WEBVTT 00:00:00.000 --> 00:00:04.000 Oh, dude. Was that, would you say, oh, dude? 00:00:04.000 --> 00:00:07.000 Oh, dude. Oh, oh, dude. 00:00:07.000 --> 00:00:10.000 Oh, dude. It's like a Super Smash Bros. 00:00:10.000 --> 00:00:14.000 Like... When they add you to Smash Bros. 00:00:14.000 --> 00:00:17.000 That'll be your song. Hey, Bjorn. 00:00:17.000 --> 00:00:21.000 Hi, Riley. Hi, Floatplane. You ready to watch some ads? 00:00:21.000 --> 00:00:24.000 Your favorite thing in the world? Creative ads. 00:00:24.000 --> 00:00:27.000 Oh, sorry. Sammy says they're creative ads, 00:00:27.000 --> 00:00:30.000 so you should like these ones. A lot of people... 00:00:30.000 --> 00:00:35.000 Okay, look. Here's the context, okay? A lot of people in the video comments on Floatplane have said... 00:00:35.000 --> 00:00:39.000 We hear about these creative ads that are apparently happening on the YouTube videos, 00:00:39.000 --> 00:00:42.000 but we have no way to check, because we don't watch YouTube. 00:00:42.000 --> 00:00:45.000 We don't have access to it. We only go on Floatplane. Guess what? 00:00:45.000 --> 00:00:50.000 Here we are. Bjorn and I, who... Bjorn worked on a lot of them with me, 00:00:50.000 --> 00:00:53.000 and a lot of other people worked on them, too. Yep. 00:00:53.000 --> 00:00:56.000 But they're kind of, you know, the musical ones, at least, 00:00:56.000 --> 00:00:59.000 are my brainchild babies. But we were... 00:00:59.000 --> 00:01:03.000 They're yours, too. Thank you. And we're a family now. 00:01:03.000 --> 00:01:07.000 We've created life together. Sammy's not going to edit this at all, 00:01:07.000 --> 00:01:11.000 so we can't get... These are just some kind of fun projects we did 00:01:11.000 --> 00:01:15.000 for our high school media class, which is how it feels to make them. 00:01:15.000 --> 00:01:18.000 We got an A-plus. Let's watch one, and then we'll stop babbling. 00:01:18.000 --> 00:01:21.000 So this is the first one... Yeah, wait, what... 00:01:21.000 --> 00:01:26.000 I filmed. This is the first one you worked on? I worked on them with Dennis before he left. 00:01:26.000 --> 00:01:29.000 Oh, yeah, yeah, yeah. So the last bit of time Dennis was here, 00:01:29.000 --> 00:01:32.000 I kind of was doing almost all of them, and then you took him over, 00:01:32.000 --> 00:01:35.000 and then I got in there again somehow. 00:01:35.000 --> 00:01:40.000 And when Dennis was making them, he also would like send me scripts occasionally, 00:01:40.000 --> 00:01:43.000 and I would be like, this doesn't make any sense to me, 00:01:43.000 --> 00:01:47.000 but I'm sure that it makes sense to you. And overall, it seems okay. 00:01:47.000 --> 00:01:51.000 I think this is the first musical one. Actually, wait, I did a Delta Hub one, 00:01:51.000 --> 00:01:54.000 and then I did this one, and you worked on this one with me. 00:01:54.000 --> 00:01:58.000 I shot this one, yeah. So then, yeah, all the musical ones have like a musical lead-in 00:01:58.000 --> 00:02:00.000 that's supposed to play on the LTT video. 00:02:08.000 --> 00:02:10.000 No public action. 00:02:15.000 --> 00:02:19.000 Oh, man. This one was so... 00:02:19.000 --> 00:02:22.000 This one was so fun. Yeah. Oh, no. 00:02:22.000 --> 00:02:25.000 Recommended videos. I'm not logged in. Cam only. 00:02:25.000 --> 00:02:28.000 This was my favorite shot. I just had to isolate this shot. 00:02:28.000 --> 00:02:31.000 Yeah, we should have uploaded this separately. 00:02:35.000 --> 00:02:38.000 What's the Korean process when you make these songs? It's a blur every time. 00:02:38.000 --> 00:02:41.000 I feel like I kind of look at the talking points, 00:02:41.000 --> 00:02:48.000 because the brand does have talking points of things they want to call out. But I feel like before I even kind of contemplate those, 00:02:48.000 --> 00:02:52.000 I try to think of some line. 00:02:52.000 --> 00:02:55.000 So for Odu, all you got to do is Odu. 00:02:55.000 --> 00:02:58.000 I thought of that, and then I never thought of anything else for them, I think. 