WEBVTT 00:00:00.000 --> 00:00:04.300 Say yellow to yellow with the YOLO S7 camera. 00:00:04.300 --> 00:00:08.220 It is a very unique webcam in the sense 00:00:08.220 --> 00:00:13.860 that it is a webcam designed for streaming and content creation that has a removable lens. 00:00:13.860 --> 00:00:18.340 That's so exciting. What do we get in the box? We get that sleeve so you can bring that camera around. 00:00:18.340 --> 00:00:22.740 We get quite a beefy type A to type C, 00:00:22.740 --> 00:00:26.980 which is our data cable. And it's quite long. That looks to be about 10 feet. 00:00:26.980 --> 00:00:30.860 That's pretty nice. As far as 10 feet from your computer, 00:00:30.860 --> 00:00:34.420 that's incredible. Okay, that's a little facetious. It is meant to be a webcam, 00:00:34.420 --> 00:00:39.420 so 10 feet is actually plenty long. In this box, we have a C to C power cable. 00:00:39.420 --> 00:00:43.300 Looks to be about the same big finesse and length, maybe a little bit shorter. 00:00:43.300 --> 00:00:47.180 But both of these connectors actually have a little screwing bit so that it locks 00:00:47.180 --> 00:00:50.540 that even when you move the camera, you're not in super large danger 00:00:50.540 --> 00:00:54.300 of just yonking out a cable in the middle of the live stream, which would be catastrophic. 00:00:54.300 --> 00:00:57.940 We have our quick start guide and our product manual, and that's it. 00:00:57.940 --> 00:01:04.220 YOLO also sent us a power adapter, although you could presumably use a different USB PD-1. 00:01:04.220 --> 00:01:05.180 What am I looking at? 00:01:09.180 --> 00:01:14.300 That's a really long brick. If it's on a surge protector that's on the ground, 00:01:14.300 --> 00:01:17.500 not a big deal, but if you're plugging it into a wall, that is a lot of weight 00:01:17.500 --> 00:01:22.940 on something that has very little resistance. This little doohickey's good for up to 45 watts at 20 volts, 00:01:22.940 --> 00:01:26.820 but that wouldn't be necessary. The camera itself uses 12 watts of power, 00:01:26.820 --> 00:01:30.300 and so this should be plenty, but you also have a lot of versatility 00:01:30.300 --> 00:01:35.280 in the kind of power bricks you could be using. Inside this one, we have, oh nice, 00:01:35.280 --> 00:01:38.900 a little L bracket with quarter 20 slots, 00:01:38.900 --> 00:01:44.180 as well as a slot that we could put another quarter 20 to mount our camera in its vertical orientation. 00:01:44.180 --> 00:01:48.260 This is predominantly for short form content creation, 00:01:48.260 --> 00:01:51.580 presumably, although that makes less sense to me 00:01:51.580 --> 00:01:54.620 than it being a streaming camera. I have a lot of questions about this thing 00:01:54.620 --> 00:02:00.020 that I hope I will be able to answer. Last thing inside this box is our quarter 20 tripod 00:02:00.020 --> 00:02:05.580 little screw. The L bracket itself is actually a pretty good quality. This is pretty on par with something I would expect 00:02:05.580 --> 00:02:09.560 from a small rig or something, and the fact that you have the three mounting holes 00:02:09.560 --> 00:02:14.220 on the back is actually a pretty nice quality of life thing. Thankfully, we've got some pretty good versatility. 00:02:14.220 --> 00:02:17.260 We have a microphone jack, we have an HDMI out, 00:02:17.260 --> 00:02:21.500 and then we have two type C's, one is for power, and one is for data, and that's because 00:02:21.500 --> 00:02:24.700 you can actually stream using the HDMI out 00:02:24.700 --> 00:02:28.180 and the type C. The type C will be limited to 1080p, 00:02:28.180 --> 00:02:33.460 but if you're Twitch streaming, that's more than enough, especially when you go non-fullscreen, 00:02:33.460 --> 00:02:37.140 so I don't think that's a huge, huge factor, and if I was using this at home, I actually probably would do that 00:02:37.140 --> 00:02:41.580 to avoid having another HDMI box or card 00:02:41.580 --> 00:02:45.140 in order to read that. On the top, we have our cold shoe mount 00:02:45.140 --> 00:02:49.460 so that you could put accessories, presumably, you could put your mic that you'd plug into the back. 00:02:49.460 --> 00:02:54.340 Side's very plain, bottom quarter 20. On the front, we have our sensors and laser 