Little things like that, honestly, that I haven't seen many other camera companies do, so good on you, Panasonic, 00:05:53.410 --> 00:05:57.590 for thinking of that. In terms of layout, it's pretty standard. 00:05:57.590 --> 00:06:02.350 We have a dial right around the shutter button. 00:06:02.350 --> 00:06:06.000 We have white balance, ISO, exposure compensation. 00:06:06.000 --> 00:06:09.620 There's a very nice red record button right here 00:06:09.620 --> 00:06:13.240 which is a nice touch. It's a very nice feeling button as well. 00:06:13.240 --> 00:06:19.840 It's not an awkward placement like the original S or anything wise, so Panasonic has thought of that. 00:06:19.840 --> 00:06:23.980 And then the dials feel pretty good. There's no lock on the dials, 00:06:23.980 --> 00:06:29.660 which to me isn't really a big deal. I do like them on my X-T4 a lot, 00:06:29.660 --> 00:06:33.390 but I find that locks are more beneficial in stills than they are NVIDIA, 00:06:33.390 --> 00:06:39.370 and I feel like this camera leans a little bit on the video side, while the stills mode is pretty good. 00:06:39.370 --> 00:06:42.760 But honestly, these dials, the turn feels hefty enough 00:06:42.760 --> 00:06:46.800 that I don't feel like you'd ever accidentally knock them. 00:06:46.800 --> 00:06:50.020 And if you did, it's not probably a huge deal regardless. 00:06:50.020 --> 00:06:54.020 And the other cool thing is that they've added a slow and quick function to the dial. 00:06:54.020 --> 00:06:58.090 So, it makes slow motion much quicker to access. 00:06:58.090 --> 00:07:02.480 Now, this camera can do 60 FPS 4K. 00:07:02.480 --> 00:07:05.810 Unfortunately, it's a sampling rate of 420 00:07:05.810 --> 00:07:09.300 instead of 422, but it is 10 bit, so that part is good. 00:07:09.300 --> 00:07:12.690 Unfortunately, when you're in the 60 FPS mode at 4K, 00:07:12.690 --> 00:07:16.730 there is an APSC crop on the slow motion. 00:07:16.730 --> 00:07:21.730 And you also get HD up to 180 FPS, but also with a crop. 00:07:21.940 --> 00:07:25.250 So, it is a four frame camera and you can do fairly high 00:07:25.250 --> 00:07:28.560 slow motion frame rates for a camera of this price point, 00:07:28.560 --> 00:07:33.960 but unfortunately, it's not the entire sensor, there is a crop, which is not perfect, 00:07:33.960 --> 00:07:36.970 but better to have them than not have them. 00:07:36.970 --> 00:07:42.110 And you know what's nice to have just like slow motion modes are? Our sponsor for today's video. PIA. 00:07:42.110 --> 00:07:46.190 PIA is the simple to use VPN which allows you to access services and websites 00:07:46.190 --> 00:07:49.530 as though you are in a different country. It encrypts all of your internet traffic 00:07:49.530 --> 00:07:54.040 and uses a safe protected IP. Connect up to five devices at once. 00:07:54.040 --> 00:07:57.320 Clients for Windows, macOS, Android, iOS, and Linux. 00:07:57.320 --> 00:08:01.650 And you can buy a one year plan for 39.95 and get two months free at the link 00:08:01.650 --> 00:08:05.440 in the video description. Okay, let's look at the rest of this camera. 00:08:05.440 --> 00:08:09.310 So, one thing that the S5 has that my XT4 doesn't have, 00:08:09.310 --> 00:08:15.120 physically for all the things that I love about it, is the easy access to the single, continuous, 00:08:15.120 --> 00:08:21.250 and manual focus dials on the lenses. So on my camera, it's at the front here on the left 00:08:21.250 --> 00:08:24.900 in the corner, which is not the easiest place to access it 00:08:24.900 --> 00:08:28.250 if you're not used to like which one is which, what you're on. 00:08:28.250 --> 00:08:34.610 And so having it here very clearly indicated by these dials is really nice. 00:08:34.610 --> 00:08:38.180 Yes, I love this dial, it's a great addition. Now, for the rest of the camera, 00:08:38.180 --> 00:08:41.250 the S5 has the awesome flip out screen 00:08:41.250 --> 00:08:45.530 with full articulation that I've loved on the last couple of cameras that I've done videos on. 00:08:45.530 --> 00:08:50.380 That's awesome. And then the button layout's pretty simple here. The AF-ON button's here, the joystick, 00:08:50.380 --> 00:08:54.980 which is actually shallow, but quite clicky and usable. 