1 00:00:00,000 --> 00:00:04,000 Wait! That's my car! 2 00:00:04,000 --> 00:00:08,000 Wait, what am I doing? 3 00:00:08,000 --> 00:00:13,000 Whether it's calling my order number, my court reservation, or my license plate number, 4 00:00:13,000 --> 00:00:18,000 I can never understand what they're saying over the PA system. 5 00:00:18,000 --> 00:00:24,000 Surely in a world where headphones can be wireless and we can cancel out background noise on a zoom call like magic, 6 00:00:24,000 --> 00:00:29,000 it can't be that hard to build a building speaker setup that's actually clear. 7 00:00:29,000 --> 00:00:34,000 Oh, yes, it can. But we can do it, right? I mean, of course. 8 00:00:34,000 --> 00:00:38,000 But first we have to segue. To our sponsor. 9 00:00:38,000 --> 00:00:44,000 When we first checked out this space, the echo in here was absolutely mind-blowing. 10 00:00:44,000 --> 00:00:48,000 But as you can hear, it's quite a lot better now. 11 00:00:48,000 --> 00:00:51,000 We've talked before about how we've sound-treated our studio, our lab, 12 00:00:51,000 --> 00:00:55,000 and even our workshop to keep reverb and other unpleasantness out of our recordings. 13 00:00:55,000 --> 00:01:00,000 And we started with a pretty similar approach here at our Badminton Gym Slash Land Gaming Center, 14 00:01:00,000 --> 00:01:06,000 which, by the way, huge update! We heard back from the city we're actually going to be able to do whale land! Let's go! 15 00:01:06,000 --> 00:01:10,000 Starting with the ceilings, we switched away from our usual cellulose-based spray on foam 16 00:01:10,000 --> 00:01:13,000 and went with a fiberglass spray on acoustic treatment. 17 00:01:13,000 --> 00:01:17,000 It does still add a little bit of insulation, which is always a good thing, 18 00:01:17,000 --> 00:01:21,000 but the most important factors were the fact that it goes on a little thinner. 19 00:01:21,000 --> 00:01:26,000 It's a little easier to paint, so we didn't end up with that ugly color from the lab again. 20 00:01:26,000 --> 00:01:33,000 And, maybe most importantly, it is less susceptible to damage and mold in the event that moisture seeps into it. 21 00:01:33,000 --> 00:01:40,000 This stuff is great because its porosity and uneven surface act to absorb and scatter any incoming sound waves, 22 00:01:40,000 --> 00:01:44,000 significantly reducing reflections between the floor and the ceiling. 23 00:01:44,000 --> 00:01:50,000 But, unfortunately, we couldn't spray that material all the way down the walls 24 00:01:50,000 --> 00:01:55,000 and expect it to hold up to flying birdies, bags, and bodies, 25 00:01:55,000 --> 00:02:00,000 or even just people getting bored and picking the foam off the walls while they wait for their next match. 26 00:02:00,000 --> 00:02:04,000 Fortunately, the solution was right under our noses, or rather our backs. 27 00:02:04,000 --> 00:02:09,000 We already had our eye on these gym mats to provide a sturdy but comfortable backrest 28 00:02:09,000 --> 00:02:13,000 for folks who are sitting on our customized, storage-friendly benches. 29 00:02:13,000 --> 00:02:18,000 And as it turns out, they do a pretty solid job of attenuating many of the problem frequencies 30 00:02:18,000 --> 00:02:21,000 that like to bounce around forever in a space like this. 31 00:02:21,000 --> 00:02:24,000 So, two birdies, one stone, and all of that. 32 00:02:24,000 --> 00:02:28,000 The multi-layer sprung floor and foam and vinyl topper that we installed 33 00:02:28,000 --> 00:02:32,000 also contribute to echo reduction, but not as much as the other factors. 34 00:02:32,000 --> 00:02:36,000 To demonstrate how effective this ended up being, instead of using my lab microphone, 35 00:02:36,000 --> 00:02:40,000 we're going to switch over to the iPhone 16 Plus that Jordan's holding over there. 36 00:02:40,000 --> 00:02:45,000 Back when we started, you wouldn't have been able to make out a bloody word that I was saying from back here. 37 00:02:45,000 --> 00:02:50,000 But now, it's downright usable. Not great, but usable. 