WEBVTT

00:00:05.759 --> 00:00:11.679
this video is brought to you by the Corsair Vengeance k70 and k95 these

00:00:09.920 --> 00:00:16.680
fully mechanical keyboards are designed for performance gaming visit Corsair.com

00:00:13.920 --> 00:00:20.279
Vengeance gaming to learn more this my friends is a little bit unusual for us

00:00:18.439 --> 00:00:23.599
this is the Blackmagic pocket cinema camera and if you're not familiar with

00:00:21.640 --> 00:00:27.320
Blackmagic what they've basically done is they've taken the camera industry and

00:00:25.199 --> 00:00:32.440
kind of giv it a wakeup call giv it a shake but the introduction of their 2

00:00:29.279 --> 00:00:34.920
and 1/2k black magic cinema camera they

00:00:32.440 --> 00:00:39.800
introduced like massive dynamic range which basically amounts to capturing

00:00:37.360 --> 00:00:43.920
detail in low light and highlight at the same time giving you a lot more

00:00:41.399 --> 00:00:47.719
flexibility in postprocessing to work with the footage so they introduced that

00:00:45.640 --> 00:00:53.000
camera for just like Wicked crazy low pricing then they turned around and

00:00:49.600 --> 00:00:55.960
introduced a 4K version for $4,000 and a

00:00:53.000 --> 00:01:00.680
1080p version for $11,000 and dropped the pricing on the 2 1/2k to 2500 bucks

00:00:59.320 --> 00:01:05.320
so essentially for every line of vertical resolution you're paying about

00:01:02.960 --> 00:01:09.000
a dollar which is you know sounds great on paper and all that but what do you

00:01:06.840 --> 00:01:11.759
actually get and the answer is you get a pretty wicked looking image we're

00:01:10.439 --> 00:01:17.400
actually going to include some test footage that Brandon uh Boll took with

00:01:15.479 --> 00:01:21.079
this particular camera cuz we've already actually opened it up before at the end

00:01:19.439 --> 00:01:25.439
of the video so do check that out but let's start with what's inside instead

00:01:23.000 --> 00:01:30.400
of including stupid discs they include yay an SD card that has the software and

00:01:27.720 --> 00:01:33.360
manuals unlike the 2 1/2k and the 4k camera it doesn't come with a full

00:01:31.799 --> 00:01:37.240
version of Da Vinci resolve which is black Magic's color correction software

00:01:35.799 --> 00:01:41.799
so it just comes with the light version which it should be noted is actually

00:01:38.799 --> 00:01:43.799
free for download um for anyone so it's

00:01:41.799 --> 00:01:47.680
th000 software for the full version so it makes sense that with A1 th000 camera

00:01:45.880 --> 00:01:51.680
they didn't necessarily include that next inside we find the power adapter

00:01:50.040 --> 00:01:56.799
which you may actually find yourself needing because the integrated battery

00:01:53.680 --> 00:01:59.560
is not really anything special there we

00:01:56.799 --> 00:02:04.399
go as well as International plugs so there's our normal us plug that looks

00:02:01.840 --> 00:02:09.319
like an EU one and wherever the heck all these things are from all right so they

00:02:06.079 --> 00:02:11.160
include those as well as a carry strap

00:02:09.319 --> 00:02:15.599
and what's neat about the fact that they include like a wrist carry strap for it

00:02:13.480 --> 00:02:21.319
is that even though it produces some fantastic images it is small enough to

00:02:18.879 --> 00:02:25.360
look like pretty much a normal point and shoot now when it comes to cameras

00:02:23.480 --> 00:02:30.200
Hardware is a thing but it's not actually the only thing things like

00:02:27.200 --> 00:02:31.800
codec licensing make a big difference to

00:02:30.200 --> 00:02:36.840
what kind of an image a camera can produce so for example the camera we're

00:02:33.680 --> 00:02:40.239
shooting this on the Sony fs700 records

00:02:36.840 --> 00:02:43.640
in abchd which isn't a fantastic codec

00:02:40.239 --> 00:02:45.560
in terms of retaining color information

00:02:43.640 --> 00:02:48.879
so what that means is that the image might look great to you guys but if

00:02:47.440 --> 00:02:53.280
we're shooting in the dark or if we're shooting in non-ideal conditions we

00:02:50.879 --> 00:02:57.519
might not be able to play around as much with how the image looks in

00:02:55.599 --> 00:03:02.040
postprocessing not so with this particular camera out of the box it

00:02:59.360 --> 00:03:06.040
comes with Apple's prores codec which means uh basically well the opposite of

00:03:04.760 --> 00:03:10.280
what I just said so there's more that you're going to be able to work with in post it's better than h264 which is