00:02:54.340 --> 00:02:58.940 for the time of flight autofocus, which is a pretty cool feature for a camera like this. 00:02:58.940 --> 00:03:05.420 It uses basically a laser, and the time it takes for that laser to come back to the camera in order to measure the depth, 00:03:05.420 --> 00:03:11.540 which would allow for really fast autofocus. YOLO claims 0.08 seconds of autofocus, 00:03:11.540 --> 00:03:15.100 although my guess is that measurement isn't including the whole process of it, 00:03:15.100 --> 00:03:20.380 and it also will depend on the lens, yes, because when you're using a camera with good autofocus, 00:03:20.380 --> 00:03:23.700 having the right lenses on that camera can make a huge difference. 00:03:23.700 --> 00:03:28.460 In fact, YOLO recommends just two lenses, the 25 and 15 mil lenses, 00:03:28.460 --> 00:03:32.540 which would give you a lot of the room without having too much fisheyeing on the lenses, 00:03:32.540 --> 00:03:36.460 especially as it is a micro for a third camera, so there's a crop factor, 00:03:36.460 --> 00:03:40.540 so the 25 is about a 50 millimeter, which is good for portraits, 00:03:40.540 --> 00:03:44.260 and that'll be great for a face cam, but actually would kind of get a little tight 00:03:44.260 --> 00:03:48.860 when you really think about it. I'm thinking about it. Just like I'm thinking about how time of flight autofocus 00:03:48.860 --> 00:03:54.420 has the advantage of being really fast and really accurate, but it also has a limit in the distance it can measure. 00:03:54.420 --> 00:03:58.180 That's not a big deal for a camera like this, that's not really designed to get big wide shots 00:03:58.180 --> 00:04:02.220 or moving subjects that are really, really far away, and so I think that's a pretty reasonable compromise 00:04:02.220 --> 00:04:07.460 and a smart design choice for its use case, which is have a damn good looking webcam, baby, 00:04:07.460 --> 00:04:11.980 and sensor size is a huge factor when it comes to having good image. 00:04:11.980 --> 00:04:15.540 Not only does it mean that each pixel will be larger, 00:04:15.580 --> 00:04:21.700 which allows for more light and better low light performance, it also gives you access to a whole suite of lenses 00:04:21.700 --> 00:04:27.340 that are designed to have a more cinematic look with depth of field, as well as just like versatility and how you can use it, 00:04:27.340 --> 00:04:31.700 and so I actually think this is a really, really cool use case for people that are predominantly tied to a computer 00:04:31.700 --> 00:04:34.700 and streaming all the time. One thing you'll notice that I haven't talked about 00:04:34.700 --> 00:04:39.700 is a screen, as opposed to most more versatile cameras. 00:04:39.780 --> 00:04:43.580 This doesn't have a screen because it's expecting you to be tied to a computer, 00:04:43.580 --> 00:04:47.860 which is predominantly a con, IMO. 00:04:47.860 --> 00:04:52.340 That seems like a really impractical way of doing it. Like why not have this be self-sustaining? 00:04:52.340 --> 00:04:55.420 Although the trade-off could be the money they save 00:04:55.420 --> 00:04:59.980 on that computing internally, could be put towards making a better image quality 00:04:59.980 --> 00:05:03.700 for the price, but that remains to be seen. Just like it remains to be seen 00:05:03.700 --> 00:05:09.220 if this thing actually can stream forever, like YOLO claims, they say because of the design 00:05:09.220 --> 00:05:14.340 and all aluminum body, it'll dissipate heat fast enough that you could presumably stream indefinitely, 00:05:14.340 --> 00:05:18.580 which is fantastic. I haven't had too much issue streaming from mirrorless 00:05:18.580 --> 00:05:23.380 or DSLR in terms of overheating, but I have had overheating issues, 00:05:23.380 --> 00:05:26.420 mostly when I'm doing internal recording on Sony cameras 00:05:26.420 --> 00:05:29.660 a few generations ago, and it's very, very frustrating 00:05:29.660 --> 00:05:32.740 when you're in the middle of an interview and you're like, can you wait 20 minutes 00:05:32.740 --> 00:05:37.020 while I just wait here for my equipment to cool off? 00:05:37.020 --> 00:05:40.780 Thankfully, that won't be a problem with this. You just press the button, take the lens cap off, 00:05:40.820 --> 00:05:45.340 look at that giant frickin' sensor. Okay, it's not giant compared to like full frame cameras, 00:05:45.340 --> 00:05:50.460 but compared to webcams, bro, this thing's like four times bigger, it's crazy. 