38 00:02:50,000 --> 00:02:55,000 We're starting off in a much better place, but before we can start blasting amplified sound 39 00:02:55,000 --> 00:02:58,000 into our big concrete cavern, we need to make some careful considerations 40 00:02:58,000 --> 00:03:04,000 to make sure that every visitor can hear about the limited-time offer on left-handed badminton rackets 41 00:03:04,000 --> 00:03:08,000 while also keeping the system intuitive and customizable for staff. 42 00:03:08,000 --> 00:03:13,000 Now, there's a lot of options out there, but for a variety of reasons, 43 00:03:13,000 --> 00:03:17,000 a lot of them won't work for us. For starters, there's the traditional PA. 44 00:03:17,000 --> 00:03:20,000 These are affordable, super easy to set up. 45 00:03:20,000 --> 00:03:24,000 I mean, all you need is a hammer microphone, a cable, a mixer, 46 00:03:24,000 --> 00:03:28,000 and it doesn't need to be a fancy one like this, and a powered speaker. 47 00:03:28,000 --> 00:03:35,000 And boom, you're off to the races. In fact, it's pretty intelligible all the way from this end of the facility to the other. 48 00:03:35,000 --> 00:03:40,000 The only problem is, in order to make it so that Jordan can hear what Dan's saying, 49 00:03:40,000 --> 00:03:44,000 go ahead, Dan. Hey, Jordan, how you doing? 50 00:03:44,000 --> 00:03:47,000 You're basically blasting my ears off. 51 00:03:47,000 --> 00:03:50,000 It's not balanced. Can you hear this okay, Jordan? 52 00:03:50,000 --> 00:03:54,000 Yes. Yes, we can hear you. I mean, I think Jordan can barely hear this. 53 00:03:54,000 --> 00:04:01,000 Yeah, yeah, yeah, yeah. Thank you, Dan. Obviously, we could relocate this entire setup pretty easily for better balance, 54 00:04:01,000 --> 00:04:05,000 or we could wire up the entire facility with audio cable 55 00:04:05,000 --> 00:04:10,000 and have it all come back to a central location, but that's going to cost us some flexibility, 56 00:04:10,000 --> 00:04:13,000 because the best place for, let's say, a tournament draw desk 57 00:04:13,000 --> 00:04:18,000 or for a land knock are not necessarily going to be the same places. 58 00:04:18,000 --> 00:04:22,000 We needed more flexibility. Another option was a constant voltage system. 59 00:04:22,000 --> 00:04:26,000 They're commonly 70 volts in North America and 100 volts in Europe, 60 00:04:26,000 --> 00:04:32,000 but the voltage isn't important. What's important is you have a bunch of in-ceiling speakers that'll look kind of like this 61 00:04:32,000 --> 00:04:36,000 and they'll run background music, the occasional announcement, that sort of thing. 62 00:04:36,000 --> 00:04:41,000 This is typically what you'll find in doctor's offices, classrooms, restaurants, and the like. 63 00:04:41,000 --> 00:04:45,000 These systems can cover long distances with very thin, inexpensive wire, 64 00:04:45,000 --> 00:04:50,000 thanks to their high voltage, but are not known to have great sound quality, 65 00:04:50,000 --> 00:04:54,000 certainly not worthy of crab rave. And besides, what is this, the Stone Age? 66 00:04:54,000 --> 00:04:59,000 Why wouldn't we use Ethernet? With Ethernet, we can have high-fidelity audio. 67 00:04:59,000 --> 00:05:02,000 We don't have to run snakes and low-voltage audio cables. 68 00:05:02,000 --> 00:05:05,000 We can just use standard network cabling, 69 00:05:05,000 --> 00:05:08,000 and that means we can put speakers all over the place, 70 00:05:08,000 --> 00:05:12,000 keeping each individual speaker relatively quiet, improving clarity. 71 00:05:12,000 --> 00:05:15,000 Also, theoretically, because it's Ethernet, 72 00:05:15,000 --> 00:05:18,000 we can use switching to kind of tap into it from anywhere 73 00:05:18,000 --> 00:05:21,000 and have modularity and configurability, 74 00:05:21,000 --> 00:05:25,000 so you can address one side of the building, the other side of the building, or the whole freaking building. 