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Look at this.

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This is the three-camera cluster introduced first on the iPhone 11 Pro.

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This is the camera cluster on the iPhone 12 Pro. Here's the 13 Pro, and this is the camera cluster on the new iPhone 14 Pro.

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It's so big. You know, at this rate, Apple's going to be making that Samsung phone, the failed one,

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the camera phone with the zoom lens, remember that thing?

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But the camera bump isn't the only thing that got bigger on the iPhone 14 Pro.

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The notch did too, in a way, so that means that the most significant updates for the

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premium phone are the camera and the display.

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Let's try them out and see if they're a worthy update for the Pro.

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While most people care about the cameras on their iPhone, the thing I'm most excited

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about with the iPhone 14 Pro is the display.

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It's actually a major step forward in a whole lot of respects.

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Firstly, it's a way better phone to film videos like these outdoors.

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Typical max brightness remains at 1,000 nits, but HDR brightness has gone up to 1,600 nits.

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And if you go outside on a bright sunny day like today, the ambient light sensor can boost

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this OLED up to 2,000 nits. So this will definitely eat battery.

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But there's no more squinting at the screen, keeping it clean, so emails remain legible.

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Look at it compared to an iPhone 13 Pro. Wait.

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Why is it that every time I try to do a brightness comparison, they always end up looking the

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same? It's happened last year too.

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What will also eat up the battery is the brand new Always On screen, along a feature on OLED

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equipped Android phones, Apple's finally brought it here too.

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Which is perfect timing, thanks to the home screen improvements added to iOS 16.

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Clock, notification, weather, and calendar widgets are all visible without having to

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touch your phone.

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What I love the most is the fact that it shows Apple Maps turn-by-turn navigation.

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Usually when navigating the screen is completely black until your next direction prompt, after

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which it stays on for a long time. The Always On screen, however, still shows direction information that's really handy

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and could save battery on a long trip, even though unfortunately it won't.

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Because Apple went all the way in their implementation of the Always On screen, when active, or asleep,

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it looks as if I dimmed the screen all the way to its dimmest setting in dark mode and

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then just left it on. It's quite jarring.

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Because alongside the information the wallpaper remains on.

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Of course there's more going on underneath to reduce the impact.

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Apple slows down the screen to 1Hz and they claim to do some trickery to make skin tones

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and portrait wallpapers stay accurate. It kind of looks like an unlit slide photo.

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The penalty in my usage is almost a day of use, and that makes me think that Apple may

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have gone a bit too far. Android phones let their screens go completely black, showing only the pertinent time, widget,

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and notification information when asleep. It goes a long way at making the phone appear off, allowing you to be more present.

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I think the easy solution for the iPhone is a wallpaper on off setting.

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I've long thought that software these days isn't magical.

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I largely blame flat design for that, but out of the blue Apple has given us the Dynamic

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Island. It's one of those features that when you see it, you wonder why nobody's thought of

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it before. Conceptually, it's a software embrace of the Face ID system cut out we were first introduced

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to with the notch on the iPhone X. Now though, the sensor array and front camera remain in a black monolithic pill.

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Then, depending on what background task you have running on the phone, the island expands

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and splits to give you increased information and access.

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This speaker grills is going to get filled with lint.

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It's so thin. It's very lovely and lively, but also a start.

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I think it's slow. It kind of reminds me of the iOS 7 animations that made people sick.

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I do really love how alive it feels and looks, but I'd rather not have to wait to use it.

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The Dynamic Island should make something as simple as changing a song easier, but it doesn't.

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There are two methods of interaction. Simply tapping on the island will open the associated app, but long pressing inflates

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the island into a widget. I think this is backwards, because most of the time, I don't want to leave what I'm

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doing and tapping is easier. I love how Face ID registration is integrated into it, which makes sense, and I'm hoping

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they use this for more in the future. For example, notifications still appear as blurred rectangles below the island and airpod

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pairing is still a white panel at the bottom of the screen.

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I do worry how long the Dynamic Island is going to remain exclusive to the pro iPhones, because

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that might prevent it from expanding its capability as much as I'm hoping.

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Developers are not going to look for new ways to use this feature if the install base is

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a small exclusive group of wealthy iPhone users.

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Now, to be fair, Face ID did get introduced into the mainstream models after only a year,

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and they should do that here too. So I guess the Dynamic Island on its own isn't enough to warrant an upgrade, but I do love

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it, and you will too if you get one.