00:03:09.400 --> 00:03:14.599
better than ABCD and coming in a couple of months

00:03:12.680 --> 00:03:20.920
with a firmware upgrade you're actually going to be able to use lossless Cinema

00:03:17.319 --> 00:03:24.159
dng which is basically almost like it's

00:03:20.920 --> 00:03:25.200
raw but it's not uncompressed raw so

00:03:24.159 --> 00:03:31.599
there will be a little bit less flexibility but you still should be able to do an absolute butt ton with it in

00:03:28.920 --> 00:03:36.040
post give that you can shoot in raw and it has 13 stops of dynamic range so

00:03:34.360 --> 00:03:40.519
we've only found a handful of cards that'll work with it without dropping

00:03:37.480 --> 00:03:42.640
frames including this Sony UHS 1 card

00:03:40.519 --> 00:03:46.159
which is their 94 megabyte pers second card so that's usually a read speed spec

00:03:44.840 --> 00:03:52.120
which is sort of irrelevant when you think about it because rights are what people actually care about on these

00:03:49.200 --> 00:03:57.200
devices so it comes only with a micro 43s Mount unlike the 22k which is also

00:03:54.920 --> 00:04:02.280
has an EF Mount option but unlike the 2 and 1/2k Camera this one has an active

00:04:00.239 --> 00:04:06.680
micro 43s Mount which means you can use lenses that control the aperture

00:04:04.159 --> 00:04:10.680
electronically versus being stuck with manual lenses so I think for that reason

00:04:09.120 --> 00:04:15.360
a lot of people were going with the EF mount on the 2 and 1/2k so now you don't

00:04:13.200 --> 00:04:19.479
have to be quite as concerned about the lack of mounting options speaking of

00:04:17.320 --> 00:04:26.400
lack of options there's not a whole lot in terms of stuff going on here so on

00:04:22.759 --> 00:04:30.320
the back you find a large LCD that quite

00:04:26.400 --> 00:04:31.440
frankly um I it's kind of poopy it's not

00:04:30.320 --> 00:04:36.560
that great you're going to want to use an external viewfinder the good news about it is it's about as big as they

00:04:34.600 --> 00:04:40.560
could have made it and it features a one to one zoom in so you can get your focus

00:04:39.000 --> 00:04:44.759
right so at least it has that but color really doesn't look true to life on it

00:04:42.680 --> 00:04:48.479
at all uh you've also got controls over here so you can navigate the menu this

00:04:46.320 --> 00:04:53.000
way the power button is here and then on the bottom of the camera you find a

00:04:50.400 --> 00:04:56.840
simple tripod screw you've also got the battery compartment down here which also

00:04:54.639 --> 00:05:01.039
contains the SD card reader and the USB slot for pulling data off of it speaking

00:04:58.840 --> 00:05:05.400
of batteries the battery is nothing special however already even though it

00:05:03.759 --> 00:05:08.759
just launched you can get cheap batteries so don't worry too much about

00:05:07.080 --> 00:05:13.280
it in fact it's recommended to just carry like a tuaca like uh you know

00:05:11.880 --> 00:05:17.120
strap of batteries if you're going to shoot with this thing on on an ongoing

00:05:15.160 --> 00:05:20.240
basis now this is cool on the top of the camera you've also got another tripod

00:05:18.759 --> 00:05:23.960
mount so this is going to work with standard accessories like whether you

00:05:21.919 --> 00:05:26.919
want to uh you know put like I don't know like a hot shoe adapter there or

00:05:25.680 --> 00:05:31.960
whether you want to mount whatever it is you want to mount to it that's really handy and then you've also got dedicated

00:05:29.919 --> 00:05:36.919
playback buttons as well as of course a record button since this does happen to

00:05:33.800 --> 00:05:38.240
be a camera which brings us to the left

00:05:36.919 --> 00:05:43.560
hand side of the camera where we really find the bulk of the the io so there's

00:05:40.440 --> 00:05:45.080
the power in micro HDMI microphone in

00:05:43.560 --> 00:05:48.199
more on that in a moment headphones out for monitoring as well as a lan C

00:05:46.840 --> 00:05:55.639
connection which is used for remote control of the camera it's more of a prograde feature now that microphone

00:05:52.080 --> 00:05:57.560
in uh right now because the preamp built

00:05:55.639 --> 00:06:01.880
into the camera just isn't anything special levels are very very low so most

00:06:00.160 --> 00:06:05.960
people are using external audio recorders in order to get reasonable

00:06:04.039 --> 00:06:09.960
audio with the video that they're shooting with this camera it's possible