75 00:05:25,000 --> 00:05:31,000 There's only one small problem. Everyone and their dog has their own platform and protocols 76 00:05:31,000 --> 00:05:34,000 that are various degrees of proprietary. 77 00:05:34,000 --> 00:05:37,000 What we thought, until then, found Dante, 78 00:05:37,000 --> 00:05:41,000 which is built on previous AOE and AOIP tech. 79 00:05:41,000 --> 00:05:44,000 Some of the key benefits of Dante are it's an uncompressed high-quality audio. 80 00:05:44,000 --> 00:05:47,000 It's easy to install and expand. It scales really well. 81 00:05:47,000 --> 00:05:51,000 It's got wide manufacturer support. There's about 350 companies that are licensed right now, 82 00:05:51,000 --> 00:05:54,000 and typically it's only supported by higher-end audio gear. 83 00:05:54,000 --> 00:05:58,000 Ah, I knew there was going to be a catch. Yeah, you pay the Dante tax. 84 00:05:58,000 --> 00:06:01,000 But Dante Controller lets you configure the routing, 85 00:06:01,000 --> 00:06:04,000 so you wanted modularity and ease of use. 86 00:06:04,000 --> 00:06:10,000 Yeah, ease of use was pretty big. We want it to be something that any random staffer can use. 87 00:06:10,000 --> 00:06:13,000 I don't want to be here when there's a little problem 88 00:06:13,000 --> 00:06:17,000 or to change the levels or anything like that. Especially because it could be at a LAN at three in the morning. 89 00:06:17,000 --> 00:06:21,000 Exactly. Can we configure it for like one-button presets? 90 00:06:21,000 --> 00:06:24,000 I'll show you what I've done. Good, Lord, I thought you said this was simple. 91 00:06:24,000 --> 00:06:29,000 We ended up going with Q-Sys mostly because of the end of it is simple, 92 00:06:29,000 --> 00:06:32,000 but setting it up in the configuration is what makes it complicated. 93 00:06:32,000 --> 00:06:35,000 I've always said you need complexity to make things simple. 94 00:06:35,000 --> 00:06:39,000 To get the one-button and to get it easy for staff and to get it configurable, 95 00:06:39,000 --> 00:06:44,000 we have to have this mess of nodes and flows and things like that, 96 00:06:44,000 --> 00:06:49,000 especially as we've got loads of endpoints. We have about 30 speakers, we have wireless microphones, 97 00:06:49,000 --> 00:06:52,000 and maybe we do want to do a traditional PA when we do LANs. 98 00:06:52,000 --> 00:06:55,000 Cool, but theoretically it works? 99 00:06:55,000 --> 00:07:01,000 It does. It's in production right now. They've been using it for the afternoon badminton sessions. 100 00:07:01,000 --> 00:07:05,000 Okay. Oh, wow. So it's working then? 101 00:07:05,000 --> 00:07:08,000 Yes. Both mics work at the same time. 102 00:07:08,000 --> 00:07:13,000 Maybe a little loud here. Wow, that's cool. And I've made it so that the volume of the mics is adjustable. 103 00:07:13,000 --> 00:07:16,000 So it balances the level. So it keeps everything consistent. 104 00:07:16,000 --> 00:07:20,000 So Linus can scream and nervous LAN participants who have just won something 105 00:07:20,000 --> 00:07:24,000 and get to talk to their idol. It's all a very consistent level. 106 00:07:24,000 --> 00:07:27,000 Show me how we can cordon off a section and turn it off. 107 00:07:27,000 --> 00:07:34,000 Right here I've got these volume ramps. And so by toggling off, you know, the courts or the bathrooms or something like that, 108 00:07:34,000 --> 00:07:39,000 it'll take a section of speakers and dim them down to nothing or bring them back up. 109 00:07:39,000 --> 00:07:42,000 And the other thing is I didn't want a traditional mute button 110 00:07:42,000 --> 00:07:45,000 because say you're playing music in the background, you unmute it, 111 00:07:45,000 --> 00:07:49,000 the whole courts get blasted. So it's even got a ramp uptime as well. 112 00:07:49,000 --> 00:07:52,000 So when you unmute it, it comes up nice and softly and slowly 113 00:07:52,000 --> 00:07:55,000 and then ramps up to where it needs to be. It's great. 