WEBVTT

00:00:00.080 --> 00:00:05.600
if you are a beginner in photography and you're looking at buying your first lens

00:00:03.840 --> 00:00:11.759
chances are you're looking at a 35 millimeter or a 50 millimeter lens

00:00:08.559 --> 00:00:13.679
and there are so many different versions

00:00:11.759 --> 00:00:20.080
of a 50 millimeter lens and that's personally what my first lens was

00:00:15.679 --> 00:00:25.279
now fuji has made a brand new 50ml

00:00:20.080 --> 00:00:25.279
and it is very special let's take a look

00:00:26.160 --> 00:00:30.720
so they have a very non-script box okay

00:00:29.359 --> 00:00:37.680
box within a box nice keep the lens nice and safe

00:00:34.480 --> 00:00:40.879
here we have fujifilm's

00:00:37.680 --> 00:00:44.879
50 mil f1

00:00:40.879 --> 00:00:46.800
now f1 what does that mean

00:00:44.879 --> 00:00:51.440
now if you know anything about lenses aperture is the setting

00:00:49.120 --> 00:00:56.800
which dictates the amount the iris blades on the lens

00:00:53.280 --> 00:01:00.320
are opened or closed and

00:00:56.800 --> 00:01:03.520
most lenses bottom out at f 1.4

00:01:00.320 --> 00:01:04.879
so fuji has designed a lens that not

00:01:03.520 --> 00:01:11.280
only is f1 but

00:01:07.920 --> 00:01:13.600
has fast responsive

00:01:11.280 --> 00:01:18.240
autofocus at least that's what they claim we're about to find out

00:01:15.520 --> 00:01:21.040
if it is as good as you think it might be

00:01:18.720 --> 00:01:24.640
on paper so in the box you get the lens itself wow

00:01:22.240 --> 00:01:29.040
you know as a fuji user one of my favorite things about their lenses

00:01:26.640 --> 00:01:32.000
is that they have always been quite small because it's an aps-c sized sensor

00:01:31.200 --> 00:01:39.840
and most cameras these days are full frame you got sony making the a7c

00:01:36.159 --> 00:01:41.680
and the a7s3 and panasonic coming out

00:01:39.840 --> 00:01:46.320
with the s1h and the s5 everyone's going full frame fuji is

00:01:44.560 --> 00:01:50.159
sticking with aps-c but this lens is obviously designed for

00:01:49.360 --> 00:01:54.000
their xf aps-c size sensor cameras like the xt4

00:01:53.119 --> 00:02:01.040
my personal xt4 and it is

00:01:57.119 --> 00:02:04.799
significant like this feels closer to me

00:02:01.040 --> 00:02:06.159
to maybe an 85 mil stills lens on a

00:02:04.799 --> 00:02:10.239
full-frame camera actually can i get the scale id i want to weigh this

00:02:12.840 --> 00:02:18.800
1.77 pounds now that might not sound like a lot but when

00:02:16.879 --> 00:02:23.840
you look at lenses that is not insignificant okay just for comparison let's take my

00:02:22.160 --> 00:02:27.280
xf 56 millimeter which is the lens i would typically use

00:02:26.560 --> 00:02:36.400
when wanting to shoot in that focal range of like 50 mil portrait look

00:02:31.599 --> 00:02:38.879
and let's weigh this .88 pounds so this

00:02:36.400 --> 00:02:43.440
50 ml is almost a full pound heavier than my typical 56 millimeter and again

00:02:41.680 --> 00:02:47.040
that doesn't sound like a lot but when you think about it on like a

00:02:44.959 --> 00:02:51.360
hike where every gram matters or you're traveling somewhere and

00:02:48.480 --> 00:02:56.080
you want to travel light a pound will make a difference

00:02:52.800 --> 00:02:59.280
and just for giggles this is our

00:02:56.080 --> 00:03:02.840
85 millimeter sigma cinema lens

00:02:59.280 --> 00:03:04.640
i am curious to see the weight

00:03:02.840 --> 00:03:11.840
difference okay so this lens weighs three pounds that's

00:03:08.640 --> 00:03:12.640
not even double when you think about the

00:03:11.840 --> 00:03:18.400
size in the application this is going to go on a big heavy film camera

00:03:16.480 --> 00:03:22.239
and this is a for a stills camera so yeah this lens is not

00:03:20.000 --> 00:03:26.799
it's not super heavy but it's not light by any stretch of the imagination

00:03:24.560 --> 00:03:30.640
fuji's also said that they've weather sealed this lens in 11 places which is

00:03:29.519 --> 00:03:35.440
nice because the 56 mil isn't actually weather sealed

00:03:34.000 --> 00:03:38.959
at all and this lens is one of the fastest lenses fuji makes

00:03:37.440 --> 00:03:44.640
it's nice to see that upgrading the aperture wasn't the only thing that they did

00:03:40.879 --> 00:03:47.519
with this focal length wow

00:03:44.640 --> 00:03:51.280
the focus ring on this lens is a lot smoother than any other lens

