{"video_id":"N3zDANNGG3c","title":"Cheating on our RED Camera - Sony Venice 6K Cinema Camera","channel":"ShortCircuit","show":"ShortCircuit","published_at":"2020-05-05T14:58:16Z","duration_s":652,"segments":[{"start_s":0.0,"end_s":5.43,"text":"so today is even more special than every","speaker":null,"is_sponsor":0},{"start_s":3.84,"end_s":11.34,"text":"other ShortCircuit that I've done so far because I've looked at two stills","speaker":null,"is_sponsor":0},{"start_s":8.13,"end_s":14.639,"text":"cameras which I loved but today we get","speaker":null,"is_sponsor":0},{"start_s":11.34,"end_s":17.46,"text":"to look at the Sony Venice which is a","speaker":null,"is_sponsor":0},{"start_s":14.639,"end_s":22.109,"text":"cinema camera and I'm not a professional photographer but I am a cinematographer","speaker":null,"is_sponsor":0},{"start_s":19.26,"end_s":26.099,"text":"so this is really exciting because this camera came out in 2018 and I've yet to","speaker":null,"is_sponsor":0},{"start_s":23.939,"end_s":31.14,"text":"be able to try it until today we've been shooting on red for about three years","speaker":null,"is_sponsor":0},{"start_s":27.75,"end_s":35.1,"text":"and I've used the Aria Alexa as well but","speaker":null,"is_sponsor":0},{"start_s":31.14,"end_s":37.32,"text":"this camera is extra special because it","speaker":null,"is_sponsor":0},{"start_s":35.1,"end_s":44.07,"text":"is either as good or better than those cameras and it's made by Sony so let's","speaker":null,"is_sponsor":0},{"start_s":41.129,"end_s":48.87,"text":"see how they did okay well as you can see this case is gigantic so that's a","speaker":null,"is_sponsor":0},{"start_s":47.129,"end_s":54.53,"text":"good sign this is a press unit so it's not an official like retail package","speaker":null,"is_sponsor":0},{"start_s":52.02,"end_s":61.079,"text":"version of this camera but that's okay opening it up so we have our camera the","speaker":null,"is_sponsor":0},{"start_s":58.739,"end_s":65.58,"text":"Venice here what else are they included we also have this viewfinder as far as I","speaker":null,"is_sponsor":0},{"start_s":64.979,"end_s":70.71,"text":"understand unlike the Alexa or the red you don't","speaker":null,"is_sponsor":0},{"start_s":68.28,"end_s":74.189,"text":"need the viewfinder to use the camera properly though I think a lot of people","speaker":null,"is_sponsor":0},{"start_s":72.689,"end_s":78.689,"text":"who do use something like the Venice prefer to shoot with viewfinder you have","speaker":null,"is_sponsor":0},{"start_s":76.29,"end_s":82.47,"text":"some batteries so standard vemma which is great I'll send my cameras use this","speaker":null,"is_sponsor":0},{"start_s":80.49,"end_s":87.57,"text":"we use these for our Reds they're awesome these are pretty standard so in","speaker":null,"is_sponsor":0},{"start_s":84.869,"end_s":92.939,"text":"the box we have this ax SM card reader which is Sony's proprietary media that","speaker":null,"is_sponsor":0},{"start_s":90.6,"end_s":97.619,"text":"can actually adapt to s by s which is a standard that other cameras use also","speaker":null,"is_sponsor":0},{"start_s":94.74,"end_s":100.59,"text":"made by Sony and that's just so that you can use the raw recorder which is built","speaker":null,"is_sponsor":0},{"start_s":99.24,"end_s":106.68,"text":"onto this version of the camera that we have right here is that power adapter","speaker":null,"is_sponsor":0},{"start_s":105.09,"end_s":111.78,"text":"that allows you to use it with v mount that's cool","speaker":null,"is_sponsor":0},{"start_s":108.42,"end_s":114.0,"text":"a bunch of cables and another dual","speaker":null,"is_sponsor":0},{"start_s":111.78,"end_s":122.7,"text":"charger okay so let's get this case off the desk so here it is this is the Sony","speaker":null,"is_sponsor":0},{"start_s":117.03,"end_s":125.729,"text":"Venice guys this camera is 6 K not 8 K","speaker":null,"is_sponsor":0},{"start_s":122.7,"end_s":129.2,"text":"like our red cameras but it's also full","speaker":null,"is_sponsor":0},{"start_s":125.729,"end_s":130.5,"text":"frame look at that sensor that is","speaker":null,"is_sponsor":0},{"start_s":129.2,"end_s":136.38,"text":"gorgeous so for those of you who don't recognize it this is","speaker":null,"is_sponsor":0},{"start_s":133.08,"end_s":138.72,"text":"standard