WEBVTT

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Am I working? Like, we just do it like that. OK, do it like that.

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What's up? Yeah, just do it like that. Turn it a little.

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Oh, yeah, yeah, yeah, yeah. Perfect. And then you're typing, and you're sad, and you're like,

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oh, no. I mean, we don't need the PC. Let's get rid of it. But the point is, you want to be as still as possible.

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We don't need the PC. Yeah, you don't, right? No. OK, let's get rid of it.

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You're kind of still, like, you're just working away. You're like, oh.

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Don't, not too much movement, because then under the end, we need to, excuse me, a lightning strike.

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And we need to have that you in a position so we can match them. Yeah.

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I'm going to shift you further away from that. So it's like the desk.

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The killer of health and happiness. So do I need to, is it?

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No, you're not going to do anything. It's just going to be like a, pfft, pfft, pfft, pfft, pfft.

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This is going to be perfect. Yeah, it's perfect. OK, I'm going to lock it right here.

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Lock? Look at the typing on. Look at the scale.

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200 minutes per minute. Ready? Ready? Yeah, I'm going.

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Perfect.

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OK, stay there. Oh, it's the appetizer, right?

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Yeah. You've got to be more dramatic. Yeah, be, be really sad, but don't move too much.

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Just really making your face, like really,

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you're kind of like crying already. But like, don't use your hands, just like crying.

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Yeah.

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This is amazing. Perfect. I'm going to pause him right here.

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Yeah. I'm going to sandbag his. Yes, do that.

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That's a great idea. Just stay still as possible.

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Very good, Dennis. I'm coming.

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No, you move it.

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Editor. Editor. That's fine.

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We're going to do it again. He made it worse.

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How about this? Do it again. Yeah, do it again.

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Do it again. Still rolling.

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You're so sad, but you can't keep your hands. So you're too busy to touch your face and cry.

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OK, and pause. Sweet.

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OK, guys, very slowly. Like just gently so we don't have to chair perfect.

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Yeah. Now here comes the hard part. You're wrapping Dennis, eh?

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Dennis, done? You should put a hat on with the thing, though.

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Oh, yes, we should have the hat. Thank you. That's a great idea.

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We'll have to bring it up to you because this might take a while. That's fine.

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He's quite heavy. Oh, wow.

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So we're going to want to get a couple people to move him.

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What's his name? I was calling him Johnny Nine Bones, but...

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Johnny Nine Bones. I mean, he's got more than Nine Bones.

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A couple more. OK, can you hold him?

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Hold him up. Just hold him upright. OK, I got it.

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I need to get the fishing line.

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All those ironic things like biggie smalls, you know? Yeah.

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Ooh, we were talking about how many bones he doesn't have.

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Only has nine bones. That's crazy. It's because he's broke.

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How far back is he? Can somebody check the... Oh, could you flip the monitor?

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Yeah, flip the monitor. Yeah, without touching anything.

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How far back... Can we get a video of Dennis in the... Dennis, get out.

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OK. I want the shot of Dennis. How about this hand?

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We'll have to get the hands up there. You got John? Classic Bonesy.

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You got Johnny. Yeah, I got Johnny Nine Bones. OK, Johnny Nine Bones.

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Hold this. Let me see.

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OK. So, hey, I think this is around this far, but I can't...

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I mean, honestly, it doesn't have to be... It doesn't need to be perfect.

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It doesn't need to be perfect. Because Oliver can just put some smoke on it. Yeah.

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We'll have to tape his hands. Yep.

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Do you want tape? Yes, tape would be great.

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Black or white? Super cool. Yeah, super cool.

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OK.

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So we paid $300 for a skeleton for this?

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$400.

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Yes. And it was worth every penny.

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And also in the future, we'll have a skeleton. This is like... Yeah.

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This is the fourth time I've asked Linus if we could buy a skeleton for a video.