00:08:54.980 --> 00:08:58.680 I actually don't mind this at all. And then the actual dial for the menus 00:08:58.680 --> 00:09:03.530 and the quick settings buttons are all here. Standard fare for most cameras. 00:09:03.530 --> 00:09:06.830 For IO, we have a microphone jack 00:09:06.830 --> 00:09:12.070 and a headphone jack on this side. This flap is pretty big. 00:09:12.070 --> 00:09:16.210 And so I'm wondering if you'd ever have any like IO cable run issues depending on 00:09:16.210 --> 00:09:19.840 how you would rig this camera. I feel like certain cages while when you have a flap 00:09:19.840 --> 00:09:25.350 this large can get in the way. And if you are a video user that didn't care as much about weather sealing, 00:09:25.350 --> 00:09:28.630 I would maybe consider cutting these off. 00:09:28.630 --> 00:09:31.760 I'm not actually recommending that you cut off the flaps for your camera, 00:09:31.760 --> 00:09:35.120 'cause this one actually doesn't seem very bad like other cameras that I've used. 00:09:35.120 --> 00:09:38.180 But this could be an annoyance 00:09:38.180 --> 00:09:43.070 in terms of IO clearance at some point. So, yeah, headphone, microphone jack. 00:09:43.070 --> 00:09:48.070 Oh, guys, they've included the dreaded micro HDMI. 00:09:50.720 --> 00:09:54.450 Now, I understand on a camera this size 00:09:54.450 --> 00:09:59.970 that micro HDMI probably made more sense than full-sized HDMI, but when things like 00:09:59.970 --> 00:10:03.140 the Pocket 4K and the a7S III 00:10:03.140 --> 00:10:10.330 have come up with cameras that have full-size HDMI, it's unfortunate to see any camera, 00:10:10.330 --> 00:10:14.693 even though this camera's priced at cheaper than something like the a7S III, 00:10:15.540 --> 00:10:20.450 it hurts me to see any camera have micro HDMI, 'cause no camera should have micro HDMI. 00:10:20.450 --> 00:10:25.020 Especially when this camera is gonna get a firmware update that gives you 5.9K raw, 00:10:25.020 --> 00:10:29.560 which I'm sure many people are going to use, you're gonna end up using the micro HDMI. 00:10:29.560 --> 00:10:32.820 And in my experience, this port breaks, 00:10:32.820 --> 00:10:37.090 guaranteed, with heavy use in less than a couple of years. 00:10:37.090 --> 00:10:40.340 So, that's just something to keep in mind when you're rigging the camera. 00:10:40.340 --> 00:10:43.360 There are HDMI locks that you can get for cages 00:10:43.360 --> 00:10:48.910 and stuff like that which help, but again, in my experience, have never truly solved the problem. 00:10:48.910 --> 00:10:52.260 But your mileage may vary. They also have a type-C port for high speed charging, 00:10:52.260 --> 00:10:57.110 so if you're the type of person who likes to bring around a big battery bank to rig on their camera, 00:10:57.110 --> 00:11:01.690 you can do that and not have to carry as many single batteries from Panasonic. 00:11:01.690 --> 00:11:06.640 And that would be also a cost effective way to keep your camera going all day on a long shoot 00:11:06.640 --> 00:11:11.920 assuming you have it rigged the way that you like. On the right of the camera, we have the dual SD card slots. 00:11:11.920 --> 00:11:15.133 Now, one of the SD card slots is UHS-1, 00:11:15.970 --> 00:11:21.980 and the other is UHS-2. It is unfortunate that they only included one of each slot, 00:11:21.980 --> 00:11:26.240 but I'm sure they have a good reason for that. So, my other thing about the L-Mount that I've actually 00:11:26.240 --> 00:11:31.630 never experienced because I've never used the L-Mount is the port cap is locked 00:11:31.630 --> 00:11:36.160 when it's just on the body like this, which is not typical of most cameras. 00:11:36.160 --> 00:11:40.510 Now, the other nice thing, though, is that the button for the the S5's lens mount 00:11:40.510 --> 00:11:44.580 is right here. So you don't have to turn the camera around 00:11:44.580 --> 00:11:48.910 or let go of this grip to like hold it in a different way 00:11:48.910 --> 00:11:52.900 to get the lens off, 'cause the button is here. 'Cause usually on Sony and Canon cameras, 00:11:52.900 --> 00:11:57.670 the lens release is on the left. But because it's here and convenient, 00:11:57.670 --> 00:12:01.130 you can have the grip still be in the shooting mode, 00:12:01.130 --> 00:12:04.910 take the port cap off, and then grab your lens and put it on. 00:12:04.910 --> 00:12:09.240 Which it's a little thing, but that's a very nice touch 00:12:09.240 --> 00:12:14.883 for the convenience of lens changes, because that way it's much easier to do it really carefully, 00:12:16.130 --> 00:12:18.283 and you just have more confidence. 