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Apple uses the extra pixels for many different things, because Apple now employs pixel binning

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for the first time. It takes 4 pixels and combines them into one, so normal compressed photos from the camera

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are still saved at 12 megapixels. Second, the extra pixels enable a 2x zoom option by cropping 48 megapixels into 12.

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Third, the extra pixels allow for a gimbal-like action mode for video.

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Resolution drops to 2.8K, but footage gets more stable.

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And finally, the extra pixels are accessible if you shoot in the 48 megapixel Pro RAW mode.

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Though those files can balloon past 100 megabytes in size.

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If you only get a 128GB version, that comes to about 1000 photos, and that's including

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no ProRes video either. Oh yeah, and then try getting all those photos and videos off it.

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So how is it? I compared the 14 Pro to a bunch of different cameras.

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The 13 and 11 Pro, a Pixel 6 Pro, and two real cameras.

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Here's what I've learned. The low light improvements on the new iPhone help shorten the shutter speed, not reduce

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noise. In daylight, compressed photos of all the iPhones look heavily sharpened, and it's hard to

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tell the difference between the newer and older phones. I really found myself preferring the processing that the Pixel 6 does.

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Photos taken in Pro RAW are much better, especially if you do the adjustments yourself.

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If you are getting an iPhone 14 Pro for the camera, use Pro RAW, especially the 48 megapixel

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mode if you can. They do look so much better.

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I took photos alongside the Sony ZV-E10 and Ricoh GR3.

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They are very nice, compact, $800 APS-C cameras.

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Certainly they're more cumbersome to lug around than simply an iPhone in your pocket,

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but I noticed, holding these, that they're way more fun to photograph with.

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The camera ergonomics compel you to find and snap that next photo.

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That's something I have yet to feel with the iPhone, like I never take eye photos.

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I'm still impressed with the photos you can get on the iPhone 14 Pro.

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Now, it takes great video, but a dedicated video camera is better.

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It takes great still photos, but a dedicated still camera is better.

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It takes great action video, but a dedicated gimbal is better.

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It's a jack of all trades and a master of none.

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Really really great if you're in a pinch, but unless Apple starts putting in lenses

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like these, we're getting to the limits.

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If you have an iPhone 12 in newer though, I don't think you should upgrade,

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as you'll still be getting the benefits of ProRA. The 48 megapixel photos aren't enough, unless you're a glutton for selfies,

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because the autofocus on the front camera is a game changer, though I think the regular

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14 gets that too. The other improvement the iPhone 14 Pro gets is the A16 chip.

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In my tests, it's not significantly more powerful than an A15-powered 13 Pro,

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shaving only 20 seconds off a Lightroom export and showing mild improvements in Geekbench.

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It's not nothing, and it's still miles ahead of the 6 Pro.

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And if you want the best performance in Genshin Impact, get an iPhone 13.

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So it's not worth an upgrade if you're coming from anything newer than an A13.

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Every iPhone release, it leaves me reflecting on my waning enthusiasm.

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It feels like gone are the days of truly innovative and exciting updates and changes

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to the phone. But it's actually not true, there have been really sizable jumps between each generation.

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Even taking photos on this old iPhone 11 Pro feels like a trip back in time with the absence

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of ProRes and ProRA options. If you are upgrading from one of these, you are going to notice a lot of differences.

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I think my waning enthusiasm can be attributed to the premium iPhone's increased price.

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It used to be that all the innovations added to the iPhone get added to the latest model

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that everyone ends up buying. And that used to cost $650.

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To get the best the iPhone has to offer today, you have to pay significantly more, in this

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case $1,000. And it's not clear anymore when those innovations will trickle down.

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So far I haven't thought any of these features are worth upgrading to alone, but what have

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you put them together? Well compared to the standard model, the Pro gets a lot more features this year.

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And the price difference between it and the standard model is only $200.

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Every year is a good year to get a Pro, but you don't need to get a Pro every year.

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If you're coming from an 11 Pro, then yes, this is a great option.

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And if not, maybe just replace the battery.

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Thanks Andy for taking high quality photos of this Mac Address.

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If you like the new camera on the iPhone 14 Pro, give this video a like.

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And if you're curious about the iPhone 14 Plus, you might as well subscribe.

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Now I'm curious, are you the type of person who just takes photos exclusively with an

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iPhone? Comment below what that's like.

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Why do you do that? Do you miss having a camera?