114 00:07:55,000 --> 00:08:00,000 Okay. In the long term, could we have like a little, I don't know, a stream deck or something 115 00:08:00,000 --> 00:08:03,000 where you could like toggle on different sections of the building? 116 00:08:03,000 --> 00:08:07,000 Exactly. Right now I have it set for the courts to be toggleable 117 00:08:07,000 --> 00:08:10,000 and we could eventually do that for any zone that we want. 118 00:08:10,000 --> 00:08:13,000 Jim, the lounge upstairs, everything like that. 119 00:08:13,000 --> 00:08:16,000 Eventually what we'll have is a little iPad that they can carry around 120 00:08:16,000 --> 00:08:20,000 and pick what zones they want or if they want to switch over to LAN mode, 121 00:08:20,000 --> 00:08:23,000 it'll kind of be a button and that'll adjust a whole bunch of things. 122 00:08:23,000 --> 00:08:26,000 But as it stands right now, I just have a very basic interface. 123 00:08:26,000 --> 00:08:30,000 Oh yeah, basic. Yeah, no, this is not like the user interface. 124 00:08:30,000 --> 00:08:34,000 This is the user interface that I've made right now. 125 00:08:34,000 --> 00:08:38,000 I didn't spend a lot of time on it. And as you can see, it's only like three buttons. 126 00:08:38,000 --> 00:08:41,000 So we can toggle if the court is enabled. 127 00:08:41,000 --> 00:08:44,000 And then we can also limit the volume of the background music. 128 00:08:44,000 --> 00:08:47,000 When you're playing badminton and things like that, it can be a nice background level. 129 00:08:47,000 --> 00:08:50,000 And then we have background music death, 130 00:08:50,000 --> 00:08:53,000 which basically takes the entire courts up to their maximum volume 131 00:08:53,000 --> 00:08:56,000 that I think is a pretty damn loud. 132 00:08:56,000 --> 00:08:59,000 Can we hear it? Sure, let's do it. You want some crab rave? 133 00:08:59,000 --> 00:09:02,000 Yeah, let's do it. While Dan's getting them going, now's as good a time as any 134 00:09:02,000 --> 00:09:07,000 to show you the speakers that we ended up using. They're from SoundTube and they are power over Ethernet, 135 00:09:07,000 --> 00:09:10,000 meaning that all we need to have is a PoE switch. 136 00:09:10,000 --> 00:09:15,000 And boom, you can have an amplified speaker anywhere you can run an Ethernet cable. 137 00:09:15,000 --> 00:09:19,000 So on this side of the court, we've actually got, I think it's nine of them. 138 00:09:19,000 --> 00:09:24,000 Go ahead, Dan. Realistically, we'd love to add a little bit more acoustic dampening 139 00:09:24,000 --> 00:09:29,000 to the ends of the building. And there are still some things that Dan can tune within the software 140 00:09:29,000 --> 00:09:33,000 to help compensate for the echoeyness of the space. 141 00:09:35,000 --> 00:09:40,000 But you can see as I move around, this is actually pretty usable. 142 00:09:40,000 --> 00:09:42,000 Crank it up, Dan. Let's go. 143 00:09:46,000 --> 00:09:51,000 You can definitely tell when you're closer to one of the speakers. 144 00:09:51,000 --> 00:09:56,000 But there's so many that you're pretty much always close to one. 145 00:09:56,000 --> 00:10:01,000 Another thing that I've implemented as well is automatic ducking. 146 00:10:01,000 --> 00:10:04,000 So I can talk into the microphone and do my announcements, 147 00:10:04,000 --> 00:10:06,000 and then when I stop... 148 00:10:08,000 --> 00:10:12,000 Hey! Now that's pretty cool. 149 00:10:12,000 --> 00:10:16,000 It's also time-bound as well, so it's not down and up and down and up. 150 00:10:19,000 --> 00:10:23,000 Freaking loud. Like, what the heck? 151 00:10:23,000 --> 00:10:26,000 To kind of prevent it from getting super loud. Yeah. 152 00:10:26,000 --> 00:10:30,000 You know, I hook up my phone. I set it to 100% volume. 153 00:10:30,000 --> 00:10:33,000 It doesn't destroy the whole speakers and everything like that. 154 00:10:33,000 --> 00:10:36,000 I've got a leveling system for the phone input as well. 155 00:10:36,000 --> 00:10:39,000 So if you're playing it super quiet out in the lobby, 156 00:10:39,000 --> 00:10:43,000 it's all going to be a consistent volume. Wait, we can just like connect our phone to it? 157 00:10:43,000 --> 00:10:47,000 I have it Bluetooth to my laptop right now. The adapter I have is Bluetooth. 