00:02:58.000 --> 00:03:02.000 Was there another? It was just every Odu spot was all you got to do is Odu. 00:03:02.000 --> 00:03:06.000 I think I came up with some other random ones. We'll watch the other ones. 00:03:06.000 --> 00:03:12.000 But yeah, I come up with like a line like that, and then I'm like, okay, that can kind of work musically 00:03:12.000 --> 00:03:16.000 if I like, all you got to do is O... I think I had some different rhythm with it 00:03:16.000 --> 00:03:20.000 and another one like, all you got to do is Odu and like playing around with that. 00:03:20.000 --> 00:03:23.000 But if I come up with a rhythm for the line, then I'm kind of like, all right, 00:03:23.000 --> 00:03:26.000 that kind of reminds me of a music genre, and then I go to APM Music. 00:03:26.000 --> 00:03:30.000 This is very important to get out. I've been stressed about this. 00:03:30.000 --> 00:03:33.000 I want people to understand that I'm not making the tracks. 00:03:33.000 --> 00:03:36.000 I've been stressed, because I want people... 00:03:36.000 --> 00:03:41.000 I think people are like, Riley's making... He's a music producer, and I'm not. 00:03:41.000 --> 00:03:44.000 Dan is. Collab, bro. Collab? 00:03:44.000 --> 00:03:47.000 Do you want to... Do you want to collaborate? Yeah. 00:03:47.000 --> 00:03:51.000 Well, honestly, that would be great. That would be awesome. But Dan, you actually make music, right? 00:03:51.000 --> 00:03:55.000 Yeah, and I used to do a lot of, like, commission-based stuff, so I worked real fast. 00:03:55.000 --> 00:03:58.000 Yeah. It's something that I wanted to do, but like, there's just no time. 00:03:58.000 --> 00:04:02.000 Oh, no, I'm going back to the music industry. I thought I got out. 00:04:02.000 --> 00:04:07.000 And they pulled me back in. Well, it's nice to work with professionals like yourself. 00:04:07.000 --> 00:04:10.000 Wow. I don't think... I wouldn't throw that term around. 00:04:10.000 --> 00:04:14.000 Did they pay you to make the ad spots? They paid the company, and the company paid me. 00:04:14.000 --> 00:04:17.000 Professional? The company's the middleman. Yeah. 00:04:17.000 --> 00:04:20.000 And when we go to shoot, you have, like, a scratch version? 00:04:20.000 --> 00:04:23.000 Yeah, yeah, so I'll find a track on APM Music, 00:04:23.000 --> 00:04:28.000 which I feel like works well. And then I'll kind of plug in the lines that I've thought of 00:04:28.000 --> 00:04:31.000 and, like, write more lyrics and kind of time it out. 00:04:31.000 --> 00:04:35.000 And usually I will cut the... Because they have, like, the full version, 00:04:35.000 --> 00:04:39.000 and then they have, like, a minute-long version, and they have a 30-second version, but usually I want, like, a very specific parts of it, 00:04:39.000 --> 00:04:43.000 so I'll cut, like, parts of the track to, like, be a custom version of it. 00:04:43.000 --> 00:04:48.000 And then I'll record the lyrics, put it together in our, like, a rough mix, 00:04:48.000 --> 00:04:52.000 and then we can go shoot and, like, lip-sync to it. 00:04:52.000 --> 00:04:56.000 And what is that like? Is it okay if we go to the next one 00:04:56.000 --> 00:04:59.000 and then you ask that question again? How dare you? Okay. 00:04:59.000 --> 00:05:02.000 Just so we're... I'm trying to make sure we watch all the videos in time. Oh, we want to watch more videos. 00:05:02.000 --> 00:05:06.000 Yeah, we got more videos. Okay. Okay, well, I guess we'll find out what it's like 00:05:06.000 --> 00:05:09.000 after we watch the next one. This is Sammy's video, everybody. 