locking PL mount but the really","speaker":null,"is_sponsor":0},{"start_s":136.38,"end_s":143.4,"text":"cool thing about this camera is that the mount itself and the sensor block is","speaker":null,"is_sponsor":0},{"start_s":140.76,"end_s":146.79,"text":"really flexible so Sony unfortunately didn't send it to us but they also make","speaker":null,"is_sponsor":0},{"start_s":144.78,"end_s":151.89,"text":"this thing called the Rialto extension which just allows you to take the sensor","speaker":null,"is_sponsor":0},{"start_s":149.34,"end_s":157.32,"text":"block with the lens mount and the sensor off the Venice and onto this even","speaker":null,"is_sponsor":0},{"start_s":154.44,"end_s":161.31,"text":"smaller box which allows you all the features that are in this camera but","speaker":null,"is_sponsor":0},{"start_s":159.63,"end_s":166.5,"text":"then allows you to use it in that much smaller space so you can take what is","speaker":null,"is_sponsor":0},{"start_s":163.92,"end_s":171.48,"text":"already relatively small for a cinema camera and make it even smaller and fit","speaker":null,"is_sponsor":0},{"start_s":169.05,"end_s":175.65,"text":"it into like cars or like really really small rooms which is really cool and not","speaker":null,"is_sponsor":0},{"start_s":174.0,"end_s":180.03,"text":"something that every camera these days can do the other awesome thing about","speaker":null,"is_sponsor":0},{"start_s":177.57,"end_s":186.12,"text":"this mount is that underneath this standard locking PL mount is an e mount","speaker":null,"is_sponsor":0},{"start_s":183.78,"end_s":191.58,"text":"which again for anyone who knows anything about cameras an e mount is","speaker":null,"is_sponsor":0},{"start_s":188.24,"end_s":193.35,"text":"very very adaptable it's the same amount","speaker":null,"is_sponsor":0},{"start_s":191.58,"end_s":198.48,"text":"that you they use on the a7s2 and a lot of other Sony's cameras the","speaker":null,"is_sponsor":0},{"start_s":195.3,"end_s":200.28,"text":"fx9 the FS 7 and anyone who uses those","speaker":null,"is_sponsor":0},{"start_s":198.48,"end_s":204.87,"text":"cameras you'll know you can adapt anything from Canon PL basically any","speaker":null,"is_sponsor":0},{"start_s":202.38,"end_s":209.58,"text":"lens you can think of that can cover a full-frame you can adapt to this camera","speaker":null,"is_sponsor":0},{"start_s":206.76,"end_s":212.94,"text":"which I mean most people will stick with the standard PL mount because you're","speaker":null,"is_sponsor":0},{"start_s":210.989,"end_s":216.63,"text":"using higher-end lenses but it's nice to have options alright let's put a lens on","speaker":null,"is_sponsor":0},{"start_s":214.56,"end_s":221.76,"text":"this guy peels are a little bit different or you just push it in and","speaker":null,"is_sponsor":0},{"start_s":218.61,"end_s":224.19,"text":"then you lock it down that feels good","speaker":null,"is_sponsor":0},{"start_s":221.76,"end_s":228.81,"text":"I mean for the amount that this camera costs you'd hope it does because it's","speaker":null,"is_sponsor":0},{"start_s":227.1,"end_s":234.54,"text":"more expensive than most cinema cameras out there so this body in this","speaker":null,"is_sponsor":0},{"start_s":232.53,"end_s":241.95,"text":"configuration with this recorder will run you about $90,000 u.s. and that is","speaker":null,"is_sponsor":0},{"start_s":238.769,"end_s":243.989,"text":"before you even factor in which licenses","speaker":null,"is_sponsor":0},{"start_s":241.95,"end_s":248.34,"text":"you want because unfortunately sony has gone with the decision to limit software","speaker":null,"is_sponsor":0},{"start_s":246.75,"end_s":252.06,"text":"wise what you can do with the camera depending on your needs so if you wanted","speaker":null,"is_sponsor":0},{"start_s":250.14,"end_s":255.78,"text":"to shoot anamorphic and you wanted a permanent license for that that's","speaker":null,"is_sponsor":0},{"start_s":253.98,"end_s":260.609,"text":"thousand dollars u.s. if you wanted to shoot slow motion that's also four","speaker":null,"is_sponsor":0},{"start_s":258.69,"end_s":267.15,"text":"thousand do it it always us and you can also rent the licenses for thirty days","speaker":null,"is_sponsor":0},{"start_s":263.52,"end_s":269.729,"text":"at a time