00:03:49.040 --> 00:03:54.560
i've ever used on a fuji which is actually my biggest gripe with fuji

00:03:52.879 --> 00:03:58.319
lenses when it comes to video is that the all the focus rings on all

00:03:57.040 --> 00:04:01.360
of them aren't quite smooth enough to do like precise

00:04:00.319 --> 00:04:08.400
focus pulls this feels like a step forward for them

00:04:06.159 --> 00:04:12.799
whoa look at that front element and you can see

00:04:09.760 --> 00:04:14.480
how large the circle on the aperture of

00:04:12.799 --> 00:04:19.280
this lens actually is and you have such a nice aperture ring

00:04:17.359 --> 00:04:22.720
because all of fuji's lenses are going to have this aperture ring that allows

00:04:21.040 --> 00:04:32.240
you to manually control your aperture at any point and this one sounds good listen to that

00:04:28.960 --> 00:04:35.840
it's just like really satisfying

00:04:32.240 --> 00:04:38.400
very few lenses are able to say

00:04:35.840 --> 00:04:43.840
this enough talk i want to put it on my camera and see

00:04:39.759 --> 00:04:43.840
how this does

00:04:45.120 --> 00:04:51.759
i will never get sick of the sound of putting like a very

00:04:48.560 --> 00:04:55.600
fresh lens on a

00:04:51.759 --> 00:04:56.960
camera body this lens is loud

00:04:55.600 --> 00:05:02.160
like do you guys hear that can you hear that yeah i can hear that pretty clearly

00:04:58.639 --> 00:05:04.880
it is it is a loud boy

00:05:02.160 --> 00:05:06.720
which is i mean for stills for the most part

00:05:05.199 --> 00:05:13.280
okay i mean if you're at a wedding and you're trying to be really quiet

00:05:09.360 --> 00:05:13.280
and your lens is just like constantly

00:05:14.080 --> 00:05:19.840
making this noise while you're re-focusing that could be

00:05:17.440 --> 00:05:22.400
an issue you know you're taking a photo of an

00:05:20.479 --> 00:05:25.919
animal and you don't want to scare them off

00:05:23.680 --> 00:05:31.440
the noise of this lens might just be loud enough that it could scare

00:05:27.759 --> 00:05:34.160
something off now the autofocus isn't

00:05:31.440 --> 00:05:38.880
the fastest that i've ever seen but there's a lot of glass elements

00:05:37.280 --> 00:05:45.919
moving around in this thing i did want to compare this 50 mil f1

00:05:42.479 --> 00:05:48.560
that fuji made to something that is also

00:05:45.919 --> 00:05:53.280
maybe the crowning achievement that some might say of a 50 ml

00:05:50.160 --> 00:05:57.039
f1 and that is

00:05:53.280 --> 00:06:00.639
this leica noctelux

00:05:57.039 --> 00:06:01.199
50 mil f1 now it's not an autofocus lens

00:06:00.639 --> 00:06:08.400
because all of leica's lenses are manual focus but

00:06:04.319 --> 00:06:12.160
it is a historically high pedigree

00:06:08.400 --> 00:06:15.520
lens last i checked this leica 50 mil

00:06:12.160 --> 00:06:19.199
is worth between 8 to 10 grand

00:06:15.520 --> 00:06:23.600
us used and that's if you can find

00:06:19.199 --> 00:06:26.560
a good copy of one and i have to say

00:06:23.600 --> 00:06:29.840
it is also very wow there is so much glass in here

00:06:27.759 --> 00:06:32.560
okay just really quickly we're gonna weigh this as well

00:06:32.840 --> 00:06:41.360
because wow 1.28 so

00:06:38.880 --> 00:06:45.440
just for context again half a pound almost

00:06:42.960 --> 00:06:50.880
lighter than the fuji but look at the size difference guys

00:06:47.600 --> 00:06:52.880
that is not insignificant um why don't

00:06:50.880 --> 00:06:56.240
we see what it looks like to test these lenses next to each other

00:06:54.639 --> 00:06:59.520
okay so i'm going to test the leica first and then i'm going to

00:06:58.160 --> 00:07:06.240
switch to the fuji and i have chase here to take photos of

00:07:02.639 --> 00:07:10.080
wow this leica is

00:07:06.240 --> 00:07:14.560
not that sharp wide open

00:07:10.080 --> 00:07:18.160
it is soft i am punching in all the way

00:07:14.560 --> 00:07:20.800
to see and it is soft

00:07:18.160 --> 00:07:25.440
okay well that's really interesting it looks good

00:07:22.240 --> 00:07:29.039
despite it being soft but it

00:07:25.440 --> 00:07:32.720
is not a super sharp lens okay

00:07:29.039 --> 00:07:36.080
fuji is going on f 1.0

00:07:32.720 --> 00:07:36.080
okay and let's see

00:07:38.160 --> 00:07:43.520
immediately the fact that it has autofocus just gives me so much more