00:05:09.000 --> 00:05:12.000 Oh, my God. Oh, we're watching this one. 00:05:12.000 --> 00:05:15.000 Okay. Now, this one, there's a story. This is a good one. 00:05:24.000 --> 00:05:25.000 Is all my hands in there? 00:05:34.000 --> 00:05:37.000 This is one of the ones that I'm most proud of, I feel like. 00:05:37.000 --> 00:05:40.000 Yeah. Hell, yeah. Because... 00:05:40.000 --> 00:05:43.000 So, Bjorn has an obsession with the four by three aspect ratio. 00:05:43.000 --> 00:05:46.000 aspect ratio. Yes. Where does that come from? 00:05:46.000 --> 00:05:55.120 Do you watch the Lighthouse? Yeah, I just, I don't know, nostalgia maybe, you know, I have a couple CRT TVs that's given 00:05:55.120 --> 00:05:58.440 me radiation when I use them. 00:05:58.440 --> 00:06:02.160 I don't know, I just, even when you look at stuff now, like information on the sides, 00:06:02.160 --> 00:06:05.160 you don't need it. This should be four by three. We'd have to sit a little closer. 00:06:05.160 --> 00:06:10.160 Can we do this, Sammy? Can you do this four by three? Just show them, just show them what it would look like four by three. 00:06:10.200 --> 00:06:13.200 Both of us would be cut off. 00:06:13.200 --> 00:06:19.800 Dan brings it in. I don't know, so if it's in four, three, or has a crash zoom, or both, I likely... 00:06:19.800 --> 00:06:22.800 Gives you the tingles. I likely did it. Yeah, yeah, yeah. 00:06:22.800 --> 00:06:29.560 There we go. Yeah, so I feel like a few of them have been four by three. 00:06:29.560 --> 00:06:33.280 This one and the ROVELAB one, both ROVELAB ones. Both ROVELAB ones, yeah. 00:06:33.280 --> 00:06:36.280 Did we only do two? Yeah, we only did two. Yeah. 00:06:36.280 --> 00:06:44.040 Or four, but two parts. Okay, we'll get back to what he can talk about how hard it is to work with me on the days. 00:06:44.040 --> 00:06:52.120 But first, the eco-flow spot that we just watched. I had a vision of that as being a bunch of different shots in different locations. 00:06:52.120 --> 00:06:58.560 Kind of like a 90s rap video with crazy super low angles where I'm getting close to the 00:06:58.560 --> 00:07:02.840 camera and the camera's moving around. 00:07:02.840 --> 00:07:09.680 But we had no time. I literally spent the entire morning recording the rap. 00:07:09.680 --> 00:07:12.760 And then we got, and we're like, this was going to be one of the shots on the table. 00:07:12.760 --> 00:07:20.080 And we were like, okay, we don't have any time. So let's just make the whole thing just this one shot and just kind of like have different 00:07:20.080 --> 00:07:27.720 things happening. Yeah. But I feel like this is a great example of constraints, fostering creativity. 00:07:27.720 --> 00:07:31.680 Creativity is hard to do with no canvas. Yeah, you gotta give yourself limitations. 00:07:31.680 --> 00:07:36.720 You gotta have something to paint on, preferably a four by three canvas. 00:07:36.720 --> 00:07:40.200 The superior aspect ratio. But wait, what's your philosophy? 00:07:40.200 --> 00:07:43.640 You're like the things, the bars on the side, that could be empty. 00:07:43.640 --> 00:07:46.960 No one needs, we don't need extra things there. No. 00:07:46.960 --> 00:07:52.160 Yeah. Like who cares? But in this situation, we need us to be this far apart or else we'd be- 00:07:52.160 --> 00:07:55.960 But if we were sitting this close- Yeah, well I, but then we'd be- 00:07:55.960 --> 00:08:00.120 Although we have made children together, as we talked about. 00:08:00.120 --> 00:08:03.440 Don't cut it! I got questions for you about this one, but we'll watch it first. 00:08:03.440 --> 00:08:07.440 Okay. Oh please. A modular sofa, so lightweight, a single person can li- 00:08:07.440 --> 00:08:13.440 Roller, how do they even fit a couch in there? 