at five hundred dollars us so","speaker":null,"is_sponsor":0},{"start_s":267.15,"end_s":274.86,"text":"it gets I'm necessarily expensive but again this is for the highest end this","speaker":null,"is_sponsor":0},{"start_s":272.88,"end_s":279.3,"text":"is for TV shows I don't know if anyone out there is a fan of Ozark but the last","speaker":null,"is_sponsor":0},{"start_s":277.35,"end_s":283.44,"text":"season of Ozark with shock on the Venice and that show looks awesome so going","speaker":null,"is_sponsor":0},{"start_s":282.479,"end_s":288.51,"text":"through the rest of this camera physically you have the assistant side","speaker":null,"is_sponsor":0},{"start_s":286.05,"end_s":292.38,"text":"of the camera which is just allows any assistant that's helping you out to","speaker":null,"is_sponsor":0},{"start_s":290.19,"end_s":296.01,"text":"change all the settings as they need to on a bigger display on this side but","speaker":null,"is_sponsor":0},{"start_s":294.51,"end_s":302.43,"text":"then it's nice that this camera also has an operator side of the menu so if you're just using this on your own","speaker":null,"is_sponsor":0},{"start_s":299.61,"end_s":305.88,"text":"for like a documentary or your one-man band and you're somehow using a Venice","speaker":null,"is_sponsor":0},{"start_s":304.02,"end_s":312.63,"text":"you also can change all those settings on a set for comparison this is in the","speaker":null,"is_sponsor":0},{"start_s":311.039,"end_s":317.1,"text":"current situation a similarly built a red camera that we use on a daily basis","speaker":null,"is_sponsor":0},{"start_s":314.58,"end_s":320.43,"text":"this is our weapon it is only a super 35 sensor so it's a smaller sensor than the","speaker":null,"is_sponsor":0},{"start_s":318.81,"end_s":326.37,"text":"Venice but like you can tell right off the bat the size difference between","speaker":null,"is_sponsor":0},{"start_s":323.4,"end_s":332.88,"text":"these two like the Venice is quite a bit longer but it has a couple things that","speaker":null,"is_sponsor":0},{"start_s":331.38,"end_s":338.28,"text":"the red does not for example the Venice has built in Indies and not","speaker":null,"is_sponsor":0},{"start_s":337.05,"end_s":343.77,"text":"only does that bills and Indies it has built in Indies at every stop range that","speaker":null,"is_sponsor":0},{"start_s":341.22,"end_s":347.94,"text":"you typically use so it goes in one stop increments eight stops in the whole","speaker":null,"is_sponsor":0},{"start_s":345.539,"end_s":354.06,"text":"range which means you can be very precise with how much nd you're using in","speaker":null,"is_sponsor":0},{"start_s":350.789,"end_s":355.979,"text":"this camera and you don't have to fuddle","speaker":null,"is_sponsor":0},{"start_s":354.06,"end_s":360.72,"text":"with a matte box or any screwin n DS it's all built in which is really","speaker":null,"is_sponsor":0},{"start_s":358.56,"end_s":364.229,"text":"awesome for anyone who wants to move quickly or shoots documentary especially","speaker":null,"is_sponsor":0},{"start_s":362.88,"end_s":370.74,"text":"and that's I think the cool thing about this camera is Sony has taken an approach to make this adaptable to","speaker":null,"is_sponsor":0},{"start_s":368.94,"end_s":373.71,"text":"basically any production environment someone who want to use you can use it","speaker":null,"is_sponsor":0},{"start_s":372.06,"end_s":377.94,"text":"for documentary you can use it for a live production you can definitely use","speaker":null,"is_sponsor":0},{"start_s":375.72,"end_s":382.469,"text":"it for cinema which is what its main use case is for but the fact that they","speaker":null,"is_sponsor":0},{"start_s":380.43,"end_s":386.13,"text":"thought about all those things and built in the Rialto system makes this very","speaker":null,"is_sponsor":0},{"start_s":384.39,"end_s":390.75,"text":"very compelling unlike our read which again I love our","speaker":null,"is_sponsor":0},{"start_s":388.53,"end_s":398.91,"text":"Reds but this thing does have a couple things that it doesn't has a dual native","speaker":null,"is_sponsor":0},{"start_s":394.11,"end_s":401.25,"text":"is so so this cameras to dual ISOs for","speaker":null,"is_sponsor":0},{"start_s":398.91,"end_s":407.55,"text":"middle gray are five hundred and