WEBVTT

00:00:00.320 --> 00:00:08.280
video editing is the process of cutting and rearranging multiple clips or

00:00:06.000 --> 00:00:12.719
segments of video to create a new and presumably improved video and for folks

00:00:10.880 --> 00:00:19.039
in the advanced class it can also involve the adding of titles animations

00:00:15.519 --> 00:00:22.439
sound effects music and more but how did

00:00:19.039 --> 00:00:25.679
it all begin well it sort of started

00:00:22.439 --> 00:00:28.359
when a photographer named Edward mbridge

00:00:25.679 --> 00:00:32.840
maybridge mbridge apparently they didn't have normal spelling back in 187 to

00:00:30.279 --> 00:00:38.719
anyway he took a series of still photographs that proved once and for all

00:00:35.960 --> 00:00:44.399
that horses take all four feet off the ground while Galloping finally settling

00:00:41.559 --> 00:00:50.520
one of the great debates of the time mu Bridge went on to take more than 100,000

00:00:48.399 --> 00:00:55.000
photographs of people and animals in motion which he displayed in books and

00:00:52.640 --> 00:01:00.440
lectures and he even invented a device to display them called a zpra iscope

00:00:57.719 --> 00:01:06.439
that projected these images rapidly in sequence onto a screen making the zubra

00:01:03.640 --> 00:01:11.880
iscope effectively the very first animated gif projector from there the

00:01:09.520 --> 00:01:18.080
methods of capturing these so-called moving pictures and replaying them only

00:01:14.880 --> 00:01:20.600
continued to improve in the late 1800s

00:01:18.080 --> 00:01:26.799
the film camera was invented which used a long strip of photographic negatives

00:01:23.680 --> 00:01:29.960
called film stock and rapidly exposed

00:01:26.799 --> 00:01:32.119
one image at a time in sequence these

00:01:29.960 --> 00:01:36.600
images could then be played back rapidly to create the illusion of motion through

00:01:34.799 --> 00:01:43.079
the use of a projector which was basically just a film camera in Reverse

00:01:40.200 --> 00:01:48.640
early films or movies as they came to be called were very similar to stage plays

00:01:45.799 --> 00:01:55.040
the film camera was kept in a wide stationary shot and all the action took

00:01:51.360 --> 00:01:57.119
place over just one continuous shot and

00:01:55.040 --> 00:02:02.039
just like in a live Stage production the audience was free to look at any part of

00:01:59.200 --> 00:02:07.680
the scene that they wanted to later artists like George Miz began to realize

00:02:05.240 --> 00:02:13.400
that there was no need to replay the film at the exact same time and speed

00:02:11.480 --> 00:02:18.720
and in the same sequence that it was recorded he began to experiment with

00:02:16.319 --> 00:02:23.440
jumping forward in time to make objects appear and disappear soon it was

00:02:21.599 --> 00:02:27.800
discovered that putting two shots next to each other in sequence would create a

00:02:25.760 --> 00:02:33.480
logical connection between those shots in the viewer's mind which is called to

00:02:30.319 --> 00:02:36.080
position and so instead of recording an

00:02:33.480 --> 00:02:40.319
entire movie in strict chronological order it was discovered that scenes

00:02:38.400 --> 00:02:44.840
could be filmed at different times and in different locations and then combined

00:02:42.519 --> 00:02:50.640
together later in the process that became known as editing this was

00:02:47.760 --> 00:02:56.239
initially done by physically cutting apart the Celluloid film stock and then

00:02:54.000 --> 00:03:00.920
splicing it together with another piece of film stock that is until the

00:02:58.680 --> 00:03:08.360
invention and eventual widespread adoption of television and Video in 1948

00:03:04.959 --> 00:03:11.239
now to be clear the terms film and video

00:03:08.360 --> 00:03:17.440
are often used interchangeably nowadays but make no mistake they are not the

00:03:13.319 --> 00:03:20.640
same thing unlike film video is an

00:03:17.440 --> 00:03:22.760
electronic signal a video camera will

00:03:20.640 --> 00:03:28.159
convert the image that it sees into a fancy modulating electronic signal this

00:03:26.120 --> 00:03:33.599
signal can then be interpreted back into an image by a CRT television set I mean

00:03:30.920 --> 00:03:39.360
back in the days and even Amplified and broadcast as a television signal to be

00:03:35.959 --> 00:03:41.720
read by TVs across the country fun fact

00:03:39.360 --> 00:03:47.040
by the way because there was no way to record these signals for later playback

00:03:44.480 --> 00:03:52.200
until the invention of video tape in 1951 early television broadcasts had to

00:03:50.280 --> 00:03:55.840
be watched at the time they were being broadcast now the exact method of

00:03:54.360 --> 00:03:59.840
accomplishing this recording is very sciency and Technical but that's a

00:03:57.799 --> 00:04:05.439
subject for another day the important thing to know is that videotape can be

00:04:02.480 --> 00:04:11.799
erased and reused to record an entirely new video and film stock cannot once

00:04:08.560 --> 00:04:14.480
it's exposed it's done what you probably

00:04:11.799 --> 00:04:20.120
don't know is that it was possible to cut and splice videotape in the same way