00:08:13.440 --> 00:08:17.520 Roller- No, no, not yet. 00:08:17.520 --> 00:08:22.600 Defending smartphone technology. I will always regret that it sounded like I said smartphone. 00:08:22.600 --> 00:08:25.600 Hmm. Those things smart foam. 00:08:25.600 --> 00:08:29.600 Smart phone movies. Smart phone movies. 00:08:30.080 --> 00:08:33.720 Please, please, wait. 00:08:33.720 --> 00:08:36.720 Durable and spill-proof ecotexa. 00:08:36.720 --> 00:08:44.920 It's so, like it's so obviously limpsinked, but it's great, but like it adds to the vibe. 00:08:44.920 --> 00:08:48.080 Great, I love it. So, so it's like high concept almost. 00:08:48.080 --> 00:08:52.320 Where did you come up with that idea for the scientists intercutting with like show tunes? 00:08:52.320 --> 00:08:58.080 I think the show tune aspect came from me just like trying to sing Roevelab in different 00:08:58.120 --> 00:09:04.800 ways, and just thinking like, just thinking like, I don't know, Roevelab, it just sounded 00:09:04.800 --> 00:09:11.120 like that, that's how it should be. Cause like, I feel like the eco flow one as well was like, okay, how can I say that in 00:09:11.120 --> 00:09:17.280 a fun way? Like eco, eco, eco, eco flow, like, and it's like flow kind of got me into thinking about 00:09:17.280 --> 00:09:22.800 like rap and stuff. So I'm like, maybe that one should be a rap, but like Roevelab, Roevelab, doesn't that just 00:09:22.800 --> 00:09:30.240 sound like it's supposed to be that way? I don't know. It seems like when I, when I come up with those, but in terms of like the interrupting 00:09:30.240 --> 00:09:35.400 each other, I think that was because Roevelab seemed like it should be a big band crooner 00:09:35.400 --> 00:09:42.640 kind of a singing guy, but then their whole, their marketing is all about like the science 00:09:42.640 --> 00:09:48.320 of it. And like we engineered this new way to like ship couches to people and stuff. 00:09:48.320 --> 00:09:52.160 So I was like, okay, there's a science aspect and then I was just like, oh, they'll just, 00:09:52.160 --> 00:10:01.560 they'll clash them together. I feel like it's a little, like the flow kind of suffers because of it, but I thought that 00:10:01.560 --> 00:10:06.280 the flow being broken was almost a way to like keep people engaged because they're like, 00:10:06.280 --> 00:10:09.280 what's happening? Whoa, what's this now? Yeah. 00:10:09.280 --> 00:10:13.440 Yeah. Like the tonal whiplash of, you know, getting the rug pulled from India. 00:10:13.440 --> 00:10:19.320 I will say though that like, I very much feel that these are like my vision, but I bring 00:10:19.320 --> 00:10:24.240 it to Bjorn and the like other production team people and I'm like, I feel like I'm 00:10:24.240 --> 00:10:28.360 thinking this and then sometimes they're like, okay, but what if we do this? 00:10:28.360 --> 00:10:31.720 And I'm like, yeah, that'd be better. 00:10:31.720 --> 00:10:38.520 So like so much of it is a collaborative process. Like the four by three and the filter on it and like, I feel like there were other things 00:10:38.520 --> 00:10:45.760 in that one specifically that you were like, we should do this instead. And I'm like, at first, I might even be resistant at first, but then I'm like, you know, I know. 00:10:45.760 --> 00:10:49.320 So when we work on these, Riley's often a little late. 00:10:49.320 --> 00:10:52.320 Yeah. Yeah. A little stressed. 00:10:52.320 --> 00:10:55.640 I'll be doing something else that I'm kind of pulled off to go shoot this or whatever. 