twenty five hundred and so do lie so basically","speaker":null,"is_sponsor":0},{"start_s":403.98,"end_s":410.37,"text":"allows you to shoot both in regular","speaker":null,"is_sponsor":0},{"start_s":407.55,"end_s":414.99,"text":"lighting settings and low light settings without really compromising on your","speaker":null,"is_sponsor":0},{"start_s":412.77,"end_s":419.04,"text":"noise performance or the dynamic range of the camera depending on where you","speaker":null,"is_sponsor":0},{"start_s":416.43,"end_s":423.18,"text":"want your ISO to sit which is awesome and something that the red can't do if","speaker":null,"is_sponsor":0},{"start_s":420.99,"end_s":428.34,"text":"you put the red at twenty five hundred ISO you're going to get a fairly noisy","speaker":null,"is_sponsor":0},{"start_s":426.09,"end_s":432.0,"text":"image especially at night time where the intention with the Venice is if you use","speaker":null,"is_sponsor":0},{"start_s":430.44,"end_s":439.43,"text":"that twenty five hundred and you get your six stops over in your highlights and your minus nine in your shadows you","speaker":null,"is_sponsor":0},{"start_s":435.93,"end_s":443.01,"text":"are able then to have full control of","speaker":null,"is_sponsor":0},{"start_s":439.43,"end_s":444.6,"text":"where you want the image to sit in your","speaker":null,"is_sponsor":0},{"start_s":443.01,"end_s":449.61,"text":"highlights in your shadows which is just incredibly flexible and another reason","speaker":null,"is_sponsor":0},{"start_s":447.03,"end_s":454.86,"text":"why this camera costs ninety thousand dollars us for like the basic package","speaker":null,"is_sponsor":0},{"start_s":452.43,"end_s":457.95,"text":"and if you're building it out you're probably spending quite a bit more than","speaker":null,"is_sponsor":0},{"start_s":456.18,"end_s":465.12,"text":"that now let's actually just weigh these two because I'm curious to see which","speaker":null,"is_sponsor":0},{"start_s":461.19,"end_s":467.85,"text":"what the weight difference is now to be","speaker":null,"is_sponsor":0},{"start_s":465.12,"end_s":472.2,"text":"fair to read they do make a camera the Gemini which is also made for the","speaker":null,"is_sponsor":0},{"start_s":470.01,"end_s":476.46,"text":"purposes of use in low-light the way that the Venice is but at the same time","speaker":null,"is_sponsor":0},{"start_s":474.09,"end_s":480.96,"text":"this is a full-frame sensor that is not a full-frame sensor and it's five K this","speaker":null,"is_sponsor":0},{"start_s":478.26,"end_s":485.49,"text":"is 6 K but again there's a premium on all of that just to finish off the last","speaker":null,"is_sponsor":0},{"start_s":483.66,"end_s":491.46,"text":"couple things that I missed the i/o on this camera is ridiculous there are so","speaker":null,"is_sponsor":0},{"start_s":488.91,"end_s":494.79,"text":"many monitor outputs you have gen lock and timecode in which are standard B and","speaker":null,"is_sponsor":0},{"start_s":493.26,"end_s":497.85,"text":"C which are awesome for live production and audio guys also thank you and then","speaker":null,"is_sponsor":0},{"start_s":496.5,"end_s":503.7,"text":"there's also unfortunately they didn't include it but there's this little -","speaker":null,"is_sponsor":0},{"start_s":500.76,"end_s":508.41,"text":"bump like slot on the side which allows you to plug in a little XLR module that","speaker":null,"is_sponsor":0},{"start_s":505.92,"end_s":513.419,"text":"Sony offers and then you can get audio in camera the same way that we record on","speaker":null,"is_sponsor":0},{"start_s":511.14,"end_s":516.93,"text":"like RC 200 let's see the difference in weight because again they don't like","speaker":null,"is_sponsor":0},{"start_s":515.46,"end_s":522.419,"text":"that you can see physically the differences but how much","speaker":null,"is_sponsor":0},{"start_s":519.57,"end_s":526.11,"text":"here is all of those extra features in a full-frame camera versus our weapon","speaker":null,"is_sponsor":0},{"start_s":524.61,"end_s":530.49,"text":"okay so we've taken the lenses off and the batteries just to compare roughly","speaker":null,"is_sponsor":0},{"start_s":528.27,"end_s":538.82,"text":"with the display and the top handle what the weight difference is between