00:05:50.460 --> 00:05:54.660 This sensor is a Sony IMX sensor. There's not a ton of technical details. 00:05:54.660 --> 00:06:00.260 What we do know is that it's good for 4K 60 across the whole sensor and it has dual native ISO, 00:06:00.260 --> 00:06:06.500 although we don't know specifically which ISOs they're talking about, but can range from 100 ISO to 9,600 ISO. 00:06:06.500 --> 00:06:10.780 So that's a pretty dang good range, although I'm curious to see how grainy it gets at 9,600. 00:06:10.780 --> 00:06:16.420 You know what I'm saying, dog? Ah! We've got our YOLO S7 set up on a C stand. 00:06:16.420 --> 00:06:21.380 That's probably not what you're gonna wanna do. You're gonna wanna get some kind of mount for your behind your monitor or to an ARM. 00:06:21.380 --> 00:06:26.420 Thankfully, the quarter 20 means that it's gonna be fairly easy. The other thing to note is that as a safety feature, 00:06:26.420 --> 00:06:30.700 the sensor's not supposed to activate without a lens, and that's a good thing because if you have your lens off 00:06:30.700 --> 00:06:34.500 and the sensor on, the electrostatic can actually draw dust to it and damage the sensor, 00:06:34.500 --> 00:06:37.740 so that's a nice little nifty little safety feature. You know what I'm saying? 00:06:37.780 --> 00:06:44.420 I just have to say, this looks pretty good. It has the benefit of that proper, not quite cine lens, 00:06:44.420 --> 00:06:48.980 so you get the cool depth of field effect like you can see Glenn in the back is out of focus. 00:06:49.980 --> 00:06:53.100 It's doing a pretty good job tracking me. 00:06:53.100 --> 00:06:58.860 This isn't the recommended lens, but in terms of if I was streaming, that's really not bad. 00:06:58.860 --> 00:07:03.700 So let's see what we got for controls. And I will say that even though the camera 00:07:03.700 --> 00:07:06.940 is really shaking on the tripod, you can see in this camera, 00:07:06.940 --> 00:07:10.580 the actual video feed is not too bad. Like it's obviously a little bit jittery, 00:07:10.580 --> 00:07:13.780 but that's not that bad. There's got to be some kind of stabilization 00:07:13.780 --> 00:07:17.860 or maybe I'm just losing my mind. In our camera adjustment panels, we've got our video settings. 00:07:17.860 --> 00:07:23.860 We can go from landscape to portrait. If I was using this at home, I would be using it in landscape. 00:07:23.860 --> 00:07:28.540 Gosh, wow. I can say if I'm only comparing to webcams, 00:07:28.540 --> 00:07:33.780 this is the best looking webcam I've ever seen. If we're comparing to cameras that are the same price as it, 00:07:33.780 --> 00:07:37.380 that remains to be seen. And then we have our HDMI resolution. 00:07:37.380 --> 00:07:42.020 We're actually limited to 1080p through the USB-C. That's plenty for our purposes today, 00:07:42.020 --> 00:07:47.260 but it's nice to know that you could do 4K through the camera, especially if you're making YouTube videos. 00:07:47.260 --> 00:07:50.300 For streaming, I don't think that 4K is as important. 00:07:50.300 --> 00:07:56.780 Next, we have our imaging settings. That's a really subtle change in our white balance. 00:07:57.060 --> 00:08:01.900 I prefer the cool colors, although I think they got their naming schemes backward 00:08:01.900 --> 00:08:05.260 because this cool colors one's actually tending warmer 00:08:05.260 --> 00:08:09.020 to adjust for colder lights. So I think I look better with that. 00:08:09.020 --> 00:08:12.860 You can adjust your sharpness to really cook those pores 00:08:14.260 --> 00:08:17.780 or really soft, which almost looks a little bit out of focus, 00:08:17.780 --> 00:08:21.460 but not too bad. We have contrast. We can cook it or uncook it. 00:08:21.460 --> 00:08:24.980 We can adjust our saturation. I can say something sad. 00:08:24.980 --> 00:08:29.220 People ask how you're doing. You have to say you're fine, but you're not really fine. 00:08:29.220 --> 00:08:32.620 Deep down inside to hurt. Wow, that felt really real. 00:08:32.620 --> 00:08:36.340 We have our distortion correction, which we'll adjust for fisheye, although we don't need that 00:08:36.340 --> 00:08:40.940 because we're using a 25 millimeter lens. So you can see I'm actually fairly far away. 00:08:40.940 --> 00:08:45.660 Like it's now me, like a centimeter away from touching. This works if you can get the camera behind the monitor. 