00:10:55.640 --> 00:11:00.040 Then so I'm a little stressed and there's been a few where we start and we're both maybe 00:11:00.040 --> 00:11:03.640 a little grumpy, but then as it goes. 00:11:03.640 --> 00:11:14.120 I feel like you've done a great job of masking. I think the last one that we did together, I was like, I can tell you're a little upset 00:11:14.640 --> 00:11:17.880 that this is like down to the last minute, whereas the previous ones, they've all been 00:11:17.880 --> 00:11:22.480 down to the last minute, but I feel like the novelty of getting to work on something kind 00:11:22.480 --> 00:11:28.920 of creative and fun was like overpowered it. And now it's like, okay, can we do these on time? 00:11:28.920 --> 00:11:35.960 And I think that's the vision. We've got a little bit more of an apparatus around it now and we're kind of like lining 00:11:35.960 --> 00:11:40.280 more up and having people like we're going to get other writers to do them as well, because 00:11:40.360 --> 00:11:46.160 I just, I can't seem to, I can't seem to have a schedule that doesn't involve last minute 00:11:46.160 --> 00:11:50.880 things. Like I showed, what was I? I was like 20 minutes late for this, 15, 15 max. 00:11:50.880 --> 00:11:54.920 Oh, that's 20. That's because I was late to do another thing and I was coming for that. 00:11:54.920 --> 00:12:00.360 And then you get the cascading effect and then we're shooting one of these videos and 00:12:00.360 --> 00:12:05.080 I need to edit it that day because it needs to go to brand later that day. 00:12:05.080 --> 00:12:12.600 But they're only, they're a minute long max, but like the quality requires at least a day. 00:12:12.600 --> 00:12:18.800 And so yeah, that's another thing we're working on. All of the like film grain and the retro effects adds a lot to the rendering. 00:12:18.800 --> 00:12:22.400 The rendering. And hey, and the subtitles, they weren't in that one. 00:12:22.400 --> 00:12:25.800 Oh, that's true. I put like a slight jitter on them so they're like old optical effects. 00:12:25.800 --> 00:12:28.800 You did? Oh my gosh, that's so great. Which you probably can't even see on YouTube. 00:12:28.800 --> 00:12:31.880 Well, I feel like a bunch of these, a bunch of these because of time, I'll like, you'll 00:12:31.880 --> 00:12:37.440 do a cut, I'll review it, and then you do another cut and I might, I might see that 00:12:37.440 --> 00:12:41.960 or I might not, or I might just be like, all right, just send it off. We have to send it off at this point. 00:12:41.960 --> 00:12:45.880 So there's probably some things that I missed. But these are fun. They're fun. 00:12:45.880 --> 00:12:51.960 And I very much appreciate a chance to get wacky and get creative with ads. 00:12:51.960 --> 00:12:55.400 It makes it feel like we're like working at like one of the good marketing agencies. 00:12:55.400 --> 00:13:01.160 Yeah, yeah. And it's great because I don't think on any of them we've ever gotten notes back from 00:13:01.160 --> 00:13:04.160 the brand. They're just like, cool. Yeah. 00:13:04.160 --> 00:13:07.720 Was there one? I can't remember. The Rolf Lab one we just watched. 00:13:07.720 --> 00:13:11.080 And I don't know if they haven't sent notes back because they've been so great that they 00:13:11.080 --> 00:13:14.640 don't need to send notes back or because there's just no time. 00:13:14.640 --> 00:13:19.040 Maybe a bit about it. We have to do it. But the Rolf Lab one, one of the guys in the business team was saying another brand 00:13:19.040 --> 00:13:22.680 had seen that and they upgraded all of theirs to CSP. 00:13:22.680 --> 00:13:25.960 So it's going to work for you and me. And another writer. 00:13:25.960 --> 00:13:28.960 And another writer. Yeah. Yeah, but. 00:13:28.960 --> 00:13:31.960 Yeah, we'll see. Yeah. Yeah. 00:13:31.960 --> 00:13:34.960 This one is a two-parter. Yeah. You have 13 minutes. 00:13:34.960 --> 00:13:37.960 But do we have to? I mean. It's your call. 00:13:37.960 --> 00:13:41.960 It's your schedule. That's what gives me trouble. This is the one where you're upset. 