these","speaker":null,"is_sponsor":0},{"start_s":531.75,"end_s":541.29,"text":"hammers so the red is 2.8 kilograms","speaker":null,"is_sponsor":0},{"start_s":538.82,"end_s":551.25,"text":"not bad all right that's not too heavy and let's see what the Venice weighs a","speaker":null,"is_sponsor":0},{"start_s":546.05,"end_s":553.08,"text":"whopping five point for everybody so yes","speaker":null,"is_sponsor":0},{"start_s":551.25,"end_s":556.65,"text":"this has more features mechanically there's more going on and it also has a","speaker":null,"is_sponsor":0},{"start_s":554.73,"end_s":560.64,"text":"roll recorder on the back but then the red can do that built-in it's twice as","speaker":null,"is_sponsor":0},{"start_s":559.02,"end_s":564.3,"text":"heavy with just the body which again makes sense","speaker":null,"is_sponsor":0},{"start_s":562.44,"end_s":569.25,"text":"it's a full-frame camera there's more cooling there's more mechanical features","speaker":null,"is_sponsor":0},{"start_s":567.3,"end_s":574.32,"text":"going on and then the viewfinder itself is probably a little bit heavier than","speaker":null,"is_sponsor":0},{"start_s":570.87,"end_s":576.66,"text":"this monitor but that's also not that","speaker":null,"is_sponsor":0},{"start_s":574.32,"end_s":582.11,"text":"bad like when I feel it it feels balanced like if this was on my shoulder","speaker":null,"is_sponsor":0},{"start_s":579.06,"end_s":585.45,"text":"I could imagine that it would feel","speaker":null,"is_sponsor":0},{"start_s":582.11,"end_s":587.78,"text":"pretty darn good even on a long shoot","speaker":null,"is_sponsor":0},{"start_s":585.45,"end_s":592.65,"text":"day why don't we shoot some footage and what better way to test the camera then","speaker":null,"is_sponsor":0},{"start_s":591.54,"end_s":596.35,"text":"to test the slow-motion so why don't we dump some water on our","speaker":null,"is_sponsor":0},{"start_s":595.38,"end_s":598.36,"text":"co-workers heads","speaker":null,"is_sponsor":0},{"start_s":620.47,"end_s":627.14,"text":"so that was really fun for me I hope you guys had just as much fun watching those","speaker":null,"is_sponsor":0},{"start_s":624.649,"end_s":629.63,"text":"clips now there's obviously a lot more to this camera that I didn't get a","speaker":null,"is_sponsor":0},{"start_s":628.55,"end_s":634.82,"text":"chance to talk about because this is just a first impressions but if you guys want a full review where I actually get","speaker":null,"is_sponsor":0},{"start_s":632.99,"end_s":638.27,"text":"to try the camera out in multiple different scenarios properly let me know","speaker":null,"is_sponsor":0},{"start_s":637.07,"end_s":642.98,"text":"in the comments down below and maybe we can do a full review on Linus tech tips please I don't want to send this back to","speaker":null,"is_sponsor":0},{"start_s":641.57,"end_s":646.91,"text":"Sony and I want to keep testing it out so let me know anyways guys thanks for","speaker":null,"is_sponsor":0},{"start_s":645.14,"end_s":653.08,"text":"watching please subscribe to ShortCircuit all right","speaker":null,"is_sponsor":0}],"full_text":"so today is even more special than every other ShortCircuit that I've done so far because I've looked at two stills cameras which I loved but today we get to look at the Sony Venice which is a cinema camera and I'm not a professional photographer but I am a cinematographer so this is really exciting because this camera came out in 2018 and I've yet to be able to try it until today we've been shooting on red for about three years and I've used the Aria Alexa as well but this camera is extra special because it is either as good or better than those cameras and it's made by Sony so let's see how they did okay well as you can see this case is gigantic so that's a good sign this is a press unit so it's not an official like retail package version of this camera but that's okay opening it up so we have our camera the Venice here what else are they included we also have this viewfinder as far as I understand unlike the Alexa or the red you don't need the viewfinder to use the camera properly though I think a lot of people who do use something like the Venice prefer to shoot with viewfinder you have some batteries so standard vemma which is great I'll send my cameras use this we use these for our Reds they're