Am I working? Like, we just do it like that. OK, do it like that.
What's up? Yeah, just do it like that. Turn it a little.
Oh, yeah, yeah, yeah, yeah. Perfect. And then you're typing, and you're sad, and you're like,
oh, no. I mean, we don't need the PC. Let's get rid of it. But the point is, you want to be as still as possible.
We don't need the PC. Yeah, you don't, right? No. OK, let's get rid of it.
You're kind of still, like, you're just working away. You're like, oh.
Don't, not too much movement, because then under the end, we need to, excuse me, a lightning strike.
And we need to have that you in a position so we can match them. Yeah.
I'm going to shift you further away from that. So it's like the desk.
The killer of health and happiness. So do I need to, is it?
No, you're not going to do anything. It's just going to be like a, pfft, pfft, pfft, pfft, pfft.
This is going to be perfect. Yeah, it's perfect. OK, I'm going to lock it right here.
Lock? Look at the typing on. Look at the scale.
200 minutes per minute. Ready? Ready? Yeah, I'm going.
Perfect.
OK, stay there. Oh, it's the appetizer, right?
Yeah. You've got to be more dramatic. Yeah, be, be really sad, but don't move too much.
Just really making your face, like really,
you're kind of like crying already. But like, don't use your hands, just like crying.
Yeah.
This is amazing. Perfect. I'm going to pause him right here.
Yeah. I'm going to sandbag his. Yes, do that.
That's a great idea. Just stay still as possible.
Very good, Dennis. I'm coming.
No, you move it.
Editor. Editor. That's fine.
We're going to do it again. He made it worse.
How about this? Do it again. Yeah, do it again.
Do it again. Still rolling.
You're so sad, but you can't keep your hands. So you're too busy to touch your face and cry.
OK, and pause. Sweet.
OK, guys, very slowly. Like just gently so we don't have to chair perfect.
Yeah. Now here comes the hard part. You're wrapping Dennis, eh?
Dennis, done? You should put a hat on with the thing, though.
Oh, yes, we should have the hat. Thank you. That's a great idea.
We'll have to bring it up to you because this might take a while. That's fine.
He's quite heavy. Oh, wow.
So we're going to want to get a couple people to move him.
What's his name? I was calling him Johnny Nine Bones, but...
Johnny Nine Bones. I mean, he's got more than Nine Bones.
A couple more. OK, can you hold him?
Hold him up. Just hold him upright. OK, I got it.
I need to get the fishing line.
All those ironic things like biggie smalls, you know? Yeah.
Ooh, we were talking about how many bones he doesn't have.
Only has nine bones. That's crazy. It's because he's broke.
How far back is he? Can somebody check the... Oh, could you flip the monitor?
Yeah, flip the monitor. Yeah, without touching anything.
How far back... Can we get a video of Dennis in the... Dennis, get out.
OK. I want the shot of Dennis. How about this hand?
We'll have to get the hands up there. You got John? Classic Bonesy.
You got Johnny. Yeah, I got Johnny Nine Bones. OK, Johnny Nine Bones.
Hold this. Let me see.
OK. So, hey, I think this is around this far, but I can't...
I mean, honestly, it doesn't have to be... It doesn't need to be perfect.
It doesn't need to be perfect. Because Oliver can just put some smoke on it. Yeah.
We'll have to tape his hands. Yep.
Do you want tape? Yes, tape would be great.
Black or white? Super cool. Yeah, super cool.
OK.
So we paid $300 for a skeleton for this?
$400.
Yes. And it was worth every penny.
And also in the future, we'll have a skeleton. This is like... Yeah.
This is the fourth time I've asked Linus if we could buy a skeleton for a video.
I thought we have one. Me too, because every single time I'm like, I'm pretty sure we have one.
And then he's like, no, we don't. I'm like, oh, I see you.
You need to keep taking off your hand. Yeah. That says skeletons are positive.
Literally. This whole page is a skeleton that Linus has taken home.
So you want the hand here? Yeah. And then just tape it.
Yeah. I'll go over there.
His hands are hanging like this. Put his hands on the wrong way.
Wait, what? You see how his hand...
That's his phone. Did that work for you? Wait a second.
That doesn't seem that wrong. No, no one will see it. Don't worry.
Yeah. Tell me on there for like... Oh!
Oh! That is... OK, we need to check the...
We need to check the footage. We need to check the footage. Yeah, that's fine.
That's fine. That's totally fine. Do you want to take this hand?
Yeah. When I need to re-tie him.
Right here? You can get it like that. Yeah.
Tie a string to that... You are right. Oh, yeah.
You do need... Then there's a knife to cut it.
Or tie a tape or something.
Brilliant.
You just got to need two hands.
Tense is looking rough, no?
It's a little short.
Yeah, did we get a loose form for the skeleton? Oh.
A loose form. Hey, how about that? Yeah.
Do you know a skeleton's favorite snack?
No, that's not a hitch. That's a full meal.
Yeah! What is it? No.
What do you know? I don't. What is it?
I actually don't know. Bonzo's favorite snack.
What is it? Do you have to guess?
I don't know. Guys, this video is to come up next. Yeah.
Which is... Spare ribs!
What, is he falling? No, no, he's good, he's good.
This is wasted here. My genius is wasted.
No! The fishing wire broke.
It's okay. The fishing wire again? Tape it.
I think. Tape it with tension.
That sounds like something my... Something like something my acting teacher said to me once.
Twist it, twist it, twist it. Tape it with tension. Keep twisting it.