158 00:10:47,000 --> 00:10:50,000 These are sure beta-58 wireless mics, 159 00:10:50,000 --> 00:10:57,000 and the thing is that they're... the receiver's stuffed under a door in the kind of court area right at the front. 160 00:10:57,000 --> 00:11:01,000 They reach all the way to the back on both courts, and you don't have to think about it. 161 00:11:01,000 --> 00:11:04,000 Then when we come in to do LANs, we can be on site, 162 00:11:04,000 --> 00:11:08,000 we can do more weird things. This is just the most basic setup. 163 00:11:08,000 --> 00:11:12,000 Super easy to do. Thanks Q-Sys, I guess. 164 00:11:12,000 --> 00:11:16,000 Oh, did they hook us up with software? No, it's just... 165 00:11:16,000 --> 00:11:20,000 No, it's perpetual licenses. We did have to pay for a whole bunch of licenses, 166 00:11:20,000 --> 00:11:26,000 like a Dante channel upgrade. Right now, I think we have 16 transmit flows. 167 00:11:26,000 --> 00:11:29,000 So I have 16 zones, including both bathrooms, 168 00:11:29,000 --> 00:11:33,000 and each side of the speakers are on different zones. 169 00:11:33,000 --> 00:11:37,000 We've got four along the left, four along the right, four for the hanging speakers, 170 00:11:37,000 --> 00:11:42,000 and then court concession in both bathrooms. So is this the kind of installation that Dante is for? 171 00:11:42,000 --> 00:11:45,000 Well, typically, you use Dante to bring audio back and forth 172 00:11:45,000 --> 00:11:48,000 between the stage, the mixer, position, and speakers, 173 00:11:48,000 --> 00:11:52,000 but in this setup, we're doing things a little bit different. There's no mixer at all. 174 00:11:52,000 --> 00:11:57,000 Right, because we're using Q-Sys. Exactly. So Q-Sys is a network-manageable audio-video and control program. 175 00:11:57,000 --> 00:12:01,000 Right, so we just don't need a mixer. Exactly. It does it all in the box. 176 00:12:01,000 --> 00:12:05,000 Tell me this, though. Does Dante have any special requirements from your network equipment? 177 00:12:05,000 --> 00:12:08,000 Like, can I just plug it into anything? Yeah, not from the switching side. 178 00:12:08,000 --> 00:12:12,000 It does have extremely specific, like, transmit protocols 179 00:12:12,000 --> 00:12:16,000 that need to be followed, often requiring an entire separate network to be run 180 00:12:16,000 --> 00:12:19,000 so that it doesn't go over your normal local traffic. 181 00:12:19,000 --> 00:12:23,000 Is it a latency issue? Latency issue and a traffic issue as well. 182 00:12:23,000 --> 00:12:26,000 You need very specific packet switching. Okay, but our Unify stuff does it? 183 00:12:26,000 --> 00:12:29,000 It does now, up until extremely recently, 184 00:12:29,000 --> 00:12:34,000 Unify was one of the only companies that you could not use Dante with. 185 00:12:34,000 --> 00:12:38,000 Oh, and yet? And yet. They have released some Alpha version right now 186 00:12:38,000 --> 00:12:41,000 which supports Q-Sys, Dante, Crestron, 187 00:12:41,000 --> 00:12:46,000 all of those sort of switching protocols. And you can actually see our RGB switches here. 188 00:12:46,000 --> 00:12:50,000 The ones in this greeny yellow are a specific Dante VLAN that we have set up. 189 00:12:50,000 --> 00:12:54,000 RGB network switches. Who knew it would actually be very practical? 190 00:12:54,000 --> 00:12:58,000 It's actually quite useful. So this is a completely separate VLAN 191 00:12:58,000 --> 00:13:01,000 which basically carries all of our audio traffic. 192 00:13:01,000 --> 00:13:04,000 Theoretically, all we need to do to plug one of these guys in 193 00:13:04,000 --> 00:13:08,000 is just slap it in here to any PoE port 194 00:13:08,000 --> 00:13:12,000 and then it'll activate and if it's on the right VLAN 195 00:13:12,000 --> 00:13:15,000 then now you've got two analog inputs. 