awesome these are pretty standard so in the box we have this ax SM card reader which is Sony's proprietary media that can actually adapt to s by s which is a standard that other cameras use also made by Sony and that's just so that you can use the raw recorder which is built onto this version of the camera that we have right here is that power adapter that allows you to use it with v mount that's cool a bunch of cables and another dual charger okay so let's get this case off the desk so here it is this is the Sony Venice guys this camera is 6 K not 8 K like our red cameras but it's also full frame look at that sensor that is gorgeous so for those of you who don't recognize it this is standard locking PL mount but the really cool thing about this camera is that the mount itself and the sensor block is really flexible so Sony unfortunately didn't send it to us but they also make this thing called the Rialto extension which just allows you to take the sensor block with the lens mount and the sensor off the Venice and onto this even smaller box which allows you all the features that are in this camera but then allows you to use it in that much smaller space so you can take what is already relatively small for a cinema camera and make it even smaller and fit it into like cars or like really really small rooms which is really cool and not something that every camera these days can do the other awesome thing about this mount is that underneath this standard locking PL mount is an e mount which again for anyone who knows anything about cameras an e mount is very very adaptable it's the same amount that you they use on the a7s2 and a lot of other Sony's cameras the fx9 the FS 7 and anyone who uses those cameras you'll know you can adapt anything from Canon PL basically any lens you can think of that can cover a full-frame you can adapt to this camera which I mean most people will stick with the standard PL mount because you're using higher-end lenses but it's nice to have options alright let's put a lens on this guy peels are a little bit different or you just push it in and then you lock it down that feels good I mean for the amount that this camera costs you'd hope it does because it's more expensive than most cinema cameras out there so this body in this configuration with this recorder will run you about $90,000 u.s. and that is before you even factor in which licenses you want because unfortunately sony has gone with the decision to limit software wise what you can do with the camera depending on your needs so if you wanted to shoot anamorphic and you wanted a permanent license for that that's thousand dollars u.s. if you wanted to shoot slow motion that's also four thousand do it it always us and you can also rent the licenses for thirty days at a time at five hundred dollars us so it gets I'm necessarily expensive but again this is for the highest end this is for TV shows I don't know if anyone out there is a fan of Ozark but the last season of Ozark with shock on the Venice and that show looks awesome so going through the rest of this camera physically you have the assistant side of the camera which is just allows any assistant that's helping you out to change all the settings as they need to on a bigger display on this side but then it's nice that this camera also has an operator side of the menu so if you're just using this on your own for like a documentary or your one-man band and you're somehow using a Venice you also can change all those settings on a set for comparison this is in the current situation a similarly built a red camera that we use on a daily basis this is our weapon it is only a super 35 sensor so it's a smaller sensor than the Venice but like you can tell right off the bat the size difference between these two like the Venice is quite a bit longer but it has a couple things that the red does not for example the Venice has built in Indies and not only does that bills and Indies it has built in Indies at every stop range that you typically use so it goes in one stop increments eight stops in the whole range which means you can be very precise with how much nd you're using in this camera and you don't have to fuddle with a matte box or any screwin n DS it's all built in which is really awesome for anyone who