1
00:00:00,000 --> 00:00:03,280
Am I working? Like, we just do it like that. OK, do it like that.

2
00:00:03,280 --> 00:00:06,840
What's up? Yeah, just do it like that. Turn it a little.

3
00:00:06,840 --> 00:00:11,280
Oh, yeah, yeah, yeah, yeah. Perfect. And then you're typing, and you're sad, and you're like,

4
00:00:11,280 --> 00:00:16,440
oh, no. I mean, we don't need the PC. Let's get rid of it. But the point is, you want to be as still as possible.

5
00:00:16,440 --> 00:00:20,040
We don't need the PC. Yeah, you don't, right? No. OK, let's get rid of it.

6
00:00:20,040 --> 00:00:24,120
You're kind of still, like, you're just working away. You're like, oh.

7
00:00:24,120 --> 00:00:28,360
Don't, not too much movement, because then under the end, we need to, excuse me, a lightning strike.

8
00:00:28,360 --> 00:00:31,820
And we need to have that you in a position so we can match them. Yeah.

9
00:00:31,820 --> 00:00:36,760
I'm going to shift you further away from that. So it's like the desk.

10
00:00:36,760 --> 00:00:40,440
The killer of health and happiness. So do I need to, is it?

11
00:00:40,440 --> 00:00:45,120
No, you're not going to do anything. It's just going to be like a, pfft, pfft, pfft, pfft, pfft.

12
00:00:45,120 --> 00:00:49,080
This is going to be perfect. Yeah, it's perfect. OK, I'm going to lock it right here.

13
00:00:49,080 --> 00:00:52,400
Lock? Look at the typing on. Look at the scale.

14
00:00:52,400 --> 00:00:56,000
200 minutes per minute. Ready? Ready? Yeah, I'm going.

15
00:00:58,680 --> 00:01:04,680
Perfect.

16
00:01:04,680 --> 00:01:08,680
OK, stay there. Oh, it's the appetizer, right?

17
00:01:08,680 --> 00:01:13,720
Yeah. You've got to be more dramatic. Yeah, be, be really sad, but don't move too much.

18
00:01:13,720 --> 00:01:18,840
Just really making your face, like really,

19
00:01:18,840 --> 00:01:23,080
you're kind of like crying already. But like, don't use your hands, just like crying.

20
00:01:24,080 --> 00:01:25,080
Yeah.

21
00:01:30,080 --> 00:01:33,080
This is amazing. Perfect. I'm going to pause him right here.

22
00:01:33,080 --> 00:01:36,080
Yeah. I'm going to sandbag his. Yes, do that.

23
00:01:36,080 --> 00:01:39,080
That's a great idea. Just stay still as possible.

24
00:01:42,080 --> 00:01:45,080
Very good, Dennis. I'm coming.

25
00:01:50,080 --> 00:01:51,080
No, you move it.

26
00:01:54,080 --> 00:01:57,080
Editor. Editor. That's fine.

27
00:01:57,080 --> 00:02:01,080
We're going to do it again. He made it worse.

28
00:02:01,080 --> 00:02:04,080
How about this? Do it again. Yeah, do it again.

29
00:02:04,080 --> 00:02:06,080
Do it again. Still rolling.

30
00:02:09,080 --> 00:02:13,080
You're so sad, but you can't keep your hands. So you're too busy to touch your face and cry.

31
00:02:17,080 --> 00:02:20,080
OK, and pause. Sweet.

32
00:02:20,080 --> 00:02:24,080
OK, guys, very slowly. Like just gently so we don't have to chair perfect.

33
00:02:24,080 --> 00:02:27,080
Yeah. Now here comes the hard part. You're wrapping Dennis, eh?

34
00:02:27,080 --> 00:02:30,080
Dennis, done? You should put a hat on with the thing, though.

35
00:02:30,080 --> 00:02:34,080
Oh, yes, we should have the hat. Thank you. That's a great idea.

36
00:02:34,080 --> 00:02:37,080
We'll have to bring it up to you because this might take a while. That's fine.

37
00:02:37,080 --> 00:02:40,080
He's quite heavy. Oh, wow.

38
00:02:40,080 --> 00:02:43,080
So we're going to want to get a couple people to move him.

39
00:02:49,080 --> 00:02:52,080
What's his name? I was calling him Johnny Nine Bones, but...

40
00:02:52,080 --> 00:02:55,080
Johnny Nine Bones. I mean, he's got more than Nine Bones.

41
00:02:55,080 --> 00:02:58,080
A couple more. OK, can you hold him?

