WEBVTT

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Whoa, that's really bright.

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The iPad Pro is one of Apple's more puzzling devices. The Pro moniker

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implies it's made for professionals, and it certainly would seem that way. It's a

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showcase of all the latest and greatest tech in the tablet world. And this one's

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no different. It's got Apple's famed M1 chip. It supports 5G wireless

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connectivity. And then if you get this bigger model, there's the screen. It's

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called the Liquid Retina XDR, and it's a vibrant, bright screen that makes all

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the difference on a device that's essentially all screen. Instead of being

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lit from the side like many screens are, this 12.9 in is lit from the back by

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over 10,000 miniLEDD lights, and they're

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controlled through 2500 dimming zones.

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It means each dimming zone gets about four LEDs and is about 812 micrometers

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squared. The result is that black areas

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of the screen become black and bright areas can get real bright to a peak of

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about 1,600 nits. In a dark room with

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dark dramatic footage, much like what you're watching right now, it really

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pops.

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If you put this screen right up next to last year's iPad Pro, you can see how

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stark the improvements are. On the older iPad, you can make out where the edge of

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the screen meets the border. On the new one, black is truly black. But this is

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an iPad professional, and that means you shouldn't be watching anything you're

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not making. The screen is great for professionals in the visual arts

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industry, like photographers or folk like me NVIDIA. But even if you're in

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another industry, we can all benefit from the increased performance. But

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they have macOS and iOS applications that even work on this iPad Pro that let

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Now, back to the show.

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This iPad has the same M1 chip that's included in the new iMac, Mac Mini, and

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MacBooks Air and Pro. It is faster than

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the old A12Z chip in the last iPad Pro,

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but that's not what impresses most. RAM is up from 6 GB in the old model to 8

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GB. Or if you spec up the storage, like this one, to a terabyte or above, you

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get a whole 16 GB of memory.

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The USBC port is now a Thunderbolt port.

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Hook it up to a Thunderbolt dock and you can push some massive bandwidth to

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external SSDs, or better still, push 6K

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resolution to the Big Boy XDR display.

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Professionals working from home will also like the front-facing camera with

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center stage. It's got more megapixels, 12 now, but more interestingly, a wider

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field of view that lets the camera automatically pan and zoom on your Zoom

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calls. You don't have to be attached to a chair anymore, or you can demonstrate

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your whiteboard to your clients or something. And if you decide to do it in

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the park like I have, the iPad Pro has

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joined the race to 5G, which for me

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means I'm not getting it. I'm getting LTE. But when I did test at the office,

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I was able to get 99 megabits per second down on 5G and 130 megabits per second

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down on LTE. Man, is 5G overrated. So,

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the hardware is right up there with what professionals are looking for. Fast

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chip, fast connectivity, and amazing screen. But I'm not sure very many

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professionals are going to run out and get one.

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When it comes to professionals and technology, workflow is what matters.

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What is the process to do the work that needs to get done? Now, professionals

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try to optimize this all the time and will often buy things to help improve

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workflow. I'm a professional and the workflows that I'm familiar with are

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video editing, writing, and photography. App-wise, these are things that are

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easily done on the iPad, but it's the iPad operating system that lets things

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down everywhere else. Let's take video editing for example. Video editors use

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special codecs when editing because they're actually easier for the hardware

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to process. But the iPad doesn't support

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any of them, not even Apple's very own ProRes. Lumaf Fusion is a decent editor

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that works quite well, but if you shoot with anything that isn't an iPhone or

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basic DSLR, you won't be able to play it back unless you re-encode it, which you

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can't do on the iPad Pro. So, what's the point? The only supported codecs on iPad

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OS are the harder toit compressed codecs. And that means that even with

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this M1 chip, footage scrubbing can get choppy, especially going backwards. It's

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a shame, too, because it's really cool how when you're editing HDR video, the

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preview frame is so much brighter than the interface. It just glows, showing

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you how dramatic your video will be.

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Photo editing can pose similar challenges. Adobe's Lightroom app is

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great, and being able to use any USBC SD card reader is really convenient. File

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management has improved immensely over the years, but then there are still

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weird little things like no progress bars for some file transfers. They just

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happen. And

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hello. Hey, I just uploaded those photos onto Google Drive for you to edit. Could you

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get them back to me by end of day? Yeah, sure. We'll do.

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Thank you. Okay, so

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this is where things can get ugly. There are many professionals who use Google or

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situations where they have to use Google and that's going to cause some pain.

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Okay, I'll go into Lightroom and then I'll import the photos from files. Okay,

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uh Google Drive's here. I don't see the folder. Okay, it's probably cuz there's

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a shared folder. So, I got to go into Google Drive here. There's the folder.

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All right, I got all the photos selected. Move.

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I can't. Okay, let me go in the browser. There's

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the folder. Maybe I can download the folder.

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It's a good thing that this is 5G. Well, LTE,

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can't download file.

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Open the files app. Google Drive.

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They're all grayed out. Maybe Lightroom will sense it.

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I just want these files in my iPad. I think I have to go back to the office.

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There's more to iPad OS, too. Despite

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this model having 16 GB of RAM, apps

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can't use it all. The developers of Procreate recently revealed that they're

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only able to use 5 GB of RAM. Now, that's more than the old iPad Pro,

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meaning you get 95 layers on a letter sheet as opposed to 75, but it's still

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also 95 layers on an 8 gig model, too.

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So, what's all this RAM for?

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Good morning and welcome to WWDC. At

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this year's WWDC, I thought Apple was going to show off some awesome new

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capability for iPad OS, but all we're

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going to get are some improvements to multitasking, not even multi-user

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support. So, we're still dealing with the limitations that a car kids can

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drive brings. This model I have right here is $2,000.

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Add a pencil and this beautiful white

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magic keyboard and you're looking at an all-in cost of

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almost $2500. That's not chump change. And I realize

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professionals do spend more on things like say cameras,

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but these are specialized pieces of equipment and the purchases are

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thoughtfully considered in their workflow. This is still a computer. Even

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at $1,100 for a 128 GB 12.9 in iPad Pro,

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it's still a lot. And despite this beautiful screen, I think it's too big

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as an iPad. It works extremely well docked in the Magic Keyboard, really

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making computing quick, snappy, and desktop-like. But once you hold it in

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your hands, it's a lot. You're going to

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really have to need the big screen.

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Otherwise, there's really something to be said about the smaller one, which at

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$800 is a little easier to swallow. Then

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there's the iPad Air, which for $50 less

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will give you double the storage.

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The iPad tends to complement already established professional workflows

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rather than be the center of a workflow. It's usually connected to a professional

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device or piece of equipment. And so it's not clear that all this power and

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all this screen is entirely necessary even in those scenarios. In many ways,

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the iPad Pro is a luxury item. Beautifully crafted with the best

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technology at the highest price. It gets you the best screen, accessories, and

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processor. But for iPad OS, that is all

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headroom for the future. It's not something developers or professionals

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can really take advantage of today. Apple's big challenge with the iPad Pro

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is that they're adapting a book to a movie. It's fast-paced, fun, and

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engaging, but doesn't really reach to the depths of the platform that all the

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tech originates on. Maybe iPad OS will handle this translation better in the

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future. But until then, most professional workflows are still better

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served by macOS, which they can get on a much less expensive MacBook Air.

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Thanks for blazing through this Mac Address. Make sure to like if you can't

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afford the iPad Pro and subscribe if you'd accept one for free. And if you

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are a professional who's not an artist who has found a really great app and

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workflow that takes advantage of the iPad Pro, let me know in the comments

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below. I'm curious how it helps you.