00:04:17.720 --> 00:04:25.120
that filmstock could be cut and spliced however these Cuts had to be done using

00:04:22.720 --> 00:04:29.720
a microscope because they needed to be extremely precise so they wouldn't ruin

00:04:27.360 --> 00:04:34.280
the video signal this was a huge pain in in the neck figuratively and probably

00:04:31.919 --> 00:04:38.880
literally and so not much video editing was really done this way later

00:04:36.680 --> 00:04:44.440
advancements in videotape technology allowed for machines that could pause

00:04:41.199 --> 00:04:47.000
play and record from one videotape to

00:04:44.440 --> 00:04:52.199
another without the need to physically cut the tape this allowed for fully

00:04:49.520 --> 00:04:58.199
electronic editing which was easier faster and less error prone and that's

00:04:55.800 --> 00:05:03.400
actually how video was done for decades until well into the computer age now

00:05:01.080 --> 00:05:08.440
some work was done going back to the 70s on digital video storage and editing

00:05:05.680 --> 00:05:15.120
using mainframe computers and hard drive packs the size of washing machines but

00:05:11.560 --> 00:05:17.520
it wasn't until 1989 when the Avid 1

00:05:15.120 --> 00:05:23.319
fully digital nle that is a computer-based nonlinear editing system

00:05:20.319 --> 00:05:25.919
was released that it finally became for

00:05:23.319 --> 00:05:31.440
real and while the Avid one had some initial limitations resolution frame

00:05:28.880 --> 00:05:36.840
rate and content length being among them it improved rapidly and ushered in the

00:05:33.960 --> 00:05:42.720
Modern Age of completely digital video editing with binary strings of zeros and

00:05:40.199 --> 00:05:50.080
ones stored on hard drives or today even ssds at full quality for realtime

00:05:45.919 --> 00:05:52.600
editing and output so today in 2015 Avid

00:05:50.080 --> 00:05:58.120
is still around and better than ever but there are plenty of other nonlinear

00:05:55.720 --> 00:06:03.360
video editing software tools as well at Linus Media Group we use premier here

00:06:00.240 --> 00:06:06.440
and it's fine mostly and these digital

00:06:03.360 --> 00:06:09.440
NL allow for video to be edited faster

00:06:06.440 --> 00:06:12.120
and less expensively than ever before

00:06:09.440 --> 00:06:18.599
without compromising quality speaking of doing things without

00:06:15.000 --> 00:06:21.520
compromising quality video blocks excuse

00:06:18.599 --> 00:06:25.800
me video blocks provides affordable premium stock video and they've been

00:06:23.319 --> 00:06:30.960
doing it since 2011 they operate on a subscription-based unlimited Library

00:06:28.639 --> 00:06:36.440
service model and they add new footage to the library twice per month it

00:06:33.440 --> 00:06:38.960
includes over $10 million worth of

00:06:36.440 --> 00:06:44.639
footage uh after effect templates and motion backgrounds and everything in

00:06:40.840 --> 00:06:47.080
Video blocks' Unlimited library is 100%

00:06:44.639 --> 00:06:52.840
royaltyfree and yours to use for both personal and Commercial projects in a

00:06:50.400 --> 00:06:57.759
recently launched new members only video Marketplace this is actually pretty cool

00:06:55.280 --> 00:07:02.240
clips from contributors around the world are available only to video blocks

00:07:00.440 --> 00:07:06.919
subscribers so contributors on that Marketplace actually keep 100% of all

00:07:04.840 --> 00:07:10.919
sales as commission and videoblocks takes no cut since the marketplace is

00:07:09.199 --> 00:07:14.520
members only and they're already taking the subscription revenue from everyone

00:07:12.440 --> 00:07:18.919
so everybody's everybody's happy there's already 1,500 plus artists with more

00:07:16.280 --> 00:07:22.360
than 200,000 new clips in the few months since the marketplace launched so if all

00:07:21.000 --> 00:07:26.080
that sounds pretty darn good and you're sitting there going well G lonus that

00:07:24.520 --> 00:07:31.479
sounds great except it probably cost like $10,000 a year no there's good news

00:07:29.560 --> 00:07:36.000
for you access to the marketplace and Library comes at only $99 per year and

00:07:34.680 --> 00:07:41.160
if you use our link which you can find in the description box below and if you sign up during the month of December so

00:07:39.479 --> 00:07:46.560
do it quickly you'll get onee video blocks for only $49 a savings of 50

00:07:44.000 --> 00:07:51.039
bucks so to put that into context one clip of stock footage similar to those

00:07:48.039 --> 00:07:53.840
found on video blocks is worth like 50

00:07:51.039 --> 00:07:58.159
bucks so if you use the service once you paid for itself or it paid for itself

00:07:56.639 --> 00:08:01.240
you paid for it well you did pay for it anyway you get my point all right so

00:08:00.080 --> 00:08:04.879
thanks for watching guys if you like this video hit the like button if you disliked it well hit the dislike button

00:08:04.159 --> 00:08:09.840
I guess um what else do we have right leave a comment if you have suggestions

00:08:08.199 --> 00:08:16.000
for future fastest posses and don't forget to get subscribed so you don't

00:08:11.479 --> 00:08:16.000
miss any of our future videos