196 00:13:15,000 --> 00:13:19,000 Yep, there you go. Wow. So that's actually a camera. 197 00:13:19,000 --> 00:13:23,000 So it's not gonna work. I am watching you. 198 00:13:23,000 --> 00:13:27,000 Stop it. These dongles. I couldn't help noticing we have a lot of them we're not using right now. 199 00:13:27,000 --> 00:13:30,000 What is the plan for these? These are all for the LAN eventually. 200 00:13:30,000 --> 00:13:33,000 For example, this is one that we're using downstairs for the microphone. 201 00:13:33,000 --> 00:13:37,000 So this is a stereo XLR in. This one here is a stereo XLR out. 202 00:13:37,000 --> 00:13:40,000 So we could have a traditional backline on a stage or something like that 203 00:13:40,000 --> 00:13:44,000 and then feed the entire system directly into some big speakers. 204 00:13:44,000 --> 00:13:47,000 The nice thing about Dante in particular in these 205 00:13:47,000 --> 00:13:50,000 is I can preconfigure them in whatever port I want 206 00:13:50,000 --> 00:13:54,000 and then all I do is I plug them into the network and they self-assemble. 207 00:13:54,000 --> 00:13:57,000 That is so cool. They're all addressed and they have controls on them too. 208 00:13:57,000 --> 00:14:01,000 So when Chase is just rolling out LAN equipment 209 00:14:01,000 --> 00:14:04,000 all he needs to know is this goes there 210 00:14:04,000 --> 00:14:07,000 and boom, it's ready to go. Exactly. 211 00:14:07,000 --> 00:14:10,000 Super sick. This one here is USB-C. 212 00:14:10,000 --> 00:14:13,000 Oh, so it's blue. It goes in and out. It's two-way communication. 213 00:14:13,000 --> 00:14:16,000 So this is, I believe, a dual stereo pair. 214 00:14:16,000 --> 00:14:20,000 The one that we have downstairs is Bluetooth and there's a whole bunch of different ins and outs 215 00:14:20,000 --> 00:14:24,000 because Dante is kind of just a standard 216 00:14:24,000 --> 00:14:27,000 and then companies can put it in whatever they want. 217 00:14:27,000 --> 00:14:30,000 It's pretty neat. How much did it cost? 218 00:14:30,000 --> 00:14:33,000 So this entire setup with all of these adapters 219 00:14:33,000 --> 00:14:36,000 and about 30 speakers was about 20 grand, I believe. 220 00:14:36,000 --> 00:14:41,000 That is great. Guys, you have no idea the kinds of quotes 221 00:14:41,000 --> 00:14:46,000 that I got from like audio contractors and obviously we spent more than $20,000 total 222 00:14:46,000 --> 00:14:49,000 when we consider the time that our infrastructure team 223 00:14:49,000 --> 00:14:52,000 and Dan spent implementing this. 224 00:14:52,000 --> 00:14:55,000 I think we're still out ahead, though. Absolutely. 225 00:14:55,000 --> 00:14:59,000 And all we had to do was run Ethernet cable and the adaptability pays for itself. 226 00:14:59,000 --> 00:15:02,000 Yeah. It can be changed anytime we want. 227 00:15:02,000 --> 00:15:05,000 It can be in any port in this building. That is so cool. 228 00:15:05,000 --> 00:15:10,000 You just need PoE. Like we could add a PA to the office up here. 229 00:15:10,000 --> 00:15:14,000 All we'd have to do is make sure that that port is running to a PoE switch and then boom. 230 00:15:14,000 --> 00:15:17,000 And this one is. So now we have a microphone in Jim's office. 231 00:15:18,000 --> 00:15:21,000 It's as easy as that. It's so cool. I know. 232 00:15:21,000 --> 00:15:24,000 I mean, we may have to switch a VLAN around, but that's mostly for security, right? 233 00:15:26,000 --> 00:15:29,000 That's really cool. Like this cool segue to our sponsor. 234 00:15:29,000 --> 00:15:32,000 If you guys enjoyed this video, why not check out the last time 235 00:15:32,000 --> 00:15:37,000 that Dan and the team and I were frantically working on this place. 236 00:15:37,000 --> 00:15:41,000 But hey, it's almost done, right? It feels so together, right? 237 00:15:41,000 --> 00:15:45,000 Like look at this. We got like access control and all the doors and everything. 238 00:15:45,000 --> 00:15:48,000 Does that work yet? Yes. Everything's in.