WEBVTT

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What I'm about to show you isn't exactly legal,

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but legal doesn't necessarily mean something is right anyway, does it?

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It's legal to raise my subscription fees whenever they want.

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It's legal for them to control how I use my own account

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and the media I paid for. It's legal for them to keep showing me ads

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and steal my data when I pay for the service,

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and it's even legal for them to take my money and disappear into the night with my media.

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Now piracy can be just taking things

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without paying for them, but sometimes it's a little more noble than that.

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Sometimes it's about taking control back from the powers that be,

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reasserting our right to own the things that we've paid for and use them however we please.

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So I beg you, look at this big movie studio exec,

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it's blurred so you won't have any ammunition for a DMCA takedown, but believe me when I say

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that it's your Blu-ray and I'm streaming it from my PC

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to my phone because I don't care about your rules.

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And guess what? I'm gonna take it one step further and show everyone watching how to do it.

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Who knows, if you have a tech savvy nephew or something, you might even get them to watch along

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and set it up for you. It truly is very convenient.

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Of course, as you know, creating video costs money though, so I can't tell your nephew anymore

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until we get through this message from our sponsor. To rip a Blu-ray, all you need is the disc,

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a compatible drive like this one from LG, we'll have a full list linked down below,

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and a computer or NAS with a lot of free storage space.

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Start by downloading and installing MakeMKV, an SDF tool flasher, as well as the custom firmware

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for your drive from the guide that will also have linked down below.

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Then use SDF tool to flash your drive by pointing it to the firmware you downloaded.

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Next, pop the disc in and use MakeMKV to back it up,

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making sure that you select decrypt video files.

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Hit okay, and in about an hour, you're gonna have a copy of your entire Blu-ray disc

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that is tucked safely away in your computer. And you're done.

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Well, sort of. You can play the full quality M2TS video

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that's usually found in the bdmv slash stream folder.

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The biggest one is gonna be your movie and the smaller ones are usually gonna be extras

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or special features. But if you want a more broadly compatible file

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that will play nicely with more devices, we recommend re-muxing or re-encoding your video.

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Remuxing means simply changing the container of the video file without altering the quality or size.

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If you go back a few steps, you can actually choose this option right in MakeMKV.

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This is a great choice, especially for discs that have playlist obfuscation as an anti-piracy measure,

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which could lead to glitches or your movie being split into chunks.

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Apparently, Lionsgate movies are notoriously bad for this.

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MakeMKV can attempt to load the Blu-ray menu in Java

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to help you sort which playlist holds the correct files to re-mux.

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But if you're having issues, there are resources that would prefer to remain anonymous,

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but that can be found with a quick Google search on a per movie basis.

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But if you want the whole disc on your drive, you can also use MKV tool next

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to convert specific files to MKV for your personal enjoyment.

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If you want both better compatibility and a smaller size, though,

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a full re-encode with Handbrake is the way to go.

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Re-encoding means fundamentally rearranging the ones and zeros of the media file

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in a matter that can shrink the video's size, but usually at the expense of some quality.

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To do this, open up Handbrake and drag the entire backed up folder into the window.

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Let it scan, and when it's done, use the dropdown menu to select the right video file

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or files. Look for the ones that are the proper length,

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then choose your export preset. This one is great for very high quality Ultra HD,

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but some of your devices might play better with HEVC.

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You'll have to play around with things a little bit to see what works for you, but here are some starter presets.

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There's a lot more to fine tune in here, like audio tracks, the ability to keep

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or remove certain languages of subtitles, or even burn them in.

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We'd also recommend changing the frame rate to same as source, and once you're done,

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you can hit go and wait anywhere from several minutes to several days, depending on your settings and hardware.

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Once everything's encoded up the way you like, you add it to your favorite

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self-hosted video streaming library, and that's it. You've got your own personal Netflix,

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one that can't be taken away from you and never goes up in price.

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But the simplicity of this whole process is a little deceptive.

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Before these user-friendly tools could be developed, a lot of hard work was done to break the encryption

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of Blu-ray disks and of the DVDs that came before them.

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But that wasn't always the case. The difficulty curve has actually gone very easy,

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very hard, back to very easy. So how about a fun little piracy history lesson?

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In the early 1980s, when CDs were unveiled to the world,

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hard drives for home computers were hovering around 10 megabytes of total capacity.

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To put that in perspective, it would take about this many hard drives

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to store a single CD album.

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Sony and Philips, the joint creators of the CD standard,

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didn't bother to write any form of copy protection into the specification because the pricing of CDs

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was so competitive compared to those hard drives. I mean, what are you gonna do?

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Spend a quarter million dollars on drives or just head to the local Sam Goody for a new $20 copy.

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But by the early 2000s, things had changed.

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CD burners had become commonplace in home computers

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and the price of storage had plummeted. That, combined with the adoption of compressed audio formats

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like MP3, the growth of broadband internet, and the rise of easy to use piracy networks

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like Napster took music sharing mainstream.

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By the time things really reached the masses, DVDs had already been a thing for about four years,

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but the makers had definitely learned at least some lessons from CDs.