00:13:41.960 --> 00:13:46.000 Yeah, maybe. But look at. I think the turnaround is crazy on this one. 00:13:46.000 --> 00:14:01.800 It was. It was a little too much. I love that. 00:14:01.800 --> 00:14:05.080 I love when they can tell a story. We should just go right into the nice one. 00:14:05.080 --> 00:14:09.400 Doing the pre to kind of tease the, sorry, the pre is the pre-roll. 00:14:09.400 --> 00:14:12.840 And then we call the minute long one the end roll. 00:14:12.840 --> 00:14:16.640 So like doing one to tease the other is fun. And I use the same track for both. 00:14:16.640 --> 00:14:20.640 Hey, man, I got a new couch and I think I need some help. 00:14:20.640 --> 00:14:23.640 Bro, you know I got some stuff to do today. Even Scott. 00:14:23.640 --> 00:14:30.640 It won't take long. Okay. He doesn't know it's an M1 sofa from Robelabay. 00:14:30.640 --> 00:14:33.640 Who didn't set it up by myself. 00:14:33.640 --> 00:14:38.640 Now I'm watching Grab Rae. I had to, I showed this to my family and I had to explain. 00:14:38.640 --> 00:14:41.640 Grab Rae is a, it's an inside joke. 00:14:41.640 --> 00:14:45.640 And they're for me and I'm going to find a way to help them somehow. 00:14:45.640 --> 00:14:49.640 Man, you made it. 00:14:49.640 --> 00:14:52.640 But it's over. It's a little man. 00:14:52.640 --> 00:14:56.640 You're the greatest. How did you lift it by yourself? 00:14:56.640 --> 00:14:59.640 That's wrong. You're comfortable. 00:14:59.640 --> 00:15:04.640 So why did you need my help? I love the shaking people. 00:15:04.640 --> 00:15:09.640 It's fun. It's just so great. 00:15:09.640 --> 00:15:12.640 I love that one. I think that's my favorite one actually. 00:15:12.640 --> 00:15:16.640 Yeah. The Odu song is the best, but that one, I don't know. 00:15:16.640 --> 00:15:20.640 James is great on that. That's one of the top ones for sure. 00:15:20.640 --> 00:15:23.640 I feel like, I don't know. This is what's so hard. 00:15:23.640 --> 00:15:28.640 I feel like there's a part of me that's scared to not do it last minute. 00:15:28.640 --> 00:15:34.640 Because I feel like doing it last minute just leads to, okay, we got to get a shot. 00:15:34.640 --> 00:15:37.640 It's like, okay, we can do it. All right, great. It's done. 00:15:37.640 --> 00:15:41.640 And move on to the next one. If we have more time, it might be like, maybe we should try it this way. 00:15:41.640 --> 00:15:49.640 Maybe we should try it this way. And it's like, no. Part of I feel like the magic of these is that they feel sort of like a high school project. 00:15:49.640 --> 00:15:53.640 That was like me at all university. I did everything super last minute. 00:15:53.640 --> 00:16:00.640 I swear it's better that way. Yeah, yeah, yeah. James Scott was also, oh man, I feel like we did a couple of takes with him where he's 00:16:00.640 --> 00:16:02.640 like lip-syncing to the audio. 00:16:03.640 --> 00:16:08.640 We didn't tell him to do that. I was like, man, the coach right now. 00:16:08.640 --> 00:16:12.640 It was so perfect. Yeah, that one was a lot of fun. 00:16:12.640 --> 00:16:15.640 Another thing you don't like when we shoot, you don't like to get coverage. 00:16:15.640 --> 00:16:18.640 I'm always obsessed with getting as many angles as possible. 00:16:18.640 --> 00:16:26.640 Well, and that's why, yeah. Yeah, yeah. When I write the script, if there's a script, if there's a script, I write it like, I'm 00:16:26.640 --> 00:16:31.640 trying to make it as easy for the editors as possible. So I have a line of the song and then a shot that we're going to do. 00:16:31.640 --> 00:16:34.640 And then a line of the song and then a shot. 00:16:34.640 --> 00:16:38.640 And so I'm like, I don't want to get coverage because just use that shot. 00:16:38.640 --> 00:16:42.640 But there have been a couple of times where, well, particularly with the Rovalab one, 00:16:42.640 --> 00:16:47.640 with the science and singery one, I don't know actually, I wouldn't know if you used 00:16:47.640 --> 00:16:50.640 the coverage or not. You just have it. 00:16:50.640 --> 00:16:53.640 Because then we have it. It's a good instinct. 