00:12:19.810 --> 00:12:25.320 That lens mount actually feels really good. Very tight fit, no wobble at all. 00:12:25.320 --> 00:12:29.479 Is the touchscreen a touch screen? Yes. 00:12:29.479 --> 00:12:33.210 One of the things I wanted to test for right off the bat is if you could punch in while you're rolling. 00:12:33.210 --> 00:12:40.820 So I'm gonna roll the camera, it's recording. And, ooh, you cannot. 00:12:40.820 --> 00:12:44.610 Okay, that's a little unfortunate as a video-centric camera, 00:12:44.610 --> 00:12:50.750 even though it is a hybrid camera. So you can see we're rolling on the S5 right now, 00:12:50.750 --> 00:12:54.300 and you can in theory move around the box 00:12:54.300 --> 00:12:57.510 where your punch in for focus would be. 00:12:57.510 --> 00:13:02.080 But you can't actually double tap to punch in. 00:13:02.080 --> 00:13:07.440 Which is unfortunate, because especially if you're doing like a long interview, that's the type of thing 00:13:07.440 --> 00:13:12.180 that could very easily throw you off. Now, it does have peaking right off the bat 00:13:12.180 --> 00:13:17.600 as the default setting that's on. But my issue with peaking on small cameras like this 00:13:17.600 --> 00:13:22.730 is that the display is so small that even the peaking can be very misleading, even on the lowest setting. 00:13:22.730 --> 00:13:26.030 Most peaking features on cameras this size 00:13:26.030 --> 00:13:29.200 are never that accurate. Like they'll give you the ballpark, 00:13:29.200 --> 00:13:34.010 but it's very easy to be like slightly off. And if you're like wide open at 1.4 00:13:34.010 --> 00:13:39.560 or whatever lens you're using, it can be tricky to nail your focus on a screen this small. 00:13:39.560 --> 00:13:43.840 So, if you were an S1 user that wanted 00:13:43.840 --> 00:13:47.110 the highest quality file internally 00:13:47.110 --> 00:13:52.620 and for color grading after the fact, you probably bought the $100 Vlog upgrade. 00:13:52.620 --> 00:13:55.680 Now, thankfully, Panasonic was gracious enough 00:13:55.680 --> 00:13:59.680 with the S5 to include Vlog by default. 00:13:59.680 --> 00:14:02.970 That gives you the full 14 stops of dynamic range 00:14:02.970 --> 00:14:06.760 that these cameras with Vlog are capable of, 00:14:06.760 --> 00:14:13.590 which makes this camera very capable in terms of video features for the size and form factor. 00:14:13.590 --> 00:14:18.020 Another nice feature that they have built into the camera, and most mirrorless cameras these days have that, 00:14:18.020 --> 00:14:22.310 which is nice to say, the sensor has embodied stabilization 00:14:22.310 --> 00:14:27.510 up to five stops, which can then be used in conjunction with the optical image stabilization 00:14:27.510 --> 00:14:31.790 built into certain L-Mount lenses. And that's really great for vloggers 00:14:31.790 --> 00:14:37.250 or people who just want to be able to do quick walk and talks and you can only do it handheld, 00:14:37.250 --> 00:14:41.820 that actually, the extra stabilization for that and in stills would be very useful. 00:14:41.820 --> 00:14:47.660 Even though I'm primarily a video shooter, I do love photography, and it is something that I've been 00:14:47.660 --> 00:14:52.300 also doing a lot more of recently. And this camera actually has a feature 00:14:52.300 --> 00:14:55.560 that I wish more cameras would have in the stills mode. 00:14:55.560 --> 00:15:03.300 And that is in the aspect ratio, you can select 65 by 24 or two to one. 00:15:03.970 --> 00:15:06.980 So, with the 65 by 24 and two to one aspect ratios, 00:15:06.980 --> 00:15:10.240 you just get a wider screen view 00:15:10.240 --> 00:15:15.410 of whatever image you're shooting. And that's huge for stills because, yeah, sure, 00:15:15.410 --> 00:15:18.520 you can crop to this aspect ratio 00:15:18.520 --> 00:15:23.320 or any other widescreen aspect ratio in post. But when you're using it 00:15:23.320 --> 00:15:28.060 as a framing tool within the camera, it changes your perspective of what you're shooting. 