00:08:45.660 --> 00:08:49.540 It's a little bit close for what I'd be doing in our purposes today. Then we got vignetting correction, 00:08:49.540 --> 00:08:53.060 which is not as much of a problem I found on micro for thirds. 00:08:53.060 --> 00:08:56.980 It's usually when you're using zoom lenses on bigger sensors, 00:08:56.980 --> 00:09:02.740 but it's possible that there's lenses that would vignette. So it'll just basically adjust the edges of the frame 00:09:02.740 --> 00:09:06.460 to not get darker. Next up, we have our focus. 00:09:06.460 --> 00:09:10.420 So first we can adjust our channel, which should reduce the signal interference 00:09:10.420 --> 00:09:13.940 between cameras. I don't do a ton of multicam auto focus stuff. 00:09:13.940 --> 00:09:17.620 So I've never experienced that before, but you can change it so there won't be any interference. 00:09:17.620 --> 00:09:21.660 Then you have your continuous auto focus, your single auto focus or your face. 00:09:21.660 --> 00:09:26.980 So face seems to have some kind of just like face tracking. I imagine for most people, they'll want that. 00:09:26.980 --> 00:09:32.380 And we can change the focus speed because although technically you want the fastest tracking, 00:09:32.420 --> 00:09:36.260 sometimes it looks unnatural to have like a robot auto focus when it's too fast. 00:09:36.260 --> 00:09:40.180 And there's something like a cinematic quality that people actually enjoy more 00:09:40.180 --> 00:09:46.040 when there's a little bit of a slow rack. And so I'm actually gonna go standard on my focus speed. 00:09:46.040 --> 00:09:49.900 Next, we got our zoom. I wonder what that does. 00:09:49.900 --> 00:09:54.580 No. We have our hot keys so we can set different levels of zoom to different keys. 00:09:54.580 --> 00:09:59.300 But seeing as that we're already at the maximum zoom I'd want to be, we are not gonna need that. 00:09:59.300 --> 00:10:02.720 Next, we have our AI parameter. 00:10:06.180 --> 00:10:10.940 Why are they calling this an AI feature? This is just controlling a basic feature of the camera. 00:10:10.940 --> 00:10:15.780 That's stupid. Don't call it a AI man. It's just controlling your aperture. 00:10:15.780 --> 00:10:19.500 We can set the amount of AI blurring they do 00:10:19.500 --> 00:10:23.040 as well as like the aperture settings in that menu. 00:10:23.040 --> 00:10:26.380 So it wants me to say still, select your preferred image brightness. 00:10:26.380 --> 00:10:27.980 This one's a little bit different. 00:10:29.740 --> 00:10:33.780 Why did it do this weird color thing? This looks terrible. 00:10:33.780 --> 00:10:37.780 It looks so much worse than it did before. Your AI gets a big thumbs down 00:10:37.780 --> 00:10:42.180 on top of the regular AI thumbs down for me. We are going to reset. 00:10:43.500 --> 00:10:48.060 So much better. Also, I want to have manual control over all my stuff. 00:10:48.060 --> 00:10:51.060 You might want to go to the auto and it actually seems like it's done a pretty good job 00:10:51.060 --> 00:10:56.140 getting my skin tones about where I would want them. But I much prefer having my controls all manual. 00:10:56.140 --> 00:10:59.540 They have two different settings here that do the same thing, but with a different name. 00:10:59.540 --> 00:11:02.700 So if you don't know, the wider you have your aperture in a lens, 00:11:02.700 --> 00:11:06.100 the more blurred things are gonna look when they're out of focus. 00:11:06.100 --> 00:11:10.580 If you have a small little aperture, there's more depth of your scene that will be in focus. 00:11:10.580 --> 00:11:14.860 If you close your aperture by going to the higher numbers, you will not only get a darker image 00:11:14.860 --> 00:11:19.140 because less light is going through the smaller hole, but more of your scene will be in focus. 