42
00:02:58,080 --> 00:03:01,080
Hold him up. Just hold him upright. OK, I got it.

43
00:03:01,080 --> 00:03:04,080
I need to get the fishing line.

44
00:03:04,080 --> 00:03:07,080
All those ironic things like biggie smalls, you know? Yeah.

45
00:03:07,080 --> 00:03:10,080
Ooh, we were talking about how many bones he doesn't have.

46
00:03:10,080 --> 00:03:13,080
Only has nine bones. That's crazy. It's because he's broke.

47
00:03:13,080 --> 00:03:17,080
How far back is he? Can somebody check the... Oh, could you flip the monitor?

48
00:03:17,080 --> 00:03:20,080
Yeah, flip the monitor. Yeah, without touching anything.

49
00:03:20,080 --> 00:03:23,080
How far back... Can we get a video of Dennis in the... Dennis, get out.

50
00:03:23,080 --> 00:03:26,080
OK. I want the shot of Dennis. How about this hand?

51
00:03:26,080 --> 00:03:29,080
We'll have to get the hands up there. You got John? Classic Bonesy.

52
00:03:29,080 --> 00:03:32,080
You got Johnny. Yeah, I got Johnny Nine Bones. OK, Johnny Nine Bones.

53
00:03:36,080 --> 00:03:38,080
Hold this. Let me see.

54
00:03:39,080 --> 00:03:44,080
OK. So, hey, I think this is around this far, but I can't...

55
00:03:44,080 --> 00:03:47,080
I mean, honestly, it doesn't have to be... It doesn't need to be perfect.

56
00:03:47,080 --> 00:03:50,080
It doesn't need to be perfect. Because Oliver can just put some smoke on it. Yeah.

57
00:03:53,080 --> 00:03:56,080
We'll have to tape his hands. Yep.

58
00:03:56,080 --> 00:03:59,080
Do you want tape? Yes, tape would be great.

59
00:03:59,080 --> 00:04:02,080
Black or white? Super cool. Yeah, super cool.

60
00:04:02,080 --> 00:04:03,080
OK.

61
00:04:05,080 --> 00:04:08,080
So we paid $300 for a skeleton for this?

62
00:04:08,080 --> 00:04:09,080
$400.

63
00:04:11,080 --> 00:04:14,080
Yes. And it was worth every penny.

64
00:04:14,080 --> 00:04:18,080
And also in the future, we'll have a skeleton. This is like... Yeah.

65
00:04:18,080 --> 00:04:21,080
This is the fourth time I've asked Linus if we could buy a skeleton for a video.

66
00:04:21,080 --> 00:04:24,080
I thought we have one. Me too, because every single time I'm like, I'm pretty sure we have one.

67
00:04:24,080 --> 00:04:27,080
And then he's like, no, we don't. I'm like, oh, I see you.

68
00:04:27,080 --> 00:04:31,080
You need to keep taking off your hand. Yeah. That says skeletons are positive.

69
00:04:31,080 --> 00:04:36,080
Literally. This whole page is a skeleton that Linus has taken home.

70
00:04:37,080 --> 00:04:40,080
So you want the hand here? Yeah. And then just tape it.

71
00:04:40,080 --> 00:04:42,080
Yeah. I'll go over there.

72
00:04:43,080 --> 00:04:47,080
His hands are hanging like this. Put his hands on the wrong way.

73
00:04:47,080 --> 00:04:50,080
Wait, what? You see how his hand...

74
00:04:50,080 --> 00:04:53,080
That's his phone. Did that work for you? Wait a second.

75
00:04:53,080 --> 00:04:56,080
That doesn't seem that wrong. No, no one will see it. Don't worry.

76
00:04:56,080 --> 00:04:59,080
Yeah. Tell me on there for like... Oh!

77
00:04:59,080 --> 00:05:02,080
Oh! That is... OK, we need to check the...

78
00:05:02,080 --> 00:05:05,080
We need to check the footage. We need to check the footage. Yeah, that's fine.

79
00:05:05,080 --> 00:05:08,080
That's fine. That's totally fine. Do you want to take this hand?

80
00:05:08,080 --> 00:05:12,080
Yeah. When I need to re-tie him.

81
00:05:15,080 --> 00:05:18,080
Right here? You can get it like that. Yeah.

82
00:05:18,080 --> 00:05:21,080
Tie a string to that... You are right. Oh, yeah.

83
00:05:21,080 --> 00:05:24,080
You do need... Then there's a knife to cut it.