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I thought we have one. Me too, because every single time I'm like, I'm pretty sure we have one.

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And then he's like, no, we don't. I'm like, oh, I see you.

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You need to keep taking off your hand. Yeah. That says skeletons are positive.

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Literally. This whole page is a skeleton that Linus has taken home.

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So you want the hand here? Yeah. And then just tape it.

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Yeah. I'll go over there.

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His hands are hanging like this. Put his hands on the wrong way.

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Wait, what? You see how his hand...

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That's his phone. Did that work for you? Wait a second.

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That doesn't seem that wrong. No, no one will see it. Don't worry.

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Yeah. Tell me on there for like... Oh!

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Oh! That is... OK, we need to check the...

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We need to check the footage. We need to check the footage. Yeah, that's fine.

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That's fine. That's totally fine. Do you want to take this hand?

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Yeah. When I need to re-tie him.

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Right here? You can get it like that. Yeah.

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Tie a string to that... You are right. Oh, yeah.

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You do need... Then there's a knife to cut it.

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Or tie a tape or something.

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Brilliant.

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You just got to need two hands.

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Tense is looking rough, no?

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It's a little short.

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Yeah, did we get a loose form for the skeleton? Oh.

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A loose form. Hey, how about that? Yeah.

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Do you know a skeleton's favorite snack?

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No, that's not a hitch. That's a full meal.

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Yeah! What is it? No.

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What do you know? I don't. What is it?

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I actually don't know. Bonzo's favorite snack.

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What is it? Do you have to guess?

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I don't know. Guys, this video is to come up next. Yeah.

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Which is... Spare ribs!

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What, is he falling? No, no, he's good, he's good.

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This is wasted here. My genius is wasted.

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No! The fishing wire broke.

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It's okay. The fishing wire again? Tape it.

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I think. Tape it with tension.

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That sounds like something my... Something like something my acting teacher said to me once.

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Twist it, twist it, twist it. Tape it with tension. Keep twisting it.

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Yeah, just twist it and then pull it. Pull it, pull it, pull it.

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To tighten it. You know, Hoffman, you didn't seem to know a thing or two about knots.

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A little bit. I was just gonna...

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Were you in Boy Scouts? No, I was not.

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I was in Air Cadets though. It's opposing. That works, right?

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Beautiful. Is the fishing wire in frame?

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Do you rotate it? The fishing wire? Yeah, it is in frame.

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If you want to just sharp it out.

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Yeah, it's right. It's just on a black background. Yeah, we just have to sharp it out.

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So it's from... Thank you. Actually, this is pretty damn close.

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Yeah, it's pretty close. To that.

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I think why I pushed it in a little bit.

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Yeah, I think we moved the chair back a little bit too.

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You want to just look at the frame? Yeah, yeah, yeah. And I'll keep on.

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Yeah. Rotate it clockwise.

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The chair? A little bit more?

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Yeah, around that. Yeah, that's good. That's good.

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I think that's fine. Okay, let's see this.

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Let's do one last check. I think I need to move it a little closer.

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Yeah, yeah, yeah, do it, do it. Yeah, I think a little bit.

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It's hard to do it without moving the chairs up.

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How's that? Yeah. That's more...

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Now we're typing with flanges. Real fingers.

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Yeah, thank you.

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I thought sharp it out was like an editing term.

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No. I didn't think they were actually just good.

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You don't fix it in post. I know, that's the worst thing to say.

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Yeah. Not in front of us. No, don't say it in front of us.

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I told all of us how you could do it today. That's something.

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Fix it in post? Yeah, I was like... I was like...

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I can just fix that post. I was like, okay.

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It's still visible. Try and get the top a bit more,

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because that's where the lights were reflected. And closer to his bones.

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That part's not... We don't have to worry about that. Just like directly.

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Okay. Is that better? Step away.

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It's... I think it's as good as we're going to get it. Yeah, yeah.