00:11:19.140 --> 00:11:25.300 Seeing as we're having a good time at f 1.8, that's great. Or you can use their dropdown for blur low, medium high, 00:11:25.300 --> 00:11:28.900 which basically closes your aperture and makes things dark. 00:11:28.900 --> 00:11:33.100 I feel like that's fine, but that should be in the auto side of the settings, 00:11:33.100 --> 00:11:36.420 not the manual side. So we're just gonna leave that there. 00:11:36.420 --> 00:11:40.420 Next we have our ISO settings. I imagine that it's 400, 800. 00:11:40.420 --> 00:11:43.860 So we'll go to 400. Either of them looks pretty good, 00:11:43.860 --> 00:11:48.340 like not particularly grainy. The image quality, it looks like I've got a pretty good dynamic range. 00:11:48.340 --> 00:11:53.060 I think 400 is plenty. Next we have our shutter speed. And I actually think that they're not right 00:11:53.060 --> 00:11:56.260 about this shutter speed because this is 60 FPS. 00:11:56.260 --> 00:12:01.860 And generally when you're doing camera stuff, you have your shutter speed at one over twice your frame rate 00:12:01.860 --> 00:12:05.820 so that the shutter is open half of the frames. That's the most cinematic look, 00:12:05.820 --> 00:12:11.220 but it wouldn't look quite right if you're shooting one sixtieth with a 60 FPS frame rate. 00:12:11.220 --> 00:12:14.780 It would look a little bit soft. And I don't think that's quite right. So I actually think they're lying to me, 00:12:14.780 --> 00:12:18.100 but this does sort of have that 30 FPS look, 00:12:18.100 --> 00:12:21.780 even though it's presumably actually at 60 FPS. So that's fine. 00:12:21.780 --> 00:12:26.940 And if I'm doing Twitch streaming, I'm gonna be at 60 FPS anyway. Next we have our white balance, which is great. 00:12:26.940 --> 00:12:31.700 The auto stuff did a pretty darn good job. We got our Greenland look. 00:12:31.700 --> 00:12:35.220 And we have our Mexico look. And then we have a blue and red offset 00:12:35.220 --> 00:12:38.700 where we can pick a specific color. I actually thought the auto white balance did a pretty good job. 00:12:38.700 --> 00:12:43.100 So I'm just gonna leave it at that on auto. Although if I was setting up for a long-term stream, 00:12:43.100 --> 00:12:47.780 I probably would find the right setting so that I don't have to worry about midstream kind of shifting 00:12:47.780 --> 00:12:52.500 if I have weird color things that happen. We actually have access to more color correcting. 00:12:52.500 --> 00:12:55.780 So you can take a capture image and then color correct that and kind of set that as a preset. 00:12:55.780 --> 00:12:59.620 We don't need to do that. This looks good as it is. And then a live scene button, 00:12:59.620 --> 00:13:03.660 they put everything back on auto, which actually is a good thing for me to point out. 00:13:03.660 --> 00:13:07.500 In the exposure setting on auto, you can actually have an anti-flicker setting. 00:13:07.500 --> 00:13:11.940 So for 50 or 60 hertz, depending where you are in the world. And then you can kind of have a lot of the same settings. 00:13:11.940 --> 00:13:15.540 So you can set your aperture here, but then you can also set sort of your amount 00:13:15.540 --> 00:13:20.140 of expected light to compensate for. Again, I'm gonna just go back to manual. 00:13:20.140 --> 00:13:24.660 That looks really good. And like not only does it not have a face light 00:13:24.660 --> 00:13:28.980 to help light my face, it's actually working against all this purple bounce. 00:13:28.980 --> 00:13:32.220 And I have to say it's doing a pretty admirable job 00:13:32.220 --> 00:13:37.260 at making my skin not look totally wacky. Like when I'm looking at it, it looks a little bit off, 00:13:37.260 --> 00:13:42.620 but if I was streaming with this, I don't think anyone would comment. It would look totally acceptable, super sharp. 00:13:42.620 --> 00:13:46.300 The autofocus is pretty good. It really wants to do my hand. 00:13:46.300 --> 00:13:52.220 You can kind of see it in jumps. You can see when I do this, it goes like, da, da, da, da, da, da. 00:13:52.220 --> 00:13:55.620 But I gotta say that autofocus is working pretty good at tracking me. 00:13:55.620 --> 00:13:59.660 It takes a little bit to make sure that it's got me, but usually when you're streaming, 00:13:59.660 --> 00:14:03.220 you're not running around your room too much. And if you are, I would just crank the brightness 00:14:03.220 --> 00:14:07.100 in your room and then close your aperture a little bit. And you're probably gonna be covered anyway. 