00:16:53.640 --> 00:16:57.640 The EcoFlow one we had, I was going crazy in and out with the camera. 00:16:57.640 --> 00:17:01.640 We never ended up using that. Oh, you went like, right? 00:17:01.640 --> 00:17:05.640 Yeah, yeah. We didn't use that because I couldn't remember the lyrics. 00:17:05.640 --> 00:17:10.640 It was so short. It was so short. But I was like, what did I write again? 00:17:10.640 --> 00:17:15.640 I'm not a rapper. I'm not meant to be a rapper, except for that. 00:17:15.640 --> 00:17:19.640 EcoFlow, Rap of Flow. I want to do EcoFlow. 00:17:19.640 --> 00:17:22.640 Come back. I want to do more of the EcoFlow rap. 00:17:22.640 --> 00:17:28.640 Oh, yeah. I guess there's that too. I don't know if I have them ready, but the Odu one and some of them, you kind of have 00:17:28.640 --> 00:17:31.640 like a continuous story. Oh, yeah. 00:17:31.640 --> 00:17:34.640 If you want to watch the Odu ones back to back, subscribe to Flow Plane. 00:17:34.640 --> 00:17:38.640 You already are. Thank you. LMGGGG slash Flow Plane. 00:17:38.640 --> 00:17:41.640 Yeah. Wait, that's an ad. Cut it. 00:17:41.640 --> 00:17:48.640 Cut it. Cut it. How do you get more people to subscribe to Flow Plane if they're all on Flow Plane 00:17:48.640 --> 00:17:51.640 already, if they're watching this video? Sammy? 00:17:51.640 --> 00:17:54.640 One more sponsor spot you can watch. Okay. 00:17:54.640 --> 00:17:57.640 That's a valid response. I have a meeting. 00:17:57.640 --> 00:18:00.640 I have a, yep, in eight minutes. 00:18:00.640 --> 00:18:05.640 And if you cut any of those eight minutes, Sammy, they'll know because I said that now. 00:18:05.640 --> 00:18:09.640 Don't cut it. Oh, God. It was all on. 00:18:19.640 --> 00:18:22.640 Was this Peter editing? I did this one. 00:18:22.640 --> 00:18:24.640 Oh, you did. Yeah. 00:18:26.640 --> 00:18:30.640 And don't forget, go back. What is it? Don't forget the Whirly Birds. 00:18:30.640 --> 00:18:33.640 I think you said this like three, like five times. You took it like five times. 00:18:33.640 --> 00:18:35.640 I definitely did coverage for this one. 00:18:49.640 --> 00:18:52.640 You custom animated that. Yeah. 00:18:53.640 --> 00:18:54.640 Sometimes I'm like... 00:19:03.640 --> 00:19:04.640 Screaming. 00:19:09.640 --> 00:19:12.640 You know, this is funny. Constraints. I feel like this is another example. 00:19:12.640 --> 00:19:17.640 Because I, after I shot that one, I was like, this is not... 00:19:17.640 --> 00:19:21.640 Because like, it was the first one in a while that I hadn't done a song. 00:19:21.640 --> 00:19:25.640 And so I was like, I failed. I failed to come up with a song in time. 00:19:25.640 --> 00:19:28.640 Because the previous War Thunder one, I did do this song. 00:19:28.640 --> 00:19:31.640 And it was like, immerse yourself in the heart of a beast. 00:19:31.640 --> 00:19:35.640 Yeah, I felt bad because I'm like, it's not a song. And it's probably not going to be as good. 00:19:35.640 --> 00:19:39.640 And people are going to be like, oh, it's not a song. But then you killed it in the edit. 00:19:39.640 --> 00:19:42.640 And it's like, now it's so great. I feel like there's so many good moments. 00:19:42.640 --> 00:19:46.640 Yeah, you were like crying the first time when the screaming when they're getting hit. 00:19:48.640 --> 00:19:53.640 Because I wasn't in the first copy. Yeah, I didn't think of that. 00:19:53.640 --> 00:19:57.640 I didn't add it to guidance or whatever. And then like the screaming. 