00:15:28.060 --> 00:15:34.060 And the S5 is the only mirrorless camera that I know of in this body style and that is full frame 00:15:34.060 --> 00:15:37.160 that has this aspect ratio as a shooting option. 00:15:37.160 --> 00:15:41.210 The only other camera that I know of that has this aspect ratio as a shooting option is Fujifilm's 00:15:41.210 --> 00:15:45.390 medium format line, the GFX 50R specifically. 00:15:45.390 --> 00:15:48.570 Honestly, this is a small, niche feature 00:15:48.570 --> 00:15:53.810 that I personally love. And I'm really glad that Panasonic put this in for stills. 00:15:53.810 --> 00:15:58.910 So, for anyone who uses this camera for stills, they will have a very fun option 00:15:58.910 --> 00:16:02.750 to make something look really like widescreen, panoramic, cinematic. 00:16:02.750 --> 00:16:06.110 So, while this is only an unboxing and first impressions video, 00:16:06.110 --> 00:16:10.660 we are going to include a couple of clips right now just to show you the general video performance 00:16:10.660 --> 00:16:13.940 that you might be able to expect in Vlog specifically, 00:16:13.940 --> 00:16:17.160 just so you get a sense of the widest dynamic range 00:16:17.160 --> 00:16:22.940 that this camera can deliver for you. And here's an autofocus test as well. 00:16:22.940 --> 00:16:29.460 And honestly, I'm impressed by what Panasonic has done with the S5. 00:16:29.460 --> 00:16:33.330 Panasonic really has done a good job of taking the S1 00:16:33.330 --> 00:16:37.220 and the S1H specs and cramming it into a smaller, more affordable body. 00:16:37.220 --> 00:16:42.210 And while the specs of this camera are really good and the firmware update in December that promises 00:16:43.150 --> 00:16:47.240 5.9K raw and a couple more anamorphic modes, 00:16:47.240 --> 00:16:50.790 the specs alone I'm not 100% sure 00:16:50.790 --> 00:16:53.920 will be enough to suade people away 00:16:53.920 --> 00:16:59.550 from something like the EOS R, the X-T4, the a7 III 00:16:59.550 --> 00:17:02.870 just because especially the lens lineups on those cameras 00:17:02.870 --> 00:17:09.190 are much more fully formed. And while you could adapt to any of these cameras, 00:17:09.190 --> 00:17:14.810 performance will suffer, and you do want a good crop of native lenses to be able to use 00:17:14.810 --> 00:17:18.480 on something like this. So, if you're the type of person that 00:17:18.480 --> 00:17:24.100 really cares about autofocus performance and all the benefits that you would have 00:17:24.100 --> 00:17:28.370 from native lenses, your selection isn't quite as wide, 00:17:28.370 --> 00:17:33.360 though Sigma's support of the L-Mount has been quite good. So, if you're a Sigma lens fan, 00:17:33.360 --> 00:17:39.250 you are quite well supported on this camera. So, we'll see longterm how Panasonic's S5 does 00:17:39.250 --> 00:17:45.150 against Canon, Sony, and Fuji. But honestly, this camera is competitive 00:17:45.150 --> 00:17:49.430 to all the other offerings. It is full frame. It has in-body image stabilization. 00:17:49.430 --> 00:17:53.410 It is a 10 bit camera. It has slow motion modes that are reasonable. 00:17:53.410 --> 00:17:57.980 It has some cool stills features. So, if you're a Panasonic user looking to upgrade, 00:17:57.980 --> 00:18:01.410 I think you'd be very happy with the S5. If you're somebody who's a beginner, 00:18:01.410 --> 00:18:06.410 the S5 is definitely a contender among the competition. 00:18:07.010 --> 00:18:11.470 And it honestly is just a really good time to be looking for a mirrorless camera, 00:18:11.470 --> 00:18:16.000 because basically all your options are good. No option that you choose 00:18:16.000 --> 00:18:19.220 would be a bad camera by definition. 00:18:19.220 --> 00:18:22.300 And that's a good place to be. So, thank you, guys, for watching this video. 00:18:22.300 --> 00:18:27.390 If you wanna know more about the S5 or want a full review of any other Panasonic 00:18:27.390 --> 00:18:32.950 or any other camera, please leave me a comment down below and put your request in, because honestly, 00:18:32.950 --> 00:18:38.703 there are so many cameras and they're all good to some degree, it's hard to choose which ones to include or cover. 00:18:39.690 --> 00:18:43.360 But it is a good time to like cameras. 00:18:43.360 --> 00:18:44.560 Very good year for that.