wants to move quickly or shoots documentary especially and that's I think the cool thing about this camera is Sony has taken an approach to make this adaptable to basically any production environment someone who want to use you can use it for documentary you can use it for a live production you can definitely use it for cinema which is what its main use case is for but the fact that they thought about all those things and built in the Rialto system makes this very very compelling unlike our read which again I love our Reds but this thing does have a couple things that it doesn't has a dual native is so so this cameras to dual ISOs for middle gray are five hundred and twenty five hundred and so do lie so basically allows you to shoot both in regular lighting settings and low light settings without really compromising on your noise performance or the dynamic range of the camera depending on where you want your ISO to sit which is awesome and something that the red can't do if you put the red at twenty five hundred ISO you're going to get a fairly noisy image especially at night time where the intention with the Venice is if you use that twenty five hundred and you get your six stops over in your highlights and your minus nine in your shadows you are able then to have full control of where you want the image to sit in your highlights in your shadows which is just incredibly flexible and another reason why this camera costs ninety thousand dollars us for like the basic package and if you're building it out you're probably spending quite a bit more than that now let's actually just weigh these two because I'm curious to see which what the weight difference is now to be fair to read they do make a camera the Gemini which is also made for the purposes of use in low-light the way that the Venice is but at the same time this is a full-frame sensor that is not a full-frame sensor and it's five K this is 6 K but again there's a premium on all of that just to finish off the last couple things that I missed the i/o on this camera is ridiculous there are so many monitor outputs you have gen lock and timecode in which are standard B and C which are awesome for live production and audio guys also thank you and then there's also unfortunately they didn't include it but there's this little - bump like slot on the side which allows you to plug in a little XLR module that Sony offers and then you can get audio in camera the same way that we record on like RC 200 let's see the difference in weight because again they don't like that you can see physically the differences but how much here is all of those extra features in a full-frame camera versus our weapon okay so we've taken the lenses off and the batteries just to compare roughly with the display and the top handle what the weight difference is between these hammers so the red is 2.8 kilograms not bad all right that's not too heavy and let's see what the Venice weighs a whopping five point for everybody so yes this has more features mechanically there's more going on and it also has a roll recorder on the back but then the red can do that built-in it's twice as heavy with just the body which again makes sense it's a full-frame camera there's more cooling there's more mechanical features going on and then the viewfinder itself is probably a little bit heavier than this monitor but that's also not that bad like when I feel it it feels balanced like if this was on my shoulder I could imagine that it would feel pretty darn good even on a long shoot day why don't we shoot some footage and what better way to test the camera then to test the slow-motion so why don't we dump some water on our co-workers heads so that was really fun for me I hope you guys had just as much fun watching those clips now there's obviously a lot more to this camera that I didn't get a chance to talk about because this is just a first impressions but if you guys want a full review where I actually get to try the camera out in multiple different scenarios properly let me know in the comments down below and maybe we can do a full review on Linus tech tips please I don't want to send this back to Sony and I want to keep testing it out so let me know anyways guys thanks for watching please subscribe to ShortCircuit all right"}