00:07:42.240 --> 00:07:47.039
confidence in the accuracy of the photo

00:07:48.080 --> 00:07:54.240
so just to cover all our bases i'm going to do a quick test shot on the 56 mil

00:07:51.919 --> 00:07:59.039
f 1.2 it's not going to be the exact same aperture obviously

00:07:56.000 --> 00:08:01.680
but i do want to see how they compare

00:07:59.039 --> 00:08:05.120
so right off the top this is the leica 50 ml

00:08:02.240 --> 00:08:05.120
noc deluxe frame

00:08:05.599 --> 00:08:13.440
and yup as i expected it is

00:08:08.720 --> 00:08:15.759
super soft now this lens is 45 years old

00:08:13.440 --> 00:08:19.919
so i don't expect it to be super sharp and like

00:08:16.639 --> 00:08:21.919
it looks super creamy in the bokeh out

00:08:19.919 --> 00:08:26.160
of focus areas it is definitely at f1 and this

00:08:25.120 --> 00:08:30.560
might be a look that you like because it's sort of a nostalgic look honestly

00:08:28.800 --> 00:08:33.919
this is without any editing this is straight out of camera no settings or

00:08:32.560 --> 00:08:40.080
changes have been applied uh let's take a look at fuji wow okay

00:08:37.279 --> 00:08:43.760
so punching into the fuji you can see that

00:08:40.959 --> 00:08:46.720
it is immediately so much sharper especially in chase's eyes

00:08:45.360 --> 00:08:53.600
it's not the sharpest lens that i've ever seen but considering it's at f1

00:08:50.080 --> 00:08:55.920
it is pretty sharp the other interesting

00:08:53.600 --> 00:09:01.920
thing to me is the color difference between the leica and the 50mm

00:08:59.040 --> 00:09:06.160
f1 because you can see in the leica that it is

00:09:02.640 --> 00:09:08.720
much lower contrast

00:09:06.160 --> 00:09:11.920
by default and there's a significant more amount of vignetting

00:09:10.480 --> 00:09:16.959
to the point where you actually see in chase's black jacket it looks

00:09:13.760 --> 00:09:18.720
darker but it is much less and it

00:09:16.959 --> 00:09:25.440
doesn't actually make the overall image feel darker now between the 50 mil and

00:09:22.320 --> 00:09:26.000
the 56 mil which is an f 1.2 not an f1

00:09:25.440 --> 00:09:30.800
lens the left is the 56 mil f 1.2 and the

00:09:28.720 --> 00:09:34.080
right is the 50 mil f 1.0

00:09:34.839 --> 00:09:37.839
honestly

00:09:38.000 --> 00:09:46.160
the 50ml f 1.0 at 1.0

00:09:42.320 --> 00:09:48.480
looks slightly sharper

00:09:46.160 --> 00:09:51.760
just for our again our reference the 50ml f1

00:09:49.680 --> 00:09:57.440
is on the left and the leica is on the right very clear

00:09:53.680 --> 00:10:00.080
the difference the fuji is way sharper

00:09:57.440 --> 00:10:03.680
and the other cool thing is the leica while

00:10:00.560 --> 00:10:06.800
an antique at this point and a very

00:10:03.680 --> 00:10:09.279
sought-after rare lens that lens is

00:10:06.800 --> 00:10:13.440
eight to ten thousand dollars usd the canon version of the f1 lens is five

00:10:12.320 --> 00:10:22.160
thousand dollars ish usd this fuji 50ml f1

00:10:18.000 --> 00:10:22.160
is 1500 usd

00:10:22.640 --> 00:10:29.600
come on 1500 usd so

00:10:26.320 --> 00:10:32.320
far cheaper five times less expensive

00:10:29.600 --> 00:10:36.959
than the leica i'll hand it to fuji they delivered on

00:10:33.600 --> 00:10:39.360
an autofocus f1 lens that

00:10:36.959 --> 00:10:43.120
while it's bigger for a fuji lens is still usable

00:10:40.560 --> 00:10:45.120
and feels good in the hand so great job if you're in the market for 50ml and you

00:10:44.480 --> 00:10:52.480
want like crazy low light performance and crazy shallow depth of field

00:10:49.920 --> 00:10:56.079
and you own a fuji camera this is probably it

00:10:53.440 --> 00:11:00.240
for you you can see a clear difference between

00:10:56.560 --> 00:11:01.839
f1 and f1.2 but a lot of you might argue

00:11:00.240 --> 00:11:06.399
that it's negligible so that's up to you yeah so compared to the 56

00:11:04.560 --> 00:11:10.880
if you don't want the extra weight and you want the f 1.0

00:11:08.560 --> 00:11:14.480
aperture this is a great choice and a great addition to fuji's lens lineup

00:11:13.279 --> 00:11:18.000
so thank you guys for watching ShortCircuit if you like camera things

00:11:16.800 --> 00:11:22.079
especially fuji content you might want to watch my xt4

00:11:20.800 --> 00:11:27.680
unboxing that i did a couple months ago if you haven't seen it already thank you guys for watching