Yeah, just twist it and then pull it. Pull it, pull it, pull it.
To tighten it. You know, Hoffman, you didn't seem to know a thing or two about knots.
A little bit. I was just gonna...
Were you in Boy Scouts? No, I was not.
I was in Air Cadets though. It's opposing. That works, right?
Beautiful. Is the fishing wire in frame?
Do you rotate it? The fishing wire? Yeah, it is in frame.
If you want to just sharp it out.
Yeah, it's right. It's just on a black background. Yeah, we just have to sharp it out.
So it's from... Thank you. Actually, this is pretty damn close.
Yeah, it's pretty close. To that.
I think why I pushed it in a little bit.
Yeah, I think we moved the chair back a little bit too.
You want to just look at the frame? Yeah, yeah, yeah. And I'll keep on.
Yeah. Rotate it clockwise.
The chair? A little bit more?
Yeah, around that. Yeah, that's good. That's good.
I think that's fine. Okay, let's see this.
Let's do one last check. I think I need to move it a little closer.
Yeah, yeah, yeah, do it, do it. Yeah, I think a little bit.
It's hard to do it without moving the chairs up.
How's that? Yeah. That's more...
Now we're typing with flanges. Real fingers.
Yeah, thank you.
I thought sharp it out was like an editing term.
No. I didn't think they were actually just good.
You don't fix it in post. I know, that's the worst thing to say.
Yeah. Not in front of us. No, don't say it in front of us.
I told all of us how you could do it today. That's something.
Fix it in post? Yeah, I was like... I was like...
I can just fix that post. I was like, okay.
It's still visible. Try and get the top a bit more,
because that's where the lights were reflected. And closer to his bones.
That part's not... We don't have to worry about that. Just like directly.
Okay. Is that better? Step away.
It's... I think it's as good as we're going to get it. Yeah, yeah.
There's also the edge that goes around the seat.
Are you going to draw on it? Yeah, I think it's sharp down there. I don't think anyone's going to notice.
No. Why don't you try turning him a little? A little.
Thanks. Okay. Yeah, no, this is perfect.
Do you need to move it so that the mouth area is fine?
Because you have to... We're going to have a close-up of him. Oh, gotcha.
Doesn't move, it moves there. Yeah, you can move his mouth. Okay, let's roll on this one.
I'm going to push him in like the tiniest bit. Okay.
Here, here, here. You can have a real time.
Yeah, because... Do you want to go back to Dennis real quick? Yeah.
Yeah, okay. You got to get him.
The chair's moved in frame, though. Oh, that's...
That's worse. No, I think that's fine.
Did the chair's in a different frame? I guess we can crop it. Yeah.
We can... No, no, no. He'll probably have effects unless you want to get an actual cut.
He'll have like smoke or something. Yeah.
If he's smart. And then we have time.
Which he is. It'll take like a minute for a list.
Which he is. I'm going to roll.
Yeah, roll. It's kind of hard to see his face.
Yeah, put his hat further down. Yeah.
Oh, yeah, that's Dennis.
Dennis, no!
That's perfect. And then... He's going to have his head turn.
Yeah, upturn it.
I can do it. I can do it. Because you want the motion turning and then talking, right?
Yeah, but we can't take his head off. You probably have to do a stop motion style.
Oh, you can't keep it open.
No, it's a spring. Okay.
So I can attach like a tape or something and just open his jaw.
Like to stick and I'll be like, wow. Yeah, simply like that.
But let's get this shot right here. What if the shot is just really tight in his face?
And it's just the finger going... Yeah, that works to me.
Yeah, it's kind of funny. I think that would be easier. Yeah, let's just do that.
So just get it really tight in. Okay.
Is he looking at the camera? Yeah, he is. Let's get out of the frame and just get a frame hold like that first.
So one, two, three, four, five. He should have enough and then we're no longer...
We'll move the tripod after this. Unless you want more here.
No, I think we don't need any more. Okay, sounds good. Because I just want the close up.
Okay, cutting. Uh, close up.
Wow. I think Dennis looks more handsome like this.
Wow. Wow. He looks pale as well.
Yeah. I don't see color.
Well, I'm telling you.
Well, he does. That's white.
Um, do you want it closer?
No, that's perfect. Okay. Okay, I'm going to roll on this and then you can just play with it.
I can't really get his head any higher up.
Yeah, it looks good.
Oh, I can't remember what the line is.
I can find it. It's like...
Something like it's killing me or something.
And it is literally killing us. We spend more time sitting than ever before and it's literally killing us.
Literally killing us is the line.
And it's literally...
By other hands in it.
And it's literally killing us.
That's great. And it's literally killing us.
And it's literally...
Hey man, sitting. It's literally killing us.
Wait, I'm going to check the focus while you're doing that.
It's literally killing us.
Yeah. Go one more time. Yeah.
Sitting. Hey man, it's literally killing us.
Sitting. It's literally killing us.
Okay, that's good. You're finally seeing your finger, right?
Yeah, that's where you're going to do it. We'll leave this.
What's next? We'll go upstairs. Sounds good.
Sounds good. You can just go and hand help. Yeah.
Man, that's a lot of work to go into that shot. Yeah.
How much was it? How much was it? $400 and then I don't know if you count the man hours but...
Oh, the tape we use.
The desk. The killer of health and happiness.
We spend more time sitting than ever before and it is literally killing us.
Back pain, cardiovascular disease, depression.
I don't want any of that stuff.