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There's also the edge that goes around the seat.

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Are you going to draw on it? Yeah, I think it's sharp down there. I don't think anyone's going to notice.

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No. Why don't you try turning him a little? A little.

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Thanks. Okay. Yeah, no, this is perfect.

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Do you need to move it so that the mouth area is fine?

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Because you have to... We're going to have a close-up of him. Oh, gotcha.

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Doesn't move, it moves there. Yeah, you can move his mouth. Okay, let's roll on this one.

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I'm going to push him in like the tiniest bit. Okay.

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Here, here, here. You can have a real time.

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Yeah, because... Do you want to go back to Dennis real quick? Yeah.

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Yeah, okay. You got to get him.

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The chair's moved in frame, though. Oh, that's...

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That's worse. No, I think that's fine.

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Did the chair's in a different frame? I guess we can crop it. Yeah.

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We can... No, no, no. He'll probably have effects unless you want to get an actual cut.

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He'll have like smoke or something. Yeah.

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If he's smart. And then we have time.

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Which he is. It'll take like a minute for a list.

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Which he is. I'm going to roll.

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Yeah, roll. It's kind of hard to see his face.

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Yeah, put his hat further down. Yeah.

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Oh, yeah, that's Dennis.

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Dennis, no!

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That's perfect. And then... He's going to have his head turn.

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Yeah, upturn it.

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I can do it. I can do it. Because you want the motion turning and then talking, right?

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Yeah, but we can't take his head off. You probably have to do a stop motion style.

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Oh, you can't keep it open.

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No, it's a spring. Okay.

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So I can attach like a tape or something and just open his jaw.

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Like to stick and I'll be like, wow. Yeah, simply like that.

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But let's get this shot right here. What if the shot is just really tight in his face?

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And it's just the finger going... Yeah, that works to me.

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Yeah, it's kind of funny. I think that would be easier. Yeah, let's just do that.

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So just get it really tight in. Okay.

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Is he looking at the camera? Yeah, he is. Let's get out of the frame and just get a frame hold like that first.

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So one, two, three, four, five. He should have enough and then we're no longer...

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We'll move the tripod after this. Unless you want more here.

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No, I think we don't need any more. Okay, sounds good. Because I just want the close up.

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Okay, cutting. Uh, close up.

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Wow. I think Dennis looks more handsome like this.

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Wow. Wow. He looks pale as well.

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Yeah. I don't see color.

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Well, I'm telling you.

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Well, he does. That's white.

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Um, do you want it closer?

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No, that's perfect. Okay. Okay, I'm going to roll on this and then you can just play with it.

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I can't really get his head any higher up.

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Yeah, it looks good.

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Oh, I can't remember what the line is.

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I can find it. It's like...

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Something like it's killing me or something.

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And it is literally killing us. We spend more time sitting than ever before and it's literally killing us.

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Literally killing us is the line.

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And it's literally...

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By other hands in it.

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And it's literally killing us.

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And it's literally killing us.

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That's great. And it's literally killing us.

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And it's literally...

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Hey man, sitting. It's literally killing us.

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Wait, I'm going to check the focus while you're doing that.

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It's literally killing us.

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Yeah. Go one more time. Yeah.

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Sitting. Hey man, it's literally killing us.

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Sitting. It's literally killing us.

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Okay, that's good. You're finally seeing your finger, right?

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Yeah, that's where you're going to do it. We'll leave this.

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What's next? We'll go upstairs. Sounds good.

00:13:38.080 --> 00:13:41.080
Sounds good. You can just go and hand help. Yeah.

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Man, that's a lot of work to go into that shot. Yeah.

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How much was it? How much was it? $400 and then I don't know if you count the man hours but...

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Oh, the tape we use.

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The desk. The killer of health and happiness.

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We spend more time sitting than ever before and it is literally killing us.

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Back pain, cardiovascular disease, depression.

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I don't want any of that stuff.