84
00:05:24,080 --> 00:05:26,080
Or tie a tape or something.

85
00:05:28,080 --> 00:05:29,080
Brilliant.

86
00:05:33,080 --> 00:05:35,080
You just got to need two hands.

87
00:05:36,080 --> 00:05:38,080
Tense is looking rough, no?

88
00:05:40,080 --> 00:05:41,080
It's a little short.

89
00:05:44,080 --> 00:05:47,080
Yeah, did we get a loose form for the skeleton? Oh.

90
00:05:48,080 --> 00:05:51,080
A loose form. Hey, how about that? Yeah.

91
00:05:51,080 --> 00:05:53,080
Do you know a skeleton's favorite snack?

92
00:05:56,080 --> 00:05:59,080
No, that's not a hitch. That's a full meal.

93
00:05:59,080 --> 00:06:02,080
Yeah! What is it? No.

94
00:06:02,080 --> 00:06:05,080
What do you know? I don't. What is it?

95
00:06:07,080 --> 00:06:10,080
I actually don't know. Bonzo's favorite snack.

96
00:06:10,080 --> 00:06:12,080
What is it? Do you have to guess?

97
00:06:15,080 --> 00:06:18,080
I don't know. Guys, this video is to come up next. Yeah.

98
00:06:18,080 --> 00:06:21,080
Which is... Spare ribs!

99
00:06:23,080 --> 00:06:26,080
What, is he falling? No, no, he's good, he's good.

100
00:06:26,080 --> 00:06:29,080
This is wasted here. My genius is wasted.

101
00:06:29,080 --> 00:06:31,080
No! The fishing wire broke.

102
00:06:32,080 --> 00:06:35,080
It's okay. The fishing wire again? Tape it.

103
00:06:36,080 --> 00:06:38,080
I think. Tape it with tension.

104
00:06:39,080 --> 00:06:43,080
That sounds like something my... Something like something my acting teacher said to me once.

105
00:06:43,080 --> 00:06:46,080
Twist it, twist it, twist it. Tape it with tension. Keep twisting it.

106
00:06:46,080 --> 00:06:49,080
Yeah, just twist it and then pull it. Pull it, pull it, pull it.

107
00:06:49,080 --> 00:06:54,080
To tighten it. You know, Hoffman, you didn't seem to know a thing or two about knots.

108
00:06:54,080 --> 00:06:57,080
A little bit. I was just gonna...

109
00:06:58,080 --> 00:07:01,080
Were you in Boy Scouts? No, I was not.

110
00:07:02,080 --> 00:07:05,080
I was in Air Cadets though. It's opposing. That works, right?

111
00:07:06,080 --> 00:07:09,080
Beautiful. Is the fishing wire in frame?

112
00:07:09,080 --> 00:07:13,080
Do you rotate it? The fishing wire? Yeah, it is in frame.

113
00:07:13,080 --> 00:07:16,080
If you want to just sharp it out.

114
00:07:17,080 --> 00:07:21,080
Yeah, it's right. It's just on a black background. Yeah, we just have to sharp it out.

115
00:07:23,080 --> 00:07:27,080
So it's from... Thank you. Actually, this is pretty damn close.

116
00:07:27,080 --> 00:07:30,080
Yeah, it's pretty close. To that.

117
00:07:31,080 --> 00:07:33,080
I think why I pushed it in a little bit.

118
00:07:38,080 --> 00:07:40,080
Yeah, I think we moved the chair back a little bit too.

119
00:07:42,080 --> 00:07:45,080
You want to just look at the frame? Yeah, yeah, yeah. And I'll keep on.

120
00:07:47,080 --> 00:07:50,080
Yeah. Rotate it clockwise.

121
00:07:50,080 --> 00:07:53,080
The chair? A little bit more?

122
00:07:53,080 --> 00:07:56,080
Yeah, around that. Yeah, that's good. That's good.

123
00:07:56,080 --> 00:07:59,080
I think that's fine. Okay, let's see this.

124
00:07:59,080 --> 00:08:03,080
Let's do one last check. I think I need to move it a little closer.

125
00:08:03,080 --> 00:08:05,080
Yeah, yeah, yeah, do it, do it. Yeah, I think a little bit.

126
00:08:06,080 --> 00:08:08,080
It's hard to do it without moving the chairs up.

127
00:08:12,080 --> 00:08:15,080
How's that? Yeah. That's more...

128
00:08:15,080 --> 00:08:19,080
Now we're typing with flanges. Real fingers.