00:06:07.720 --> 00:06:13.440
someone will release like you know a dedicated design for this camera preamp

00:06:12.160 --> 00:06:17.560
so you'll actually be able to use the audio input on board otherwise it's

00:06:15.800 --> 00:06:21.360
really recommended to use a zoom or some other kind of external audio recorder

00:06:19.680 --> 00:06:24.199
now before we dive into the menus here I just want to talk a little bit about the

00:06:22.720 --> 00:06:29.319
overall build quality of the camera it is absolutely beautiful the uh the soft

00:06:27.560 --> 00:06:32.160
touch finish on the front of the camera has just the right amount of grip that

00:06:30.840 --> 00:06:35.919
you never feel like you're going to drop it or lose it but without feeling like

00:06:34.160 --> 00:06:40.520
it's just going to flake off and peel off the back has a slightly more subtle

00:06:38.160 --> 00:06:45.039
slightly more plastic feel to it and then the middle piece right here so the

00:06:43.000 --> 00:06:49.560
top piece that wraps all the way around the side and to the bottom is solid

00:06:47.440 --> 00:06:53.160
aluminum and just feels absolutely fantastic the camera does get a little

00:06:51.360 --> 00:06:56.560
bit warm in your hands so that should be noted however if you buy a ruggedized

00:06:55.280 --> 00:07:00.919
case for it or something like this you will likely never notice those things so

00:06:59.280 --> 00:07:05.680
let's dive into a couple of things in the menu here so number one is white

00:07:02.919 --> 00:07:10.039
balance um so if you're evaluating the temperature so the color of your light

00:07:08.360 --> 00:07:13.759
um the screen doesn't really help the profiles it shoots in don't really help

00:07:11.720 --> 00:07:16.280
because they tend to be quite flat and the fact that there's not much

00:07:14.800 --> 00:07:20.199
granularity to the white balance selections will make this a little bit

00:07:18.400 --> 00:07:23.759
challenging for some people however if you're willing to work around it then

00:07:21.639 --> 00:07:28.840
you can and particularly if you're willing to grade it in post you can

00:07:26.160 --> 00:07:32.520
usually compensate for any inaccuracies uh in while while you were shooting

00:07:30.560 --> 00:07:35.240
another thing of note so there's the there's all the microphone options

00:07:33.879 --> 00:07:38.639
although you probably won't use them unless uh something sort of dramatic

00:07:37.080 --> 00:07:42.840
happens over here we've got our recording options so prores right now is

00:07:40.800 --> 00:07:47.280
the only option for recording format dynamic range you can select either film

00:07:45.080 --> 00:07:53.039
or video and then you can go anywhere up to 30 FPS this is really cool so this is

00:07:50.280 --> 00:07:57.440
a time-lapse interval you can set frames seconds or actually up to 10 minutes so

00:07:55.639 --> 00:08:02.000
it has dedicated time lapse built into the camera and then finally we've got

00:07:59.800 --> 00:08:06.759
more kind of similar settings including uh HDMI overlays or not overlays I think

00:08:05.000 --> 00:08:10.879
that pretty much wraps it up other than to address the black dot issue so very

00:08:08.960 --> 00:08:14.199
very strong light sources have been actually blacking out you can fix them

00:08:12.400 --> 00:08:18.759
in post but Blackmagic has a firmware fix it'll be coming very very soon for

00:08:16.039 --> 00:08:23.240
that and I think thank you for checking out my unboxing of the Blackmagic pocket

00:08:21.440 --> 00:08:26.360
Cinema Camera don't forget to subscribe to L's Tech tips from unboxings reviews

00:08:24.759 --> 00:08:30.919
and other computer videos like the video if you liked it dislike it if you disliked it and leave a comment if you

00:08:29.120 --> 00:08:36.760
thought we did a reasonably good job of something that really we don't talk

00:08:33.760 --> 00:08:38.399
about that much also last thing guys if

00:08:36.760 --> 00:08:41.880
you're looking at this going oh wow it's like a prograde camera for like a

00:08:40.159 --> 00:08:47.040
thousand bucks and sounds like a great deal maybe I just won't buy like some

00:08:43.919 --> 00:08:49.480
other camera um be in mind the way that

00:08:47.040 --> 00:08:53.560
this works the footage you get out of it will have to be worked on there's no

00:08:51.920 --> 00:08:57.480
such thing as you take a video with this camera of your kids birthday party and

00:08:55.839 --> 00:09:01.959
it looks perfect out of the camera this is a prograde equipment they expect that

00:08:59.680 --> 00:09:07.320
you know how to use software like uh Premiere or resolve or etc etc etc so

00:09:05.600 --> 00:09:19.909
that's just something to bear in mind here guys