00:14:07.100 --> 00:14:10.140 I'm not gonna record the camera free directly into OBS 00:14:10.140 --> 00:14:14.380 so that we can get a better idea of what it'll look like in your recording software. 00:14:14.380 --> 00:14:17.380 There is a little bit more jitteriness on my monitor. 00:14:17.420 --> 00:14:21.900 I had to close the app in order to get the feed because like most video devices 00:14:21.900 --> 00:14:25.580 can only be outputting to one of them at a time. Just a really annoying distinction. 00:14:25.580 --> 00:14:30.680 I don't know if that's a Windows or OBS thing, but figure it out. But you can imagine if I'm just a tiny little person 00:14:30.680 --> 00:14:34.540 in the window, that's about as nice 00:14:34.540 --> 00:14:38.620 as I've seen for a streaming camera. And people use much more expensive cameras 00:14:38.620 --> 00:14:41.740 than this for streaming. But here's the flip side. 00:14:41.740 --> 00:14:45.100 This thing is only a webcam. And that could be great. 00:14:45.100 --> 00:14:48.220 You might be someone that's like, I just want the best video quality. 00:14:48.220 --> 00:14:52.660 When I'm streaming on my computer, I don't want to worry about it. I'm never taking my camera away. 00:14:52.660 --> 00:14:56.980 But at the price of $800, which is its sale price, 00:14:56.980 --> 00:15:00.220 but it's one of those sales that goes on forever. So that's really just the real price. 00:15:00.220 --> 00:15:04.560 They just want to pretend like you're saving $100. You can get a pretty damn good camera. 00:15:04.560 --> 00:15:10.060 The Sony has a ZVE-10. The Mark I, if you buy it, you can get like $400, $500. 00:15:10.060 --> 00:15:13.980 $800 new. The Mark II is even better for video, but it's a little bit more. 00:15:13.980 --> 00:15:20.700 If you don't like Sony, Canon has the R50, Nikon has the Z30 that are kind of similar price brackets 00:15:20.700 --> 00:15:27.700 and I think are much more versatile. However, I don't think that their video out 00:15:27.700 --> 00:15:32.920 is substantially nicer than this. And so if you are going to just use that as a webcam, 00:15:32.920 --> 00:15:36.180 this isn't a bad alternative. And it is really good. It was really easy. 00:15:36.180 --> 00:15:39.980 If you're someone that knows nothing about cameras, the auto settings did a pretty good job. 00:15:39.980 --> 00:15:46.340 Not the AI settings, those suck. But $800 without a lens is a lot of money for a webcam. 00:15:46.340 --> 00:15:51.860 And if you're starting out in content creation, here's a little bit of a tip. 00:15:51.860 --> 00:15:55.740 Video quality matters up to a certain point. And when you kind of get past that point, 00:15:55.740 --> 00:16:01.900 there's a huge drop off of diminishing returns for way less than half the price of this thing, 00:16:01.900 --> 00:16:06.840 especially if you're adding a lens. You can get a pretty damn good webcam that captures you. 00:16:06.840 --> 00:16:10.220 And that's what matters when you're streaming is you, 00:16:10.220 --> 00:16:13.640 not the camera, not the gear. Are you fun? Are you engaging? 00:16:13.640 --> 00:16:19.300 Are you confident? Are you exciting? That's so much more important. So if I were you, instead of spending $800 on this, 00:16:19.300 --> 00:16:22.720 if you're getting started out, I'd buy something pretty good at $200, 00:16:22.720 --> 00:16:26.020 and then treat yourself to a massage for $600. 00:16:26.020 --> 00:16:29.780 And just enjoy yourself, come back to your stream, super recharge, super energized, 00:16:29.780 --> 00:16:32.820 and that's a way better stream, IMO. 00:16:32.820 --> 00:16:37.820 Just like this outro is better than the one I did yesterday, 00:16:37.820 --> 00:16:42.740 because I didn't do one yesterday. This is the first ShortCircuit I've done this week. And if you're still interested in a camera 00:16:42.740 --> 00:16:46.660 in this price range for streaming, we actually unboxed the ZV-10 00:16:46.660 --> 00:16:50.980 when that came out a couple of years ago. And so you should watch that one. I have a lot of thoughts back then, 00:16:50.980 --> 00:16:53.580 and I don't think they've changed that much since then.