129
00:08:19,080 --> 00:08:21,080
Yeah, thank you.

130
00:08:22,080 --> 00:08:25,080
I thought sharp it out was like an editing term.

131
00:08:25,080 --> 00:08:28,080
No. I didn't think they were actually just good.

132
00:08:28,080 --> 00:08:32,080
You don't fix it in post. I know, that's the worst thing to say.

133
00:08:32,080 --> 00:08:36,080
Yeah. Not in front of us. No, don't say it in front of us.

134
00:08:36,080 --> 00:08:39,080
I told all of us how you could do it today. That's something.

135
00:08:39,080 --> 00:08:42,080
Fix it in post? Yeah, I was like... I was like...

136
00:08:43,080 --> 00:08:45,080
I can just fix that post. I was like, okay.

137
00:08:46,080 --> 00:08:49,080
It's still visible. Try and get the top a bit more,

138
00:08:49,080 --> 00:08:53,080
because that's where the lights were reflected. And closer to his bones.

139
00:08:56,080 --> 00:08:59,080
That part's not... We don't have to worry about that. Just like directly.

140
00:08:59,080 --> 00:09:02,080
Okay. Is that better? Step away.

141
00:09:04,080 --> 00:09:07,080
It's... I think it's as good as we're going to get it. Yeah, yeah.

142
00:09:07,080 --> 00:09:09,080
There's also the edge that goes around the seat.

143
00:09:10,080 --> 00:09:14,080
Are you going to draw on it? Yeah, I think it's sharp down there. I don't think anyone's going to notice.

144
00:09:14,080 --> 00:09:17,080
No. Why don't you try turning him a little? A little.

145
00:09:17,080 --> 00:09:20,080
Thanks. Okay. Yeah, no, this is perfect.

146
00:09:20,080 --> 00:09:24,080
Do you need to move it so that the mouth area is fine?

147
00:09:25,080 --> 00:09:28,080
Because you have to... We're going to have a close-up of him. Oh, gotcha.

148
00:09:28,080 --> 00:09:31,080
Doesn't move, it moves there. Yeah, you can move his mouth. Okay, let's roll on this one.

149
00:09:31,080 --> 00:09:34,080
I'm going to push him in like the tiniest bit. Okay.

150
00:09:34,080 --> 00:09:38,080
Here, here, here. You can have a real time.

151
00:09:39,080 --> 00:09:42,080
Yeah, because... Do you want to go back to Dennis real quick? Yeah.

152
00:09:44,080 --> 00:09:46,080
Yeah, okay. You got to get him.

153
00:09:50,080 --> 00:09:53,080
The chair's moved in frame, though. Oh, that's...

154
00:09:53,080 --> 00:09:56,080
That's worse. No, I think that's fine.

155
00:09:56,080 --> 00:09:59,080
Did the chair's in a different frame? I guess we can crop it. Yeah.

156
00:09:59,080 --> 00:10:02,080
We can... No, no, no. He'll probably have effects unless you want to get an actual cut.

157
00:10:02,080 --> 00:10:05,080
He'll have like smoke or something. Yeah.

158
00:10:05,080 --> 00:10:08,080
If he's smart. And then we have time.

159
00:10:08,080 --> 00:10:13,080
Which he is. It'll take like a minute for a list.

160
00:10:13,080 --> 00:10:16,080
Which he is. I'm going to roll.

161
00:10:16,080 --> 00:10:19,080
Yeah, roll. It's kind of hard to see his face.

162
00:10:19,080 --> 00:10:22,080
Yeah, put his hat further down. Yeah.

163
00:10:24,080 --> 00:10:26,080
Oh, yeah, that's Dennis.

164
00:10:27,080 --> 00:10:29,080
Dennis, no!

165
00:10:30,080 --> 00:10:35,080
That's perfect. And then... He's going to have his head turn.

166
00:10:41,080 --> 00:10:43,080
Yeah, upturn it.

167
00:10:46,080 --> 00:10:50,080
I can do it. I can do it. Because you want the motion turning and then talking, right?

168
00:10:50,080 --> 00:10:55,080
Yeah, but we can't take his head off. You probably have to do a stop motion style.

169
00:10:55,080 --> 00:10:58,080
Oh, you can't keep it open.

170
00:10:58,080 --> 00:11:01,080
No, it's a spring. Okay.

171
00:11:01,080 --> 00:11:04,080
So I can attach like a tape or something and just open his jaw.

172
00:11:04,080 --> 00:11:07,080
Like to stick and I'll be like, wow. Yeah, simply like that.

