WEBVTT

00:00:00.000 --> 00:00:06.120
thanks to San Heiser and Kingston for powering our NAB coverage this year

00:00:04.170 --> 00:00:11.610
check them both out at the links in the video description so we're here at NAB

00:00:08.880 --> 00:00:15.540
2016 and I stopped by the Adobe booth to check out some of the new upcoming

00:00:12.719 --> 00:00:20.119
features in Premiere Pro a few of which were requested by me and I noticed that

00:00:18.690 --> 00:00:26.130
they were using some very unusual peripherals for both audition and

00:00:22.560 --> 00:00:29.519
Premiere Pro this is called palette gear

00:00:26.130 --> 00:00:31.859
it's a modular system of buttons dials

00:00:29.519 --> 00:00:37.050
and sliders that can be physically rearranged any way you like and also

00:00:34.559 --> 00:00:42.300
custom configured in software to directly control various elements within

00:00:39.660 --> 00:00:45.930
several Adobe programs the cool thing about the palette gear is that it's

00:00:43.890 --> 00:00:52.440
actually communicating with these Adobe programs through the SDK which allows it

00:00:49.680 --> 00:00:57.750
to directly control certain values inside of the program this gives you

00:00:55.140 --> 00:01:03.629
extra functionality that a keyboard is simply not able to provide that's what

00:01:00.840 --> 00:01:07.470
makes this interesting to me so in Adobe Audition we were able to change the

00:01:05.460 --> 00:01:11.010
spectral resolution and spectral frequency with the turn of a knob then

00:01:09.540 --> 00:01:15.150
there's a lot of other stuff you can do as well in Premiere you can change the

00:01:12.990 --> 00:01:19.830
scale of a selected object the opacity the volume the panning the time index

00:01:18.060 --> 00:01:24.750
and a lot of other stuff that would otherwise require unfurling a few menus

00:01:22.590 --> 00:01:29.880
and using the mouse on all these tiny little controls which is you know

00:01:27.180 --> 00:01:34.710
annoying oh also you can change the color of the built-in LEDs on each

00:01:32.729 --> 00:01:39.299
individual module which allows you to more easily distinguish between them I'd

00:01:37.259 --> 00:01:44.399
say that this feature is actually not pointless unlike a lot of the RGB

00:01:42.240 --> 00:01:51.390
peripherals that we see on this channel I mean do you really need like several

00:01:47.610 --> 00:01:54.869
different RGB zones for your mouse no

00:01:51.390 --> 00:01:57.090
you don't my only criticism so far is

00:01:54.869 --> 00:02:02.790
that it looks like all the modules seem to be a bit larger than necessary if you

00:02:00.270 --> 00:02:07.380
compare this to pretty much any audio mixing board you can clearly see that

00:02:05.040 --> 00:02:13.290
the same functionality can be packed into a much smaller space I have plenty

00:02:10.420 --> 00:02:18.400
of room on my desk but not everyone does palette is still working out the bugs

00:02:15.400 --> 00:02:20.829
especially for Premiere and InDesign for

00:02:18.400 --> 00:02:25.390
which the support is still in beta but I'm glad to see that Adobe is actively

00:02:22.930 --> 00:02:31.780
working with palette to support these control surfaces if you've seen my DIY

00:02:28.480 --> 00:02:34.060
87 macro keyboard video you know that I

00:02:31.780 --> 00:02:37.810
appreciate peripherals like this which allow for extra functionality and

00:02:35.769 --> 00:02:42.790
control in the applications that I use in my daily work so hopefully we'll have

00:02:40.689 --> 00:02:47.169
a full review of the palette gear coming up on our channel at sometime in the

00:02:44.409 --> 00:02:50.919
future thanks again to San Heiser for sending us to nab this year make sure to

00:02:49.030 --> 00:02:54.459
check out all their new stuff for nab at the link in the video description also

00:02:52.629 --> 00:02:59.019
thanks to Kingston for sending us here check out their brand new superfast

00:02:56.530 --> 00:03:02.650
micro SD card made for action cameras like the GoPro also linked down in the

00:03:01.150 --> 00:03:06.069
video description thanks for watching and don't forget to subscribe so you

00:03:04.269 --> 00:03:08.879
don't miss any of our coverage of NAB 2016