00:20:02.640 --> 00:20:06.640 I mean, it's horrifying to think of people dying like that. 00:20:08.640 --> 00:20:11.640 So why don't you like making these with me? 00:20:11.640 --> 00:20:18.640 What do you mean it's like my favorite thing? We never got to we never answered the question of I asked you what it's like when I get on set and 00:20:18.640 --> 00:20:22.640 Oh, maybe we did kind of ran around. Sort of. Well, they were both grumpy sometimes. 00:20:22.640 --> 00:20:26.640 And then and then we get to it and then it's a lot of fun. 00:20:26.640 --> 00:20:31.640 It is kind of like making like dumb videos with like your friends. 00:20:31.640 --> 00:20:34.640 But like, I feel like we have a really expensive equipment. 00:20:34.640 --> 00:20:39.640 And yeah, you know, we're getting paid to do it. So I feel like because I so over the holidays, 00:20:39.640 --> 00:20:45.640 my one side of my family was like, Riley, haven't you been making like songs and stuff? 00:20:45.640 --> 00:20:58.640 We should we should watch those or whatever. And and so we I played like a super cut of them and my in-laws and like my wife's uncle and aunt and stuff where they're like watching it. 00:20:58.640 --> 00:21:04.640 And they're not they don't watch they have no idea they're they're completely outside the demographic of line of tech tips and stuff. 00:21:04.640 --> 00:21:07.640 And we're like playing these ads and they're just like, 00:21:08.640 --> 00:21:14.640 Okay, because it's like me watching it on the TV in their living room. 00:21:14.640 --> 00:21:18.640 I I went from being like, oh, yeah, I'm proud of this stuff to be like this. 00:21:18.640 --> 00:21:23.640 Oh, this is not these are like scrappy little YouTube videos. 00:21:23.640 --> 00:21:26.640 But I feel like that's what makes YouTube videos special. 00:21:26.640 --> 00:21:29.640 I feel like when when when a YouTube when you're watching YouTube, 00:21:29.640 --> 00:21:36.640 you kind of want to see some humanity. You want to see some like relatability like, oh, a human being made this and not like a giant production studio. 00:21:37.640 --> 00:21:44.640 And I feel like especially in the middle of like a line is tech tip video where now we have this big apparatus and our videos are produced. 00:21:44.640 --> 00:21:47.640 And we're basically making like reality TV in a lot of situations. 00:21:47.640 --> 00:21:50.640 And then all of a sudden it's like some idiot comes on. 00:21:50.640 --> 00:21:56.640 Some idiot comes on in a in a costume made of like scraps he found in his parents' basement and stuff. 00:21:56.640 --> 00:22:01.640 And it's just like, hey, everybody go buy this product. 00:22:01.640 --> 00:22:04.640 I don't know. I like it. 00:22:04.640 --> 00:22:08.640 Yeah. I also am making them. They're kind of like the highlight when I get to make them. 00:22:08.640 --> 00:22:11.640 You get to be stupid for a second. Yeah. 00:22:11.640 --> 00:22:14.640 And don't we all just want to be stupid for a little bit? 00:22:14.640 --> 00:22:18.640 For a blissful second? Right, Sammy? 00:22:18.640 --> 00:22:21.640 Then we can wrap it up there. All right. 00:22:21.640 --> 00:22:26.640 So subscribe. LMG.GG slash flow plane to not watch these because you don't get them. 00:22:26.640 --> 00:22:31.640 It's 259. And you're going to be on time for something for the first time. 00:22:31.640 --> 00:22:34.640 We'll see. Ever. All right. 00:22:34.640 --> 00:22:38.640 So actually there's a lot more. We could discuss like, you know, the economics. 00:22:38.640 --> 00:22:42.640 Yeah. And some theories behind the, there's deep lore to these videos that people don't know. 00:22:42.640 --> 00:22:45.640 We can get into that. Aliens might be involved at some point. 00:22:45.640 --> 00:22:48.640 Yeah, there might be. Yeah. Yeah. 00:22:48.640 --> 00:22:51.640 I used AI in one of those. 00:22:51.640 --> 00:22:54.640 Cut it. Cut it. Cut it. 00:22:54.640 --> 00:22:55.640 Cut it.