173
00:11:07,080 --> 00:11:11,080
But let's get this shot right here. What if the shot is just really tight in his face?

174
00:11:11,080 --> 00:11:15,080
And it's just the finger going... Yeah, that works to me.

175
00:11:15,080 --> 00:11:18,080
Yeah, it's kind of funny. I think that would be easier. Yeah, let's just do that.

176
00:11:18,080 --> 00:11:21,080
So just get it really tight in. Okay.

177
00:11:21,080 --> 00:11:27,080
Is he looking at the camera? Yeah, he is. Let's get out of the frame and just get a frame hold like that first.

178
00:11:27,080 --> 00:11:32,080
So one, two, three, four, five. He should have enough and then we're no longer...

179
00:11:32,080 --> 00:11:36,080
We'll move the tripod after this. Unless you want more here.

180
00:11:36,080 --> 00:11:39,080
No, I think we don't need any more. Okay, sounds good. Because I just want the close up.

181
00:11:39,080 --> 00:11:42,080
Okay, cutting. Uh, close up.

182
00:11:47,080 --> 00:11:51,080
Wow. I think Dennis looks more handsome like this.

183
00:11:51,080 --> 00:11:54,080
Wow. Wow. He looks pale as well.

184
00:11:54,080 --> 00:11:57,080
Yeah. I don't see color.

185
00:11:57,080 --> 00:12:00,080
Well, I'm telling you.

186
00:12:00,080 --> 00:12:04,080
Well, he does. That's white.

187
00:12:04,080 --> 00:12:08,080
Um, do you want it closer?

188
00:12:08,080 --> 00:12:13,080
No, that's perfect. Okay. Okay, I'm going to roll on this and then you can just play with it.

189
00:12:13,080 --> 00:12:16,080
I can't really get his head any higher up.

190
00:12:16,080 --> 00:12:19,080
Yeah, it looks good.

191
00:12:19,080 --> 00:12:22,080
Oh, I can't remember what the line is.

192
00:12:22,080 --> 00:12:28,080
I can find it. It's like...

193
00:12:28,080 --> 00:12:34,080
Something like it's killing me or something.

194
00:12:34,080 --> 00:12:41,080
And it is literally killing us. We spend more time sitting than ever before and it's literally killing us.

195
00:12:41,080 --> 00:12:44,080
Literally killing us is the line.

196
00:12:44,080 --> 00:12:49,080
And it's literally...

197
00:12:49,080 --> 00:12:52,080
By other hands in it.

198
00:12:52,080 --> 00:12:55,080
And it's literally killing us.

199
00:12:55,080 --> 00:12:58,080
And it's literally killing us.

200
00:12:58,080 --> 00:13:02,080
That's great. And it's literally killing us.

201
00:13:02,080 --> 00:13:06,080
And it's literally...

202
00:13:06,080 --> 00:13:10,080
Hey man, sitting. It's literally killing us.

203
00:13:10,080 --> 00:13:13,080
Wait, I'm going to check the focus while you're doing that.

204
00:13:13,080 --> 00:13:16,080
It's literally killing us.

205
00:13:16,080 --> 00:13:20,080
Yeah. Go one more time. Yeah.

206
00:13:20,080 --> 00:13:25,080
Sitting. Hey man, it's literally killing us.

207
00:13:25,080 --> 00:13:28,080
Sitting. It's literally killing us.

208
00:13:28,080 --> 00:13:31,080
Okay, that's good. You're finally seeing your finger, right?

209
00:13:31,080 --> 00:13:35,080
Yeah, that's where you're going to do it. We'll leave this.

210
00:13:35,080 --> 00:13:38,080
What's next? We'll go upstairs. Sounds good.

211
00:13:38,080 --> 00:13:41,080
Sounds good. You can just go and hand help. Yeah.

212
00:13:41,080 --> 00:13:44,080
Man, that's a lot of work to go into that shot. Yeah.

213
00:13:44,080 --> 00:13:51,080
How much was it? How much was it? $400 and then I don't know if you count the man hours but...

214
00:13:51,080 --> 00:13:53,080
Oh, the tape we use.

215
00:13:55,080 --> 00:13:58,080
The desk. The killer of health and happiness.

216
00:13:58,080 --> 00:14:03,080
We spend more time sitting than ever before and it is literally killing us.

217
00:14:03,080 --> 00:14:06,080
Back pain, cardiovascular disease, depression.

218
00:14:06,080 --> 00:14:08,080
I don't want any of that stuff.