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There were many restrictions built into the DVD specification

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that prevented duplication and piracy.

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However, they were relatively primitive and were ultimately defeated by brute force attacks.

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By the time most new PCs shipped with a DVD drive then,

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libraries that could decrypt DVDs were readily available.

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You just needed to know where to look. Blu-ray, on the other hand, took longer.

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The copy protection is vastly more sophisticated, even including the ability to revoke

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and issue new encryption keys through new disks.

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But the industry was also going up against much more powerful computers

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in the hands of much more experienced hackers.

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It's an arms race that the studios can't possibly hope to win in the long term.

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Speaking of long term, that's reason number one why we made this video and why we think

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you should be ripping your Blu-rays. Mass failure of entire generations of optical media

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is coming and it's coming really soon due to something called disk rot.

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Blu-rays actually have the shortest expected lifespan

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of any commercial disk format yet at only five to 20 years.

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And while hard drives and SSDs also fail,

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sometimes even faster, once you've backed up your disks,

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it's much easier to move that data around and back up your backups.

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Reason number two is video quality. Streaming services are absolutely a viable alternative

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to get convenient access to your media. But to hit their profit targets in a very competitive

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industry, they've made serious compromises to picture quality.

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A 4K Blu-ray can go as high as 144 megabit per second,

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whereas most streaming services are currently sitting under 20.

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Now, most of the time it's fine, but as TVs get bigger, or as you get to those

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ever more popular under exposed dark scenes,

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ugh, the lack of detail in the graininess can take you right out of the drama.

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And that's even ignoring the loss in audio quality. I get it, encoding efficiency has come a long way

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in the last decade, but no, it's not enough to make up for that sweet, sweet raw data.

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Number three, if you're buying your Blu-rays to rip,

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you will actually be better rewarding the movies that you actually like.

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And this one is probably the most important point. The best movies rarely have the best box office returns,

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but in the past, home sales have rewarded those filmmakers that took a risk

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and couldn't find an audience in the multiplexes of yesteryear.

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And at the time, the accepted wisdom was that a movie only really needed

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to double its reported budget to remain profitable. This is due to marketing budgets

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often matching that of production budgets, not to mention the fact that a theater

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takes a lot of the gross receipts. However, it's been suggested in recent years

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that to break even, the required box office target is now more like a factor of three or four

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as streaming services have cut a hole out of the post theater profits.

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Now, I sure as heck don't miss paying $30 for one movie,

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but it's also important to actually support the creators making the content you love

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if you ever want to see any more of it. As content creators ourselves,

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we rely on multiple means of supporting ourselves, ads, subscriptions, and the fine merchandise

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on lttstore.com, like the insert merch promo of the week here.

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Well, we'll have something that pops up. Anyway, I realized that my take on this stuff

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is a little more nuanced than the average editor is going to be able to process,

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but I'm definitely not anti-piracy.

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You do whatever lets you sleep at night. I've always said that.

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I just feel that it's my responsibility to paint the complete Corsair canvas.

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Studies have shown conflicting reports on the damages of copyright infringement

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on creative industries. For example, an EU study,

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often disproportionately cited by proponents of piracy,

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shows that video game sales actually go up as a result of piracy,

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presumably due to increased word of mouth. However, of 34 academically reviewed studies

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pertaining to piracy, 29 of them have found that online copyright infringement

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causes statistically significant harm to legitimate sales.

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Only five studies found no harm to legitimate sales.

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In fact, that same popular EU study that seems to validate game piracy

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showed that both the book and movie industries have suffered due to piracy,

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especially when it came to newer movies. So in this end game, corporately-driven society,

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we know that only your money speaks and divesting from the services that are proud to announce

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they now use only 30% machine judgment to greenlight their shows is a good first step,

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but you may also wish to invest in the things you want to see more of.

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It's also kind of fulfilling to own a piece of what you love.

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And yes, I unironically love Despicable Me.

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Deal with it. That's reason number four. Under the current state of digital laws,

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you don't own anything. You're more or less leasing the right to access the content

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and that applies even to digital purchases of full movies

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from services like Prime, Apple, or Google TV.

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When you read the terms of service, these platform holders reserve the right

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to revoke that access on a whim, huge L.

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I mean, luckily, most platforms that have tried this have faced a backlash so severe that they had to backtrack,

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but that is at best a temporary W and I wouldn't count on it to last.

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That last bit is a big part of why buying this stupid piece of plastic is so much better.

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Sony is not going to be able to enter your home and blend up your copy of Morbius,

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despite probably wishing that they could. Another big one is special features.

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The behind the scenes from the Lord of the Rings box set literally set one of our production guys

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who happens to be the one filming this video on his current career path.

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That stuff is dead on streaming platforms. I mean, yeah, some studios still produce short

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making of documentaries about their films that autoplay as the credits roll,

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but they almost never feel as raw and plain awesome as the old ones.

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If you guys love sailing the forbidden seas, hey, give this video a thumbs up,

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and maybe if you're looking for something else to watch, go check out the one where we compared Plex and Jellyfin,

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a couple of the aforementioned personal Netflix services

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that we really love around here.
